Arizona Raiders

Despite an unnecessary prologue in which we are treated to a history of the life and career of William Quantrill, Arizona Raiders concerns us with the efforts of former Quantrill members Audie Murphy and Ben Cooper to capture a large band of former Quantrill men led by Michael Dante and George Keymas who are now operating in Arizona.

The man who captured Murphy and Cooper is Buster Crabbe former Army captain and now in charge of the new Arizona Rangers. He's offering Murphy and Cooper a Dirty Dozen like mission, get them and there will be a pardon awaiting. What Crabbe doesn't know is that Murphy is both one unreconstructed rebel and he's got a younger brother in the Rangers already played by Ray Stricklyn. That fact cuts several ways before the film is over.

Arizona Raiders is a decent enough western. Murphy was still going strong in doing these second feature B films. But it was certainly nothing you couldn't see on television where westerns ruled at that time on the small screen.

Have appreciated Westerns for a long time now, even if the Western genre is not one of my favourite film genres and more a "appreciate rather than love" one. Not just the famous ones of John Wayne, Randolph Scott, Anthony Mann and John Ford, but there are also some worthwhile lesser known modestly budgeted ones. Audie Murphy is not a favourite of mine, but he was amiable enough and it is sad that he died so tragically at the young age he was.

'Arizona Raiders' was one of those films where time spent watching it was not regretted and it is worth a one-time watch. Murphy himself comes over well. There are though far better and more inspired Westerns about, from before and since 'Arizona Raiders', and it on the whole didn't have me jumping out of my chair or have me exclaiming "must see". It looks good and the casting is better than average, but the script and story never quite have the wow factor.

Murphy is an amiable presence and is a long way from charisma-deprived in his role, he may not fit the part of a Western hero physically if we are to stereotype a bit but he is just right dramatically. Have nothing to complain about with the performances overall, with menacing George Keymas giving the other standout turn. 'Arizona Raiders' looks good, a lot of time and care went into the scenery clearly and the photography is both atmospheric and attractive.

The music is not the most memorable there is but it at least fits with the tone of the story, is not at odds with the atmosphere and sounds appealing. Did appreciate that the characters weren't too stereotyped, if not meaty, including portraying characters that can be portrayed stereotypically and negatively with tact. What there is of the action has some excitement and tension.

Which generally in 'Arizona Raiders' come too far and between, for me the story was fairly by the numbers, sometimes dull and could have done with a lot more tension and surprises. The first half an hour agreed is not always easy to sit through, with the film getting off to a weak start. Particularly with agreed an overlong and quite corny opening scene, further ruined by an overused and over-explanatory voice over that for some may not have been needed. The direction is competent but undistinguished.

Furthermore, the character writing generally could have been much meatier. Motivations are either under-explored or don't make sense and in the case of some of the conflict both. Especially between Clint and Brady, which is introduced out of the blue and not really that well developed. Michael Dante does his best as Brady but was not menacing enough, which did dull the conflict. A lot of the writing is silly and indifferent, it could have done with a lot more edge and had a more natural flow. Also felt that this aspect was rather sketchy with not enough fleshed out enough.

Bottom line, alright film but nothing special. 5/10

At film's beginning Booth Colman, as editor of the Ohio Gazette, wastes seven minutes narrating the ruthlessness of William Quantrill, infamously known gang leader and Confederate sympathizer who murdered the adult male population of Lawrence Kansas. Since the first few active minutes of the movie do center on the Civil War brigand, one wonders why the narration persists for so long. Anyway, with the War over (1865), the story begins to move along smoothly as the Quantrill band continues to operate.

Union Captain Tom Andrews (Buster Crabbe) tracks down and corners Quantrill (Fred Graham) and his gang in an abandoned farmhouse/barn. Although some gang members escape, Quantrill is severely wounded and captured. He will eventually breathe his last in a Union hospital, and he will not be seen in the picture again. (By the way, Quantrill died in June 1865.) Meanwhile two gang members are captured, partially through the machinations of Montana Smith (George Keymas), a shady and disloyal gang member who escapes the Federal grasp. The two arrested ex-Confederate soldiers, Clint Stewart (Audie Murphy) and friend Willie Martin (Ben Cooper), served honorably for the Southern cause. But when they returned home at war's end they found that Carpetbaggers were in control. Since the two ex-troopers could not find work, they joined Quantrill's outfit. Though the sympathy of both Andrews and the presiding judge, the two receive lighter sentences than usual but still get 20 years hard labor in prison.

Escaping from the Federal troops, both Montana and Brady (Michael Dante) have reformed the Quantrill gang and are running roughshod in Arizona, where the post-Civil War law is not strong. Enter Andrews again, as he has been hired by the territorial governor to head up the newly formed Arizona Rangers. Andrews' mission is to capture the gang and bring it to justice. As Andrews is impressed with Stewart and Martin's background he makes a risky bargain with them: unconditional pardons and positions as Arizona Rangers if they infiltrate the gang and bring about its destruction. To make the situation legitimate, Andrews arranges for a fake-prison escape. The two ex-Rebels can flee to Mexico, but better judgment prevails and they go to work against Montana and Brady, who by this time have taken control of a Yaqui Indian village.

This rousing and colorful western features beautiful Arizona scenery. William Whitney directed a typical cowboy movie with some perky shoot-outs and ornery villains, especially Keymas' sadistic and vile Montana (By contrast, accomplice Brady is almost a church choir member). Fred Graham, who portrays Quantrill, was twice the age of the real outlaw, but his work here is sound. Murphy of course fits in well in a familiar role.

There were high quality westerns made in 1965, like "Major Dundee," "The Sons of Katie Elder," and the comedy-western "Cat Ballou." But it was a watershed year for the genre as times were a-changin'. In 1966 Burt Kennedy would direct "Welcome to Hard Times" (released in 1967). Also, westerns from Europe were making their arrivals in the USA. These films would alter the western and blur the distinction between the good guys and the bad ones. They kept the guns of the good guy, but took away most of his moral code. Alas, they created the anti-hero, a major influence of those westerns made in the late 1960s, 1970s, and 1980s.

(See my review for the watershed western "Welcome to Hard Times" dated 23 Nov 2011.)

I saw this recently on cable and, admittedly, I'm a bit biased due to the fact that I have lived in Arizona for 33 years. Looks to me that special attention was paid to the scenery in this film and it's a terrific shoot-em-up. I also applaud the defensive use of cactus in this film, quite painful as I've experienced in person :)

Lots of great action and like a previous poster said, the Indians are on the side of the "good guys" this time out and are not the enemies. Looks like it was a great time while filming!

They've been showing it on cable recently and it's worth your time if you happen to stumble upon it.

His raiders are broken up and Quantrill dies in an army hospital. Audie Murphy is sentenced to death, but the sentence is commuted to 20 years on the recommendation of Buster Crabbe, who led the attack on them. Crabbe winds up leading the Arizona Rangers. There the remnants Quantrill's forces have retreated, to become outlaws. The government can't figure out where they are, where they will strike, but he comes up with a plan: release Murphy, induct him into the Rangers and set him after the bad guys.

Audie Murphy had moved surely into westerns after he became the most decorated American soldier in the Second World War and had prospered. He was getting on in years, and the genre westerns were beginning to disappear. This movie was an attempt by him and director William Witney to produce something epic and mythic. It begins with a recitation of Quantrill's history, and moves in action. There are many nice touches: Murphy's conflicted position, the beautiful Indian girl played by Gloria Talbott, the importance of oaths, the stalwart Crabbe, and the savage Indians who carry their victims away like demons. It's a B western on a grand scale, and Witney was the man who ld bring it off if anyone could. Ford had abandoned the trappings of B productions four decades earlier. Witney had begun in the Bs, the youngest director around when he began, and he had reformed the genre, the fights, the stories, always constrained by short budgets and shooting schedules. Now, with a color camera and three decades of experience, could he save the traditional western?

Alas, no. The western was passing out of the mythscape of the world, gradually being replaced by the new frontier of science fiction. But he makes a good try here, and there are some lovely moments that recall when the west was the endless frontier, before civilization closed in. Now the West was a landscape in which everyone was corrupt, where the good, the bad and the ugly fought endlessly without any sense of right or wrong.

But Witney certainly gives it a shot. There are some lovely moments and good, canny work here. It's just that not enough people cared any more.