अपनी भाषा में प्लॉट जोड़ेंA somewhat happy-go-lucky bunch of Brits in a German POW camp find their new acerbic fellow prisoner is a key officer who must be got out at all cost.A somewhat happy-go-lucky bunch of Brits in a German POW camp find their new acerbic fellow prisoner is a key officer who must be got out at all cost.A somewhat happy-go-lucky bunch of Brits in a German POW camp find their new acerbic fellow prisoner is a key officer who must be got out at all cost.
- निर्देशक
- लेखक
- स्टार
Ronald Leigh-Hunt
- Clynes
- (as Ronald Leigh Hunt)
फ़ीचर्ड समीक्षाएं
John Robertson Justice , the head of some very hush-hush research group during the war, needs to get a look at some German fortifications from the air. Things go pear-shaped and he's captured and sent to a Naval P.OW. camp. There, being John Robertson Justice, he convinces everyone he is a German spy, until orders come from Britain: he's got to be gotten back to Britain. Being John Robertson Justice, he handles it all himself.
Usually Justice is the terrifying authority figure in a comedy fronted by some one else. Here, with the lead role, he's about eighty percent of the show, and a very good show it is, with his usual comedy persona in full bloom. It's a fine mixture of comedy and thriller, with Justice being annoyingly right at all times.... we hope.
With John Le Meseurier, Norman Bird and Leslie Phillips as his stooge
Usually Justice is the terrifying authority figure in a comedy fronted by some one else. Here, with the lead role, he's about eighty percent of the show, and a very good show it is, with his usual comedy persona in full bloom. It's a fine mixture of comedy and thriller, with Justice being annoyingly right at all times.... we hope.
With John Le Meseurier, Norman Bird and Leslie Phillips as his stooge
Very Important Person combines elements of the Carry On films, The Great Escape and Hogan's Heroes to produce a lighthearted low budget British Comedy that is surprisingly effective. Many of the stalwarts from this era are here with John Le Mesurier, Stanley Baxter, Eric Sykes in supporting roles. I wouldn't have been at all surprised to see Sid James turning up somewhere.
James Roberson Justice is excellent in his role as the cantankerous Very Important Person. There are lots of stiff upper lips and "tickety boos" from the British and the German officers are typically cast as foolish buffoons. This must have all been an inspiration for Hogan's Heroes but a very long way from the reality of prisoner of war camps.
Overall, VIP is a fine example of British Comedy from the 60s and is well worth a look.
James Roberson Justice is excellent in his role as the cantankerous Very Important Person. There are lots of stiff upper lips and "tickety boos" from the British and the German officers are typically cast as foolish buffoons. This must have all been an inspiration for Hogan's Heroes but a very long way from the reality of prisoner of war camps.
Overall, VIP is a fine example of British Comedy from the 60s and is well worth a look.
This comedy-thriller gives an unexpectedly authentic look to a German prisoner of war camp, suggesting a practical knowledge of the subject from some of those involved in the making of the film.
I remember seeing this film on TV as a kid, and enjoying it immensely. Recently, it cropped up on UK's Channel Four, and it was still just as entertaining and oddly touching.
James Robertson Justice gives a great performance as the grouchy, but underneath it all, sensitive boffin, and it's a real treat to see the young Eric Sykes, Stanley Baxter and Leslie Phillips all relishing their work. Wonderful support also in the always solid and dependable forms of John Le Mesurier and Richard Watiss. Many other familiar faces from films of the era add to the overall success of this movie. A very British little gem of a movie.
I remember seeing this film on TV as a kid, and enjoying it immensely. Recently, it cropped up on UK's Channel Four, and it was still just as entertaining and oddly touching.
James Robertson Justice gives a great performance as the grouchy, but underneath it all, sensitive boffin, and it's a real treat to see the young Eric Sykes, Stanley Baxter and Leslie Phillips all relishing their work. Wonderful support also in the always solid and dependable forms of John Le Mesurier and Richard Watiss. Many other familiar faces from films of the era add to the overall success of this movie. A very British little gem of a movie.
Very Important Person is a well-written, and enjoyable British comedy that really belongs with other classic 1950s films. 1935 - 1962s British Comedies are my absolutely favourite genre as they hold their charm and wit even now and Very Important Person has a great deal of the essentially British humour in tough straights.
The plot of the genius scientist - JRJ - who ends up in a POW camp and must escape at all costs is a good vehicle to hang some nice character acting from Stanley Baxter and let Leslie Philips do his bounder at play act.
There are a ton of recognisable faces from John Le Mesurier to Eric Sykes, and the terrific part actor Richard Wattis, who everyone in Britain would recognise but few can name, all making the time fly by to perfection.
Above all, there's James Robertson Justice. Justice ironically nearly always played characters that looked and sounded true Tory but was the child of two of Britain's better Socialists (They did a lot in educational reform). He, himself, stood for parliament in Scotland as a Labour MP. Thank goodness he lost! His curmudgeon, which he had already perfected as Sir Lancelott Spratt in the Doctor series, is at its best here; he takes rude to a comic art form - and we love him for it.
Ken Annakin directs, and given that his list include Battle of the Bulge and Those Magnificent Men in their FLying Machines and Monte Carlo or Bust you know you're in excellent hands.
All in all, this is very reminiscent in style to The Wooden Horse but with laughs, a classic of its style and one that will still bring a wry smile to the face.
The plot of the genius scientist - JRJ - who ends up in a POW camp and must escape at all costs is a good vehicle to hang some nice character acting from Stanley Baxter and let Leslie Philips do his bounder at play act.
There are a ton of recognisable faces from John Le Mesurier to Eric Sykes, and the terrific part actor Richard Wattis, who everyone in Britain would recognise but few can name, all making the time fly by to perfection.
Above all, there's James Robertson Justice. Justice ironically nearly always played characters that looked and sounded true Tory but was the child of two of Britain's better Socialists (They did a lot in educational reform). He, himself, stood for parliament in Scotland as a Labour MP. Thank goodness he lost! His curmudgeon, which he had already perfected as Sir Lancelott Spratt in the Doctor series, is at its best here; he takes rude to a comic art form - and we love him for it.
Ken Annakin directs, and given that his list include Battle of the Bulge and Those Magnificent Men in their FLying Machines and Monte Carlo or Bust you know you're in excellent hands.
All in all, this is very reminiscent in style to The Wooden Horse but with laughs, a classic of its style and one that will still bring a wry smile to the face.
Sir Ernest Pease is sucked out of an aeroplane and captured by the Germans, and promptly interred at a POW camp. Naturally he refuses to give the Germans any information, and carrying his surly approach into his bunking quarters doesn't endear him to his fellow prisoners. But word comes thru from the hierarchy that Pease is so important on account of his scientific knowledge, he must escape at all costs. Thus this odd group of people must unite to get the old curmudgeon free.
Written by the men behind some of Norman Wisdom's most well known offerings {Henry Blyth & Jack Davies} and starring such British comedy luminaries like James Robertson Justice, Leslie "Hello" Phillips, Stanley Baxter, John Le Mesurier and Eric Sykes. Well it isn't rocket science to work out what type of film you are in for. Competently made at Beaconsfield Studio for Independent Artists,Very Important Person is practically a goofy version of the Great Escape {made two years later I hasten to add}. The Germans are of course portrayed as clueless dunderheads, and the British prisoners get by with a stiff upper lip and using humour as ultra sharp defence mechanisms.
So nothing new here for those that have sat thru many a 50s and 60s British war comedy, but the cast and writing is so engaging it's easy to forgive the familiarity of it all. Carried easily by the broad presence of James R Justice as Pease {fans of the Doctor franchise will love him here}, it's a film that knows it's a simple piece. It exists purely to induce a giggle, maybe even stir a bit of pride, and with its ending-actually has something to say as regards its main character. It's real light stuff that isn't the least bit dramatic {as some on line reviewers have suggested}, kind of like like a light wafer biscuit, you know it's a snack and that's really all you need to make you temporarily fulfilled. 6.5/10
Written by the men behind some of Norman Wisdom's most well known offerings {Henry Blyth & Jack Davies} and starring such British comedy luminaries like James Robertson Justice, Leslie "Hello" Phillips, Stanley Baxter, John Le Mesurier and Eric Sykes. Well it isn't rocket science to work out what type of film you are in for. Competently made at Beaconsfield Studio for Independent Artists,Very Important Person is practically a goofy version of the Great Escape {made two years later I hasten to add}. The Germans are of course portrayed as clueless dunderheads, and the British prisoners get by with a stiff upper lip and using humour as ultra sharp defence mechanisms.
So nothing new here for those that have sat thru many a 50s and 60s British war comedy, but the cast and writing is so engaging it's easy to forgive the familiarity of it all. Carried easily by the broad presence of James R Justice as Pease {fans of the Doctor franchise will love him here}, it's a film that knows it's a simple piece. It exists purely to induce a giggle, maybe even stir a bit of pride, and with its ending-actually has something to say as regards its main character. It's real light stuff that isn't the least bit dramatic {as some on line reviewers have suggested}, kind of like like a light wafer biscuit, you know it's a snack and that's really all you need to make you temporarily fulfilled. 6.5/10
क्या आपको पता है
- ट्रिवियाWhen James Robertson Justice's character shouts at the Lageroffizier, it translates as "You can kiss my arse, you filthy Nazi!" Possibly, James Robertson Justice, who spoke fluent German, ad-libbed this, certain that the rest of the crew probably wouldn't understand it, most of the audience wouldn't and the censors undoubtedly wouldn't (or get the jokes).
- गूफ़When the Times Crossword is first introduced to the prisoners, the clue for 1 Across is stated as "What did Jupiter drop?" However, when Farrow has completed it, we see the 1 Across clue as "Preserve of Fiction" (solution:"ramjam"). Furthermore, the crossword is numbered #4548 whilst the solution to the previous day's crossword = #9547 - the leading "9" having been amended to a "4".
- भाव
Sir Ernest Pease KBE FRS: Cooking requires no intelligence. Were it otherwise women would be no good at it.
- कनेक्शनFeatured in War Stories (2006)
टॉप पसंद
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- A Coming-Out Party
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- रंग
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- 1.66 : 1
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