The Long Ships

They say you shouldn't re-visit things you dug when you were a kid, because you'll be disappointed. I remember being blown away by 'The Long Ships' on b/w TV when I was about 8, and I knew that the film wasn't going to live up to my memories - but it could have been a lot, lot worse.

'The Long Ships' was made at the tail end of the historical togas and sandals epics of the fifties and early sixties, and it doesn't take itself anywhere near as seriously as 'Ben Hur', 'El Cid' or 'The Egyptian'. It's basically a good old adventure yarn, and it's still actually a load of fun, even if it gets a bit bogged down in the middle.

Richard Widmark is a Viking (only slightly more ridiculously than his nemesis Sidney Poitier as a Moor) who is shipwrecked and thinks he has found the location of the fabled 'Mother of Voices' - a gigantic golden bell as tall as 'three tall men', made by monks somewhereorother. In his efforts to capture it he and his crew constantly run up against Poitier who has similar designs. All of this leads to some rather improbably rapid voyages from one end of Europe to the other, apparently accomplished overnight - but the film makers obviously didn't give a lot of priority to plausibility, and neither should the viewer.

Widmark plays his hero more like Indiana Jones than Ben Hur. There is a good deal of comedy, and a couple of scenes even feel like they belong in a 'Carry On' movie (particularly the scene where the Vikings bust into the Harem, which might have been offensive if it wasn't so deliberately slapstick).

Sure, it's an adventure drama, but if you're expecting the sort of grave, Biblical epic which had been popular for most of the previous decade, look somewhere else. 'The Long Ships' is a good old-fashioned adventure yarn, and as such is still pretty good fun; at least as much as modern equivalents like 'The Mummy'. I'm giving it a strong 6.0.

Every Tale, fable, or legend has a basis in some small fact. In this film called " The Long Ships " we have a Viking reciting a legend which was once told to his people of a great bell which was as high as 'three tall men.' Said to have been created by the monks of Byzantium, in actuality, they had indeed cast one out of solid gold, but was small enough to be handed as a gift to the German emperor, for his personal chapel, during the middle ages. As with most 'fish' stories, the size of the bell grew with each retelling. For this movie, the seekers are Northmen, not Germanic knights as in the original tale. Still, the movie is entertaining enough due to the major stars in it. Here we have, Richard Widmark as Rolfe, a seafaring Viking who is captured by Aly Mansuh, the Moorish prince (Sidney Poitier) who threatens him with torture is he does not reveal its location. Then there is Russ Tamblyn as Orm, his very agile brother and then of course there is international star Oskar Homolka as Krok, who is their father. All in all, a good film, for an otherwise lazy afternoon. ****

Churned out at pretty much the end of the cycle of epics, THE LONG SHIPS was NEVER meant to be taken seriously! Richard Widmark understood that - what's with this plethora of pseudo-intellectual reviews decrying cinematic and plotline aspects here. Wake up and smell the roses people, this is one for all and ALL for fun!

Even Poitier, hamming it up as OTHELLO with a wicked hairdresser, was secretly having fun! The whole misbegotten tale of the fabled golden bell was little more than a cack-fest but by GOD was the musical score great or what? I can still hear Dusan's stirring theme now, and I only saw the flick once at its Sydney premiere in '63.

Action aplenty, outrageous script and despite accusations to the contrary here, some gung-ho cinematography. This was never gonna be up for any Oscars, Widmark, Homolka and three quarters of the cast in fact, saw to that!

Considering Kirk Douglas, only five years before, has made of his 'The Vikings' the definitive viking epic, not so bad we could be entertained with a lighthearted version of the norwegian warriors. Sort of a 'comic relief' after the bloody, harsh, moody Douglas unsurpassed masterpiece.

Not to be taken seriously, this one. Directed by Jack Cardiff ('The Vikings' cinematographer), it offers fun, adventure, and a semi-Monty Python approach at times. The plot is the silliest ever, acting is hammy to the best, but what the hell?

The Othelo-tailored moor, cortesy of Sidney Poitier, is straight. The nice Russ Tamblyn makes his best. Rossana Schiaffino is traffic-stopper, jawbreaker, but this is a Richard Widmark's movie from the beginning to the end, because he is the only one who clearly got the point across: he is taken nothing, absolutely nothing, too seriously! He is clearly blinking an eye to all off us viewers all the time, saying: "Relax, folks, it's only a movie! Let's have fun!"

Somewhere in this very picture a given viking sighs: 'there's no real vikings anymore, like in the old times!" Man, they stayed all in the Kirk Douglas' movie, you bet! In this one, just tongue-in-cheek slapstick. Where's my popcorn pack?

...story, lines, events, adventure, fights, heroism , love story. but not bad. in few aspects - surprising. because it has the right cast, the right director and...the right music. because it has the same flavor from the "historical" films of same period. but seductive nuances. because Sydney Poitiers is real convincing as the cruel, powerfull Aly Mansuh and Richard Widmark orRuss Tamblyn use the inspired recipe defining each of them roles. so, a film who not gives much surprises but it is more than decent. and, for today, when the Viking fashion is alive, "The Long Ships" has the chance to be real cool.