Flight of the Lost Balloon

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed and Screenplay by Nathan Juran; Produced by Bernard Woolner, for Woolner Brothers Pictures. Photography by Jacques Marquette; Edited by Rex Lipton; Music by Hal Borne; Stop-Motion Animation by Jim Danforth. Starring: Mala Powers, Marshall Thompson; Douglas Kennedy, James Lanphier, Robert Gillette and Felippe Biriel.

Extremely poor science fiction adventure lifted from a Jules Verne story. Our heroes travel along the African continent in a balloon and have numerous scrapes with danger, against poorly processed stock footage.

You can prefer Irwin Allen's FIVE WEEKS IN A BALLOON more or less the same kind of plot but on a bit better scale though. This one which I speak about is a British production with some US director and actors too, and made by a US movie maker; however the result is spoiled by the fact that the feature is only available in pan and f...scan. I guess the genuine LBX material is lost for good, such a shame. Besides this, the result is OK for the whole family, as were EAST OF SUDAN and SIEGE OF THE SAXONS, also from Nathan Juran the director. Full of charm forever lost, that's the main intetest for this movie.

Sorry, but this comment from another reviewer is simply wrong. The movie takes place in the Victorian age. I'm sure that the Middle Eastern settings for some of the adventures led that reviewer to believe that this took place in medieval times.

This is a better movie than you might think. It was intended for Saturday matinees and is basically an excuse for adventures on the African continent. Most kids who saw it at the time of its initial release loved it.

If you get a chance to watch it, give it a try.

** out of *****

American-International Pictures usually the venue for Roger Corman at the time made this Victorian monstrosity Flight Of The Lost Balloon about a journey across Africa in a balloon. Shortly afterwards Five Weeks In A Balloon came out and was miles better than this.

For one thing this film could use a restoration if someone wanted to bother. The color is very washed out.

Puerto Rico stands in for Africa for the location shooting as Marshall Thompson and Mala Powers set forth to rescue Douglas Kennedy being held prisoner in a castle on an island in the middle of Lake Victoria. The mysterious Hindu who guides Thompson and Powers there is the owner of said castle and he wants Kennedy to spill the beans in regard to Cleopatra's treasure. Cleo didn't die in Egypt she came to the middle of the African veld to do her thing with the asp.

For a film set in Africa, British Africa at that not one of the cast members even attempted a British accent. An indication of the general boredom they had for this project. The situations and the dialog are patently ridiculous, even for a juvenile audience for which this film was intended.

I remember seeing this film on television multiple times in the early 1960s. It is roughly in the same style and genre of another Jules Verne story and film, "In Search of the Castaways" (1962), which was made into a film at almost the same time and was also shown multiple times on television around 1962-1964. As children, my sister and I were captivated by both these films, and we loved to re-watch both of them on television in those years whenever they were shown.

By today's standards the effects and acting are weak, but the film is still captivating, memorable, and fires the imagination. The film has a lot of particularly memorable imagery: a basket balloon, a castle-like fortress on a beach, chained gorillas in a dungeon, the lost treasure of Cleopatra, a very tall and eerie black man who can't speak because his tongue was torn out, a torture chamber with a stretching rack, a woman threatened with torture, a man jumping into a lake from the basket balloon, being chased by African natives with spears, cannibals, a shrunken head hanging on a rack, a fight with a medieval mace, a condor attack, having to dump priceless treasure overboard, and so on. Some scenes border on film mastery. For example, it is surprising how much tension could be put into a simple scene of a man gathering water at a river to take back to the balloon while the audience knows that cannibals are watching him from behind the coconut palms. The aerial photography is reasonably inspiring, although admittedly the filmed backdrop effects aren't high quality.

To clear up some common misperceptions: the basket balloon in the plot is actually a hydrogen balloon, not a hot air balloon. In the story, acid and water are carried on board to generate hydrogen, which is obviously dangerous and this fact figures into the plot since it is too dangerous for the balloon's occupants to fire the musket that they brought along, which leaves them largely at the mercy of attacking condors, spear-throwing African cannibals, and an unwanted guide. Also, the date of Friday, April 7, 1878 is shown at the beginning of this film, on the sign outside the lecture hall, so this is definitely not the medieval period.

The plot is solid and the imagery great. If only the acting and effects were improved, this could be an outstanding film.