IMDb रेटिंग
6.2/10
1.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंTwo estranged brothers confront each other as rivals when war breaks out between Britain and the Vikings for control of England.Two estranged brothers confront each other as rivals when war breaks out between Britain and the Vikings for control of England.Two estranged brothers confront each other as rivals when war breaks out between Britain and the Vikings for control of England.
George Ardisson
- Erik
- (as Giorgio Ardisson)
Jean-Jacques Delbo
- Olaf
- (as Jacques Delbò)
Raf Baldassarre
- Floki
- (as Raffaele Baldassarre)
Françoise Christophe
- Regina Alice
- (as Françoise Cristophe)
Aldo Canti
- Sea Battle Fighter
- (बिना क्रेडिट के)
Loris Loddi
- Young Erik
- (बिना क्रेडिट के)
Joe Robinson
- Garian
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Virtuoso filmmaker Mario Bava turns his attention to the Viking adventure genre with generally engaging results. It's set in the 9th century when Viking aggressors are bloodily invading Britain. Two Viking brothers are separated during a battle, and are raised by opposing forces. Eron (American star Cameron Mitchell) grows up to be a fierce Viking warrior, while Erik (George Ardisson) is adopted by a young British queen (Francoise Christophe). Eron loves a vestal virgin named Daya (Ellen Kessler), while Erik takes a shine to her twin sister Rama (Alice Kessler).
All in all, this is good fun, and worthy viewing for folks who enjoy a good period adventure. It's bloody, it's colourful (it ought to be - Bava photographed it himself), it benefits from obviously impressive production values, and it works as a combination of intense action, melodrama, sexiness (there are plenty of lovely ladies on hand), and even a little dose of humour. The action sequences are definitely well executed, and look especially good given that Bava actually shot this in the 2.35:1 aspect ratio, which he usually didn't do. One highlight is a wall scaling sequence that would make Spider-Man proud. The music helps immensely in making this a rousing bit of business.
The performances are solid right down the line. Mitchell does fine, even if he is dubbed, and embraces the physicality of his role. Hunky Ardisson is his match as his long-lost brother. The real-life Kessler twins are positively ravishing, and Andrea Checchi is an enjoyably odious villain as the devious Sir Rutford.
Fun to watch for Bava admirers, and the first of his three pictures with Mitchell - the others being "Blood and Black Lace" and "Knives of the Avenger".
Eight out of 10.
All in all, this is good fun, and worthy viewing for folks who enjoy a good period adventure. It's bloody, it's colourful (it ought to be - Bava photographed it himself), it benefits from obviously impressive production values, and it works as a combination of intense action, melodrama, sexiness (there are plenty of lovely ladies on hand), and even a little dose of humour. The action sequences are definitely well executed, and look especially good given that Bava actually shot this in the 2.35:1 aspect ratio, which he usually didn't do. One highlight is a wall scaling sequence that would make Spider-Man proud. The music helps immensely in making this a rousing bit of business.
The performances are solid right down the line. Mitchell does fine, even if he is dubbed, and embraces the physicality of his role. Hunky Ardisson is his match as his long-lost brother. The real-life Kessler twins are positively ravishing, and Andrea Checchi is an enjoyably odious villain as the devious Sir Rutford.
Fun to watch for Bava admirers, and the first of his three pictures with Mitchell - the others being "Blood and Black Lace" and "Knives of the Avenger".
Eight out of 10.
ERIK THE CONQUEROR is a superb Viking saga set in the year 786 off the rocky coast of the British Isles. Anglo-Saxon protectors have vanquished the Scandinavian hordes with utter treachery & ferocity led by the evil Duke Helfort (a villainous portrayal by Andrea Checchi). Two tiny blond boys, Aaron & Erik, are left floundering on the sandy beach. One of them (Erik) is taken away by the English Queen (he lovely Francoise Christophe). The other, Aaron, is left to be raised by fellow Norsemen. The two boys bear identical dragon tatooes. Twenty years later the Vikings decide to avenge themselves, led by the now-adult Aaron (Cameron Mitchell at his finest!) Erik (Giorgio Ardisson at his finest!) has been crowned monarch of England and must face the feared Vikings for supremacy. Though Helfort is somewhat older he still covets power and attempts to sway the outcome of the final battle in his favor. Mario Bava is at his best as director and cinematographer in this, his first film since the celebrated BLACK SUNDAY. Art direction on this film is outstanding with sets basking virtually in golds, neon crimsons, icy cobalt blues and forest greens (color by Technicolor!) In an interview with the distinguished film historian David Del Valle, Cameron Mitchell related many stories about the making of ERIK along with declaring Bava's genius at trick photographic effects. Required viewing for Bavaphiles and aficionados of epic cinema. Dazzling!
Mario Bava, fresh from the overnight success of BLACK SUNDAY the previous year, emerges as a master of epic cinema in this Viking tale. Brilliant use of color hues and outstanding art direction distinguish this saga of twins separated as young boys during a battle between Anglo-Saxon hordes and Scandinavia's feared Viking tribes. Giorgio Ardisson portrays Erik and imbues his character with great nobility as he rises to fight against the Norsemen led by his brother Aaron (splendidly cast Cameron Mitchell). Andrea Checchi (Dr. Kruvajan in BLACK SUNDAY) is also tremendous as the evil Rutford, the scheming villain in this piece who wishes to use both forces to his own gain and place himself upon a throne he does not deserve. In an unforgettable interview with film historian David Del Valle commented that this film was made on a tiny budget but one would never surmise this from the rich texture and tenor of this major Bava opus. Macabre touches and phospherent Bava lighting place this work in a class by itself. The Kessler twins are used to superior advantage here and Francoise Christophe appears as the dignified and lovely Queen of the British Isles. A must-see for all lovers of The Maestro and for aficionados of epic cinema.
Mario Bava really outdoes himself with this story of two brothers separated in infancy, who grow to be rival leaders in a battle between Scandanavia and Britian.
This yarn, replete with monumental battle sequences on both land and sea, magnificent coastal and interior castle settings, and bravura use of color simply amazes in its ambitious achievements.
The film opens with a battle sequence on the seashore, by turns both thrilling and horrifying as the soldiers meet with death by spear while the nearby coastal village is burned, with women and children scattering to their doom.
With this breathless sequence, Mr. Bava introduces the audience to a breakneck pace that never lets up.
The story such as it is, is played engagingly on the level of an Errol Flynn film, intelligent enough for adults, but close enough to a comic book for whatever youngsters may be in the audience.
It is, however, the visuals that linger in the mind: a grotto with an enormous twisted tree upon which are bound two captured adulterers, bathed in that phosphorescent green light that Mr. Bava was so adept at casting; a stunning vista of the seashore at twilight with two women in billowing robes silhouetted against a sky banked with tempestuous cloud formations, Georges Ardisson and his mother flanked by flaming braziers, amidst tall stalagmites, in a setting that might be from Dante's Inferno, (and recalls a similar setting in Orson Welle's "Macbeth" and countless others.
Mr. Bava painted his masterpieces not on canvas but on celluloid.
The cast is both attractive and serviceable, with Mr. Ardisson and the luscious Kessler Twins deserving of special commendation. Indeed the Misses Kessler, (as Vestal Virgins) perform a sword dance with such delicacy and intricate footwork that it is easy to see why their cabaret act was once the toast of Europe.
Highly enjoyable for fans of the genre.
This yarn, replete with monumental battle sequences on both land and sea, magnificent coastal and interior castle settings, and bravura use of color simply amazes in its ambitious achievements.
The film opens with a battle sequence on the seashore, by turns both thrilling and horrifying as the soldiers meet with death by spear while the nearby coastal village is burned, with women and children scattering to their doom.
With this breathless sequence, Mr. Bava introduces the audience to a breakneck pace that never lets up.
The story such as it is, is played engagingly on the level of an Errol Flynn film, intelligent enough for adults, but close enough to a comic book for whatever youngsters may be in the audience.
It is, however, the visuals that linger in the mind: a grotto with an enormous twisted tree upon which are bound two captured adulterers, bathed in that phosphorescent green light that Mr. Bava was so adept at casting; a stunning vista of the seashore at twilight with two women in billowing robes silhouetted against a sky banked with tempestuous cloud formations, Georges Ardisson and his mother flanked by flaming braziers, amidst tall stalagmites, in a setting that might be from Dante's Inferno, (and recalls a similar setting in Orson Welle's "Macbeth" and countless others.
Mr. Bava painted his masterpieces not on canvas but on celluloid.
The cast is both attractive and serviceable, with Mr. Ardisson and the luscious Kessler Twins deserving of special commendation. Indeed the Misses Kessler, (as Vestal Virgins) perform a sword dance with such delicacy and intricate footwork that it is easy to see why their cabaret act was once the toast of Europe.
Highly enjoyable for fans of the genre.
Erik the Conqueror (1961)
*** (out of 4)
Eron (Cameron Mitchell) and Erik (George Ardisson), as children, witness their father brutally murdered during a Viking massacre. After the massacre Erik is taken in by the Queen while Eron grows up as a viking. Twenty-years later the two are on a collision course.
ERIK THE CONQUEROR is quite the action picture as director Mario Bava certainly made the film look like a much bigger budget than I'm sure it had. There's no question that this film was riding on the success of THE VIKINGS but obviously the Italian production didn't have the big stars, the big budget or an unlimited amount of resources. That's what made Bava so special. He could take a small budget and make the picture look like something from a major studio.
I think the weakest thing here is the actual story since it's really nothing original and there's really nothing here that we haven't seen countless times before. Where the film succeeds is on every other level and we can start with the wonderful cinematography. This is certainly a beautiful picture to look at with the camera-work really bringing the settings to life. You've got the wonderful use of color that adds to the picture and just take a look at the camera work during the opening battle. This battle sequence was perfectly shot and it manages to grab you and throw you right into the action.
The action scenes are all handled with extreme craft and perfection. The movie certainly contains some rather violent moments to add to the fun and I'm sure the kiddies watching this during a matinée were quite shocked. The film also benefits from some nice performances with Mitchell leading the way. He was very strong in the lead role and managed to really sell the character. Ardisson isn't quite as good but he's at least fun as is Alice Kessler and Ellen Kessler as the love interest.
ERIK THE CONQUEROR isn't a masterpiece but it's certainly a highly entertaining action film.
*** (out of 4)
Eron (Cameron Mitchell) and Erik (George Ardisson), as children, witness their father brutally murdered during a Viking massacre. After the massacre Erik is taken in by the Queen while Eron grows up as a viking. Twenty-years later the two are on a collision course.
ERIK THE CONQUEROR is quite the action picture as director Mario Bava certainly made the film look like a much bigger budget than I'm sure it had. There's no question that this film was riding on the success of THE VIKINGS but obviously the Italian production didn't have the big stars, the big budget or an unlimited amount of resources. That's what made Bava so special. He could take a small budget and make the picture look like something from a major studio.
I think the weakest thing here is the actual story since it's really nothing original and there's really nothing here that we haven't seen countless times before. Where the film succeeds is on every other level and we can start with the wonderful cinematography. This is certainly a beautiful picture to look at with the camera-work really bringing the settings to life. You've got the wonderful use of color that adds to the picture and just take a look at the camera work during the opening battle. This battle sequence was perfectly shot and it manages to grab you and throw you right into the action.
The action scenes are all handled with extreme craft and perfection. The movie certainly contains some rather violent moments to add to the fun and I'm sure the kiddies watching this during a matinée were quite shocked. The film also benefits from some nice performances with Mitchell leading the way. He was very strong in the lead role and managed to really sell the character. Ardisson isn't quite as good but he's at least fun as is Alice Kessler and Ellen Kessler as the love interest.
ERIK THE CONQUEROR isn't a masterpiece but it's certainly a highly entertaining action film.
क्या आपको पता है
- ट्रिवियाCameron Mitchell's voice is dubbed by another actor in the English-language version.
- गूफ़In the duel between Eron and Erik both characters lose their shields at one point. After a cut both are equipped with shields again.
- कनेक्शनFeatured in Kolossal - i magnifici Macisti (1977)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Erik the Conqueror?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 30 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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