The Americanization of Emily

This film is being released on cable again here in the fall of 2002. I guess I hope some liberal Hollywood mogul is doing it on purpose, to give us, especially those of us in the US, another good dose of anti-war. The movie seems especially apt for me, for my countrymen, because it is both funny and serious, and, set in England, it gives a pretty good sense of what a people who know war think and feel about it.

I'm afraid I doubt that it's going to have much effect against the probably coming Iraq action, but I'd like to think it might have a bit.

Both James Garner and Julie Andrews do well in the film, and Melvyn Douglas is real good as an American ranking Naval officer who's sane about the "glories of war". The Brit who plays Julie Andrews mother, whose name I unhappily cannot remember, deserves strong mention, too, especially with her scene about the absurdity and stupidity of memorializing the first Allied death in the invasion at Normandy in WW II.

I first saw this movie in 1964 at the Air Force base where I was stationed. At the time I thought it was an odd choice to show on base, but in those days, I guess the military wasn't so sensitive that they had to censor the films shown on base. The movie practically disappeared for 40 years, and I was pleased to see that it is now released on DVD. I watched the DVD this weekend and was happy to find that the film still seemed fresh and had aged very well.

Watching this movie reminds one of why James Garner and Julie Andrews became stars. They are both extremely likable and have good chemistry together. Garner's character, Charlie Madison, is just a rift on his Maverick TV personae, but is well suited to the character. Andrews, in a non-singing role, is luminescent. She plays a British war widow the way all Americans think of British women. It is a classic portrayal. The star of this film though, is the script by Paddy Chayefsky. Snappy, witty dialog and that strong dose of black humor amply illustrate why Chayefsky should be considered on of the finest script writers of all time. This is equal to his work in Network.

The DVD extras are sparse. There is a 6 minute 1964 MGM featurette on the filming of the Omaha Beach scene. It is only notable by comparison of Mr Garner's treatment during filming to how today's over-indulged, ego-inflated, and under-whelming movie stars are treated. Recommended.

Get ready for a well written, directed and acted film about a very cowardly man in service. He's played by James Garner in an incredible performance. It has been said EMILY is his favorite film and I agree. Along with Garner is an amazing performance by Julie Andrews who looks terrific. A great character study and movie that makes you think. So unlike todays films where the special effects and fancy camera movement take the place of good old fashioned writing and acting. Superb also in support roles are Melvyn Douglas and James Coburn. The only flaw is that the women, including Andrews, don't have that "1945" look. Much too modern looking, especially the hair styles.

Think of Network or The Hospital, Paddy Chayefsky was seeing into the future and what he saw was ugly. Here we have an insane admiral and how his men, who know he's crazy, stand in line to follow his wishes/commands. An anti war film without sentimentality. Julie Andrews is a total delight as the tough cookie with a razor sharp mind. James Garner has the best lines of his career. His tea with Joyce Grenfell is a superb written scene. Joyce Grenfell as Julie's mother is divine, yes, divine! Melvyn Douglas as the crazy man in charge is the Howard Beale of the situation and what he does with it is pure genius. Highly recommend it.

For those of today's fans who think Julie Andrews made her film debut in Mary Poppins, they would be wrong. After leaving Camelot on Broadway, The Americanization of Emily was the vehicle with which Julie made her debut. And she sings not a note.

She didn't have to. Beneath all the comedy revolving around the scheming and conniving of James Garner to stay as far away from the hail of bullets as possible are some profound statements about the futility of war and the geopolitics that got the USA in that particular war.

James Garner is in a quintessential James Garner role as set down by Bret Maverick, the part that made Garner a star. He's a "dog robber" a military aide to an admiral who specializes in acquiring certain creature comforts for his boss. Garner became one after serving some combat in Guadalcanal and finding it not to his liking. Fortunately for him, he had the connections to get out of that situation unlike several thousand others. Not a very admirable man.

But despite herself, stiff upper lip Britisher Julie Andrews finds herself falling for him. There's is one rocky romance.

Through a combination of circumstances Garner finds himself going to the front on D-Day to film the Naval Engineers disabling the mines in the water at Normandy Beach. Once again, it's not to his liking.

Garner and Andrews get good support from the supporting cast consisting of James Coburn, William Windom, Joyce Grenfell and Melvyn Douglas as the battle fatigued admiral who's Garner's boss and who got him in the situation described.

One of my favorite scenes involves two sailors, Keenan Wynn and Steve Franken who get assigned to Garner to make the film. The three of them get cockeyed drunk and Garner's immediate superior James Coburn finds them in a state of uselessness. He has them hauled aboard the transport with the cargo.

One of the great things this film had going for it was the Henry Mancini-Johnny Mercer title song of Emily. They were a hot combination of movie song writers then, having one back to back Oscars for Moon River and Days of Wine and Roses. Frank Sinatra, Jack Jones, and Andy Williams are some of the artists who recorded that song back in 1964.

I can't give the ending away, but let's say that Garner through a bit of sophistry winds up doing exactly what he said he never would. But then again as Garner says, he's not interested in some great philosophical truth, just the momentary fact of things. He and Julie Andrews together are what counts most.