Love with the Proper Stranger

Natalie Wood and Steve McQueen are at the pinnacle of their acting talent in this b-w gem from the early 1960's. Two very different people - Rocky Papasano and Angie Rossini - re-unite after a one night stand that results in a pregnancy. How they resolve this crisis is the story of this movie. Along the way, there is drama and a lot of fun. Much of the movie was shot on location in New York City's Lower East Side. There is one particularly gripping scene involving a back-alley abortionist that stands out in this film. The two young people come from Italian immigrant families who provide great entertainment as a backdrop to the love story. In the course of the movie, Angie, who was under the thumb of her domineering family, came into her own and took on a new-found confidence. Rocky's support and love helped her bloom into a wonderful and mature young woman. There were two hysterical dinner scenes, breaking the tense atmosphere of this dramatic coming of age film. Tom Bosley, in his pre-TV days, is the man considered by the family as an acceptable husband for Angie. He is very funny as the good-natured clutz trying to woo her. Other than that, the two great stars, who both died too young, have left their fans with a great love story; also directed by Robert Mulligan.

This movie is heightened by the fact that Natalie Wood and Steve McQueen are the stars. They have enough acting talent and chemistry together to make it work. The subject matter probably made this controversial in the sixties but the movie doesn't seem old in a stupid way. The supporting cast is good too - Hershel Bernardi, especially, as Natalie's overly-possessive brother.

This film has always struck me as Natalie Wood and Steve

McQueen's best work in movies. Both would go on to successes

and failures, but neither would seem as natural and as unaffected

on screen again.

The story of a good working-class Italian girl in New York who gets

pregnant by a man she hardly knows, is very strong stuff for 1963.

So is their decision to have an abortion. Roe vs. Wade was nearly

a decade in the future. Mulligan shows a very gritty, dirty, New York

which has emerged from the 50s as a crumbling relic of a city,

nowhere as clean and shiny as it is today. McQueen is a callow

young musician, not looking to settle down with anyone, let alone a

single pregnant girl, even if he is at fault.

The trip to a bad neighborhood to get the abortion is chilling, and

Wood's absolute terror is genuine here. McQueen being

reluctantly honorable is very sexy here. The rest of the film with her

facing down her overly protective Neanderthal brothers and getting

her own apartment, follows the young lovers as they try to do the

right thing. Steve's poster--"Better wed than Dead," is a sweet

coda.

I loved this movie. It struck this teenager at the time, as a very

sophisticated film. Natalie Wood is incandescently beautiful in

black and white and still the loner, McQueen's intensity is a bit

more subtle than usual. Good supporting cast. This was an era

where the final black and white movies were being made--TO KILL

A MOCKING BIRD, BIRD MAN OF ALCATRAZ, THE AMERICANIZATION OF EMILY, PSYCHO were the last gasp of this

medium.

Long overdue for DVD release.

Lovely chemistry between superstars Wood and McQueen make this Robert Mulligan a pure charmer. McQueen sheds his tough guy image to play both romance and even a little comedy as well. Oscar nominee Wood matured beautifully into the role of Angie, the girl who finds she's going to have a baby and it's McQueen's! There is a fine performance from Tom Bosley, in his first major role as a clumsy fellow who tries to win Wood's heart. The conclusion to this film is lovely and full of hope for all young lovers out there. A Must see!!!

I really like this film. It's exciting to watch these two wonderful talented actors working together. "Love With the Proper Stranger" is always a favorite and I'm irresistibly hooked on repeated viewing.

Natalie Wood is the feisty young working woman struggling for her chance to be independent, to live away from the family (attached Italian parents and brothers in NYC setting) and be on her own terms. Steve McQueen is the center of opposite attraction: the problem and the goal. He is a union musician who is trying to be financially independent; he also has close family ties with both endearing mother and father. Edie Adams is in a supporting role as McQueen's girl friend with an apartment to lean on. Tom Bosley is the kind and good-hearted suitor that Wood's character's family approves. It's a heart-warming, very much a 60's love story that touches on the tough subject of abortion, yet brims with humor, drama and affectionate smiles.

Shot in black and white; music by Elmer Bernstein, with the theme song sung by Jack Jones; produced by Alan J. Pakula; the film is keen and sensitively directed by Robert Mulligan. His films include the award winning 1962 "To Kill A Mockingbird"; the intriguingly haunting 1972 "The Other"; an unforgettably fun 1961 "Come September" with Gina Lollobrigida & Rock Hudson, Sandra Dee & Bobby Darin in Italy; the 1971 classic coming of age film "The Summer of '42" with lovely Jennifer O'Neill; and another poignant coming of age story from a girl's point of view in 1991 "The Man In the Moon", with Reese Witherspoon in her impressive film debut.