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A King in New York

  • 1957
  • G
  • 1 घं 50 मि
IMDb रेटिंग
7.0/10
9.5 हज़ार
आपकी रेटिंग
Charles Chaplin in A King in New York (1957)
कॉमेडीड्रामाव्यंग्यस्लैपस्टिक

अपनी भाषा में प्लॉट जोड़ेंA recently-deposed European monarch seeks shelter in New York City, where he becomes an accidental television celebrity and is later wrongly accused of being a Communist.A recently-deposed European monarch seeks shelter in New York City, where he becomes an accidental television celebrity and is later wrongly accused of being a Communist.A recently-deposed European monarch seeks shelter in New York City, where he becomes an accidental television celebrity and is later wrongly accused of being a Communist.

  • निर्देशक
    • Charles Chaplin
  • लेखक
    • Charles Chaplin
  • स्टार
    • Charles Chaplin
    • Maxine Audley
    • Jerry Desmonde
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    9.5 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Charles Chaplin
    • लेखक
      • Charles Chaplin
    • स्टार
      • Charles Chaplin
      • Maxine Audley
      • Jerry Desmonde
    • 66यूज़र समीक्षाएं
    • 41आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 1 नामांकन

    फ़ोटो58

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    टॉप कलाकार52

    बदलाव करें
    Charles Chaplin
    Charles Chaplin
    • King Shahdov
    Maxine Audley
    Maxine Audley
    • Queen Irene
    Jerry Desmonde
    Jerry Desmonde
    • Prime Minister Voudel
    Oliver Johnston
    Oliver Johnston
    • Ambassador Jaume
    Dawn Addams
    Dawn Addams
    • Ann Kay - TV Specialist
    Sidney James
    Sidney James
    • Johnson - TV Advertiser
    Joan Ingram
    Joan Ingram
    • Mona Cromwell - Hostess
    Michael Chaplin
    Michael Chaplin
    • Rupert Macabee
    John McLaren
    • Macabee Senior
    Phil Brown
    Phil Brown
    • Headmaster
    Harry Green
    Harry Green
    • Lawyer
    Robert Arden
    Robert Arden
    • Liftboy
    Alan Gifford
    Alan Gifford
    • School Superintendent
    Robert Cawdron
    Robert Cawdron
    • U.S. Marshal
    George Woodbridge
    George Woodbridge
    • Member of Atomic Commission
    Clifford Buckton
    • Member of Atomic Commission
    Vincent Lawson
    • Member of Atomic Commission
    Shani Wallis
    Shani Wallis
    • Singer
    • निर्देशक
      • Charles Chaplin
    • लेखक
      • Charles Chaplin
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं66

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    7AlsExGal

    Chaplin makes a film about a king exiled in a strange land ...

    ... while he himself was basically exiled in a strange land. 1957's "A King in New York" shows Chaplin at the end of his film career. In fact, it is the last film in which Chaplin himself stars. Refused permission to reenter the U.S. in 1952 due to the idea that he held anti-American beliefs, he actually made this film about a deposed European king in New York in England. The film suffers from production values that are not as high as they were in Chaplin's earlier films, and if you have the version Warner Brothers put out in 2004, the commentary points out that Chaplin had much trouble making this film mainly because he was not dealing with familiar personnel in his own studio as he had in his earlier efforts. The film's political statements are heavy-handed, but there are still some good comic turns by Chaplin and his viewpoints and comic bits on America and rampant commercialism and consumerism still hold up today. In fact, they are probably much more relevant today than they were when this movie was first made.

    If you are curious about Chaplin's work you need to eventually view this film, just don't start your journey here. If you are just starting out, I recommend you view Chaplin's Mutual Comedies. These are 12 two-reel comedies Chaplin made in 1916 and 1917 and show his comic technique evolve from the pants-kicking fests of his Essanay and Keystone films into the sophisticated technique he had from the end of the series onward. Also, the Mutual period was named by Chaplin himself as the era in both his personal and professional life in which he was the happiest.
    7TheLittleSongbird

    Big apple royalty

    Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

    It is hard to not expect a lot with all his feature films between 'The Kid' and 'Limelight' being very good to masterpieces. On that front Chaplin's penultimate film 'A King in New York' disappoints a little. As far as his feature films go it is one of his weaker ones, being nowhere near the standard of 'The Gold Rush', 'The Kid', 'Modern Times', 'The Great Dictator' and especially 'City Lights'. As far as his overall career goes it is nowhere near among his worst, including his early career short films it is much better than the worst of his Keystone period and even his much improved Essanay period had a couple of lacklustre ones. He also did a couple of historical curios and patchworks that this is also superior to.

    'A King in New York' has its problems. It is one of his least visually refined feature films. Some of the camera work and editing are rough and the evoking of New York is not very convincing at all, it was made in England rather than being authentic and it is very obvious it was not shot in New York.

    Chaplin also lays it on far too thick with the political elements which, while admirably cutting and personal, felt very heavy-handed and not always needed. Especially what is said from the young boy. Chaplin is no stranger to including politics in his films and short films and they are not subtle, but it comes over as very bitter and aggressive here in a way that wasn't there previously. A few parts go on too long too and could have been trimmed

    However, the music is good, neither intrusive or out of place. Chaplin does give a typically great performance and the supporting cast acquit themselves well too. Chaplin is not at his most inspired in the directing but the expertise is still there and handled well.

    The film is never dull either, while the satirical element is sharp, the comedy is genuinely funny, there is some very thought-provoking insight and there is some sentiment/pathos that is very touching while not being over-the-top or overused.

    Summing up, good but didn't blow me away. 7/10 Bethany Cox
    7MOscarbradley

    No masterpiece but no disaster either.

    Someone once described "A King in New York" as the worst film ever made by a major artist. I can think of many worse examples and while this late Chaplin picture may lack the genius of his earlier work, (it was his penultimate film; he made it several years after "Limelight" and before "A Countess from Hong Kong"), it is an often very funny satire on what Chaplin perceived as 'the modern age'. Driven out of America by McCarthyism, Chaplin constructed his New York in a British studio and typical of its writer, director, star and composer it makes no apology for its attack on right-wing politics, in particular the HUAC, as well as television, Cinemascope and plastic surgery. It's also less sentimental than it might have been, (always Chaplin's biggest fault), but the plot involving a child played by Chaplin's own son Michael, does the film no favours. On the other hand, Chaplin himself is superb and Dawn Adams is surprisingly good as a television star. No masterpiece, then but not quite the disaster some people have said of it either.
    jorgebernardo

    Instantly my favorite Chaplin film for its sheer brilliance.

    When I rented this movie, I had no idae what to expect. Charlie Chaplin in a talkie?! I had just seen (heard?) how poor Buster Keaton's awful voice destroyed his presence as the classic stone-faced pantomine. Might Mr. Chaplin's performance in a speaking role be as sadly disappointing???

    The answer in a resounding word was, "NO!" If anything, Chaplin's voice and accompanying ability to express himself with words enhanced his screen presence by providing a new dimension with which to appreciate his seemingly limitless talent.

    I'm not sure just how to explain this other than the fact that I watched most of the film with a big grin glued to my face. I marvelled at the subtleties of Chaplin's performance which distinguish him not only as a silent movie actor, but as an actor of ANY era! In today's world of over-the-top silliness and questionable acting passing as good comedy, his performance is a clear indication that intelligent comedy is not an oxymoron and that the "King" of it is the same person as the king of slapstick.

    If you're the kind of person who appreciates the subtlety in Woody Allen's humor, you will find yourself marvelling at "A King in New York" and you will see (and hear!) a part of Charlie Chaplin you may not ever have known existed.
    10Chuck-78

    A must-see for Chaplin fans

    "A King in New York" is one of those few films that gets better and better every time you see it.

    Yes, it's flawed--the sets look shabby, and some of the dialogue is stilted and melodramatic. Yet despite these shortcomings, AKINY still stands out as a wonderful, playful satire of 1950's America.

    For those of you who may not know, Chaplin himself was targetted by the U.S. government at the time for his alleged communist leanings. In fact, AKINY had to be shot in Britain (Chaplin's birthplace) only because Chaplin and his family had been forbidden to re-enter the U.S after a short vacation overseas.

    AKINY was Chaplin's response to the nonsense and paranoia that pervaded American society at that time. Chaplin also pokes fun at America's obsession with technology and the media--a point which is even more relevant today.

    Chaplin plays King Shahdov, a deposed monarch who flees to America in the hopes of selling his plans for a peaceful, nuclear-based society (which never happens). Chaplin plays Shahdov as an honest, but hapless European monarch thrust into the dizzying whirl of modern America. Chaplin is at his absolute best here as a befuddled and somewhat puzzled outsider.

    Shahdov soon meets up with two people. The first is Ann Kay (Dawn Addams), a beautiful young woman who seduces the King and lures him into appearing in her television commercials, and Rupert Macabee (played by Chaplin's son, Michael), a brilliant young boy whose parents have been imprisoned by HUAC. Also worth noting is Ambassador Jaume (Oliver Johnston), Shahdov's loyal friend and confidante. Johnston and Chaplin play off each other beautifully, and together they share some of the film's funniest moments.

    AKINY is full of priceless "bits of business," as Chaplin used to say--there's a hilarious restaurant scene in which Chaplin mimes his order to the waiter in order to overcome the dreadful racket from the house band.

    Then there's the scene in which Shahdov's newly lifted face become "unhinged" as he bursts into laughter at a comedy show. Chaplin slyly slips in and out of these bits (which are essentially silent comedy pantomimes dating back to his earliest days in English Music Halls) with great ease.

    Such scenes provide the most satisfying moments in the film. Here, behind Chaplin's aged face and body, you can still see the little tramp come to life, and it's wonderful.

    AKINY is vastly underrated by most critics who, for some reason, obsess over the sets, and virtually ignore what is truly one of Chaplin's masterpieces. AKINY is rarely screened in North America for some reason, so if you get the chance to see it, don't pass it up.

    इस तरह के और

    Monsieur Verdoux
    7.8
    Monsieur Verdoux
    Limelight
    8.0
    Limelight
    A Woman of Paris: A Drama of Fate
    6.9
    A Woman of Paris: A Drama of Fate
    The Chaplin Revue
    7.7
    The Chaplin Revue
    A Countess from Hong Kong
    6.1
    A Countess from Hong Kong
    A Dog's Life
    7.6
    A Dog's Life
    The Pilgrim
    7.2
    The Pilgrim
    The Adding Machine
    6.0
    The Adding Machine
    Shoulder Arms
    7.3
    Shoulder Arms
    A Day's Pleasure
    6.6
    A Day's Pleasure
    The Chaplin Cavalcade
    7.4
    The Chaplin Cavalcade
    The Idle Class
    7.2
    The Idle Class

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The first film that Sir Charles Chaplin made in the UK after his exile from America, and his last leading role in a movie.
    • गूफ़
      During his diatribe, Rupert claims that the Roman Empire fell with the assassination of Caesar. Caesar's assassination occurred 17 years before the Roman Empire was established.
    • भाव

      [after being told that the political turmoil in America is just a "passing phase."]

      King Shahdov: Quite so. In the meantime, I'll sit it out in Europe.

    • इसके अलावा अन्य वर्जन
      Original British prints run about five minutes longer than the version that was released in America in 1976. It is this American version that is available on video, but the British cut is available on disc.
    • कनेक्शन
      Edited into Histoire(s) du cinéma: Fatale beauté (1994)
    • साउंडट्रैक
      The Sadness Goes On
      (1957)

      Written by Charles Chaplin

      Sung by Joy Nichols

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is A King in New York?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 23 सितंबर 1957 (स्वीडन)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइटें
      • Instagram
      • Official Site
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Un rey en Nueva York
    • फ़िल्माने की जगहें
      • Odeon Cinema, Leicester Square, Soho, लंदन, इंग्लैंड, यूनाइटेड किंगडम
    • उत्पादन कंपनी
      • Attica Film Company
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    बॉक्स ऑफ़िस

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    बदलाव करें
    • चलने की अवधि
      • 1 घं 50 मि(110 min)
    • रंग
      • Black and White

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