IMDb रेटिंग
8.3/10
22 हज़ार
आपकी रेटिंग
19 वीं सदी के जापान में, शहर का एक बहुत ही गुस्से वाला फिर भी दयालु डॉक्टर एक युवा प्रशिक्षु को प्रशिक्षित करता है.19 वीं सदी के जापान में, शहर का एक बहुत ही गुस्से वाला फिर भी दयालु डॉक्टर एक युवा प्रशिक्षु को प्रशिक्षित करता है.19 वीं सदी के जापान में, शहर का एक बहुत ही गुस्से वाला फिर भी दयालु डॉक्टर एक युवा प्रशिक्षु को प्रशिक्षित करता है.
- पुरस्कार
- 11 जीत और कुल 2 नामांकन
कहानी
क्या आपको पता है
- ट्रिवियाAkira Kurosawa's desire for authenticity for this film led to having the hospital set thoroughly stocked with expensive medical supplies of the time period the film's set in. The drawers that were never referred to or opened on camera, were nevertheless filled with pills.
- गूफ़At the brothel where young Otoyo is being rescued: when Red Beard (Toshiro Mifune) prepares to step out of the brothel opening to confront the thugs gathered outside, from the inside camera view, right before he steps through the door flap, there are a couple of thugs standing just right outside the opening. But from the outside shot, which shows Red Beard stepping out, the nearby thugs have changed position, and are now standing much farther away from the opening.
- भाव
Dr. Handayu Mori: The pain and loneliness of death frighten me. But Dr. Niide looks at it differently. He looks into their hearts as well as their bodies.
- कनेक्शनFeatured in WatchMojo: Top 10 Akira Kurosawa Movies (2014)
फीचर्ड रिव्यू
This was the sixth Kurosawa film I ever saw, in a film-viewing binge that began with Seven Samurai and has yet to satiate me. It did, however, mark a turning point for me as it did for him.
Up to then, I had only seen the B&W Samurai classics of the 50s and early 60s. The must-sees: not just Seven Samurai, but Yojimbo and Throne of Blood. The under-appreciated Sanjuro, and the light but enduring Hidden Fortress. This was my first non-samurai film from him. What I did not realise until later was that it was his career apotheosis.
Red Beard is not Kurosawa's best film. Yet when it came out, it was a phenomenon much like Titanic 30 years later. It broke the bank, it was an exercise in unprecedented creative and financial power by a major filmmaker, and it appealed to filmgoers like few filmes before or since. Kurosawa built a hospice and miniature village for his characters to inhabit, and this episodic story of a young star doctor discovering a vocation among the poor under the gruff "red beard" (Mifune) feels all the more authentic for it. It is a film of such deliberate ease and confidence that it could only be made by this director, at this point in his career. It could not be anything less than the fullest exploration of his most cherished themes - social injustice, the redemptive power of human kindness, personal codes. It could also do nothing but foreshadow his decline.
That's a lot of expectation to pile onto the unsuspecting viewer, so what do you get during those 3 hours? You get a first-class drama, Mifune's finest performance, and one of the most beautiful tear-jerkers ever to grace a screen. All the while, countless instances of technical brilliance remind you why this film could only be made by this director: a surgery covered in nothing but an extended closeup of the young doctor, an eerie seduction covered in an almost static, dreamlike wide shot, and, halfway through, the ass-kicking of a life-time and its touching follow-up.
This is an extinct form of filmmaking, one preserved in the ember of its stark black-and-white film stock. The cinematic equivalent of a Tyrannosaurus Rex skeleton: there are ways in which you won't relate, but it is daunting, powerful, and a journey into an intriguing other world well worth spending 3 hours in, and then some.
Up to then, I had only seen the B&W Samurai classics of the 50s and early 60s. The must-sees: not just Seven Samurai, but Yojimbo and Throne of Blood. The under-appreciated Sanjuro, and the light but enduring Hidden Fortress. This was my first non-samurai film from him. What I did not realise until later was that it was his career apotheosis.
Red Beard is not Kurosawa's best film. Yet when it came out, it was a phenomenon much like Titanic 30 years later. It broke the bank, it was an exercise in unprecedented creative and financial power by a major filmmaker, and it appealed to filmgoers like few filmes before or since. Kurosawa built a hospice and miniature village for his characters to inhabit, and this episodic story of a young star doctor discovering a vocation among the poor under the gruff "red beard" (Mifune) feels all the more authentic for it. It is a film of such deliberate ease and confidence that it could only be made by this director, at this point in his career. It could not be anything less than the fullest exploration of his most cherished themes - social injustice, the redemptive power of human kindness, personal codes. It could also do nothing but foreshadow his decline.
That's a lot of expectation to pile onto the unsuspecting viewer, so what do you get during those 3 hours? You get a first-class drama, Mifune's finest performance, and one of the most beautiful tear-jerkers ever to grace a screen. All the while, countless instances of technical brilliance remind you why this film could only be made by this director: a surgery covered in nothing but an extended closeup of the young doctor, an eerie seduction covered in an almost static, dreamlike wide shot, and, halfway through, the ass-kicking of a life-time and its touching follow-up.
This is an extinct form of filmmaking, one preserved in the ember of its stark black-and-white film stock. The cinematic equivalent of a Tyrannosaurus Rex skeleton: there are ways in which you won't relate, but it is daunting, powerful, and a journey into an intriguing other world well worth spending 3 hours in, and then some.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Red Beard?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $46,808
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $15,942
- 28 जुल॰ 2002
- दुनिया भर में सकल
- $51,790
- चलने की अवधि3 घंटे 5 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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