Carry on Cruising

There's something wonderfully fresh, cheery and bright about Carry on Cruising. 1962 gave us the first Carry on Film in colour, and it does feel different to the early Black and White entries.

It's slightly cheekier in several ways, we're not talking Carry on Behind, but it does have its moments, that naught, picture postcard brand of humour is just about starting.

It worries me that repeats have dried up, as has comedy, some of the reviews.....you'd wonder if people have any sort of sense of humour.

For me the addictive element is the diminutive Australian actress Esma Cannon, who is hilarious, a total joy from start to finish, the drunken scene between her and Dilys Laye is side splitting. The usuals are on great form, Sid and Kenny contrast well, it is missing Joan, Charles and Hattie, but there are enough lovely performances to make it enjoyable, Liz Fraser and Dilys Laye in particular are utterly lovely.

A nice film for all the family to sit down and enjoy.

7/10.

I'm a Yank who's always loved British comedy and I'm sorta amazed that the reputation of this series never really traveled over to this side of the pond.

I haven't seen all of the Carry Ons, but of the ones I've enjoyed, Cruising stands out. I'm not sure why it doesn't get the love of the later films. Maybe it's because it's a relatively laid-back affair with a breezy sense of humor that never really sinks into toilet jokes or smutty double entendres.

Some say that Sid and Kenneth are underused - my opinion is that they're like a dash of cayenne pepper in the mix. A little dab'll do ya! I miss Charles Hawtrey but Lance Percival is hilarious. The color works well and the sets are very elaborate, especially the shot when the camera pans down into the ship's swimming pool. I showed this one to my girlfriend (who generally doesn't like older movies) and she was laughing out loud the whole time.

There seems to be a minority who rate this entry highly. For my money this one's better than Cleo and Cowboy...maybe not as good as Screaming. Just my 2 cents.

Marking the end of the first era of the franchise with a glorious jump to colour, Carry On Cruising has a distinct summer holiday vibe to the proceedings, even if it was all shot in a studio and relies on plenty of stock footage to showcase its sunny relaxation destinations. There's something so wonderfully fresh, cheery and bright with that naught, picture postcard brand of humour just about forming with a lot of charm, falling pretty neatly between the early gentle comedies of the late '50s and the double-entendre-laden gems to come. However, as such, it feels like a film that should be funnier than it is, or maybe gentler and more innocent than it tries to be, but the script is sharp with some great gags deftly delivered by the ensemble, the perfect setup for a series of disasters and the film duly delivers thanks to dialogue bursting with puns and wordplay. Carry On Cruising certainly feels like a transitional period for the series, providing enough laughs and remaining as watchable and good-natured as any other entry in the series, even if at times it can feel rather limp.

The format of the early Carry On's is continued in this 1962 outing, Sid James is the Captain of a cruise liner on his final voyage before retirement, who is landed with a load of bumbling new recruits.

While Sid James is again under used, as he was in many of his early Carry On outings, it is Kenneths Connors and Williams who shine once again. Connors especially with a touching performance as the doctor in love with one of the passengers.

This film shows why the early Carry Ons were the best.

I enjoyed Carry on Carry on Cruising, but I don't consider it one of the better entries. The story is pretty basic, some parts aren't as funny as others and this film could have done with a Barbara Windsor, a Hattie Jaques or a Jim Dale. It looks great though, and the score is nice and quirky. While there is nothing absolutely hilarious, some dialogue is funny and there are some decent gags. The acting is good if nothing more than that. Sidney James and Kenneth Williams are both underused but they do a fine enough job with what they have, though James does appear somewhat more subdued here. Kenneth Connor is amusing here, Liz Fraser is pleasant enough and Dilys Lane is good too. Overall, unexceptional but charming and pretty entertaining. 7/10 Bethany Cox