द फ्लाय

After killing her husband Helene Delambre recounts the story of why she done it. Her husband was a scientist who was deeply into his work and through those long days and weeks he makes a big breakthrough in science by inventing a teleportation machine that can transmit matter from one spot to another. After some glitches he fine tunes the device and decides to test it by using himself as a guinea pig. While, in the process of this test, a housefly gets caught inside with him and when he emerges from the other capsule he shares its genetic structure and physical attributes.

"The Fly" is classic Sci-Fi / horror from the 50s and what a nice surprise this was! Unlike many of its kind in the 50s, this one didn't have a childish feel. The context may seem silly here, but its executed with enough skill and handled in a relax manner by director Kurt Neumann to set above the rest. Just don't be expecting a monster on the rampage tale. This one veers more towards a much more broaden and imaginative story with a certain eeriness contained in its psychological material rather than visuals. Even though it doesn't scare you witless, it still does provide a couple of memorable and ingenious shocks that are hard to put out of your mind. The film opens with the horrific outcome of Helene's husband Andre and then it goes into flashback mode where we learn the fate of Dr. Andre Delambre. What does make it surprisingly good is that we're treated with such passionately vivid characters and a interesting set-up that pulls you in by taking a more serious approach with a dabble of irony along the way. The talkative first hour slowly builds up to its taut last half-an-hour, where we get a smart and venomously bleak climax. Although, it could have done without that preachy conclusion. The rational script by James Clavell works by being incredibly dense with it thriving on some quick wit and sincerity. The story is more about a woman trying to save the man she loves as he slowly fights the genetic effects of the fly's DNA. He may seem hideous on the outside, but inside he is still more so human and he's trying his best to keep control of his dieing humanity. This is proved by how much he cares for his family's safety when he's willingly to take his own life for the best of everyone. It's practical story telling at its best.

The look of the film is top shape with it being shot in vibrant Technicolor and the key is that the deformity is kept hidden, but when it's revealed it actually stands up rather well. It's ugly, that's for sure, but still it looks rather competent. They're also an inventive touch when we see the creature for the first time with multiple frames being used to represent the reflection from human fly's eyes. In Cronenberg's version we see the grotesque transformation, but because of the times and effects we don't see it here, but more so the aftermath of the mishap. All of the devices and gadgets in Andre's lab are well presented and the mounted score adds in a forceful touch with nice crisp sound effects. The performances are more than great by the likes of Al Edison, Patricia Owens, and Herbert Marshall and even though Vincent Price had a supporting role, you'll be in awe of his effortlessly suave performance.

An excellent classic of its field that's more concern about telling a moving and fascinating story than just giving us pointless action and cheap thrills to spice up proceedings. The more you stick it out, the more compelling it does become.

"The Fly," directed by Kurt Neumann and released in 1958, stands as a timeless science fiction classic that seamlessly weaves suspense, horror, and tragedy into a compelling narrative. This iconic film, based on a short story by George Langelaan, explores the consequences of scientific curiosity gone awry and remains a benchmark in the annals of classic horror cinema.

The plot centers around the brilliant scientist André Delambre, portrayed by David Hedison, who becomes the victim of his own groundbreaking teleportation experiment. The film unfolds as André's wife, Helene, played by Patricia Owens, recounts the chilling events leading to her husband's gruesome demise to André's brother, François (Vincent Price). The narrative structure, with its flashback-driven storytelling, adds an air of mystery and anticipation, heightening the film's overall tension.

Vincent Price delivers a stellar performance as François Delambre, bringing a perfect blend of sympathy and unease to the role. His on-screen presence is captivating, and he skillfully conveys the conflicting emotions of a grieving brother seeking the truth behind André's tragic fate.

The practical effects used to portray André's metamorphosis are a testament to the creativity of the filmmakers of the era. The gradual revelation of the horrifying consequences of the teleportation experiment is both shocking and morbidly fascinating. The iconic "fly head" remains an indelible image in the history of cinematic horror, a testament to the film's impact on the genre.

"The Fly" is not merely a creature feature; it delves into deeper themes of the ethical implications of scientific experimentation and the unforeseen consequences of playing with the laws of nature. The film raises poignant questions about the limits of human knowledge and the dangers of tampering with forces beyond our understanding.

The atmospheric score composed by Paul Sawtell and Bert Shefter enhances the film's mood, contributing to its overall sense of foreboding. The use of shadows and lighting, classic elements of film noir, further heightens the tension and adds a layer of sophistication to the movie.

While some aspects of the film may appear dated to modern audiences, "The Fly" remains a compelling and thought-provoking cinematic experience. Its enduring legacy is evident in the numerous adaptations and references it has inspired over the decades. The 1958 version of "The Fly" continues to captivate audiences, reminding us that even in the realm of science fiction, there are moral lessons to be learned from the consequences of unchecked scientific ambition.

The Fly is a movie I have just been dying to see, I have heard a lot about this movie, mainly the infamous "Help me! Help me!" scene. But of course the number one reason being that this is the original to the remake with Jeff Goldblum which is an incredible movie in itself, but I was curious what the original would be about. Honestly I was thinking that it was going to be very cheesy, it's a 1950's horror movie that would probably be over the top, but honestly, from the very beginning you get gore, which was odd, but sickly enough I love it! I am also a huge Vincent Price fan, this is the man of the classic B horror movies and his voice and presence make these movies worth the watch. So I finally got to see this on netflix, I absolutely loved The Fly. Is this better than the remake? Honestly, the remake is more realistic on what would happen if this really did occur, but don't overlook the original, as cheesy as a fly in a giant trench coat can be, it's all good and this story is tons of fun and really scary.

A woman named Helene Delembre phones her brother-in-law, Francois Delambre to tell him that she has just murdered her husband. Francois calls in the police and she admits killing him but refuses to say why. Later, Francois tricks her into telling the story to him and Police Inspector Charas. A scientist, Andre Delambre, has invented a teleportation device. After a few failed attempts, he succeeds with living organisms, deciding to go for the ultimate risk and transport himself. The first time works, but, unknown to him, a fly enters the cabin with him and the two are hopelessly scrambled together. The scientist emerges as a half-man, half-fly, a human with a fly's head, leg and arm/claw. His wife finds out something is wrong as she now sees him with a cloth over his head and a hidden arm. He eventually tells his wife what has happened and she first sees his claw and screams, then later sees his fly head and screams more. His wife, son and maid try to find the "fly with a white head" and fail. The son had caught it just after the accident but had been made to let it go, before any of them knew what it was. Andre attempts to reverse the process to return himself to normal, but fails and when he realizes that his mind is being overtaken by that of the fly he asks his wife to end his suffering by killing him with a heavy machine press.

The Fly is a fantastic and thrilling movie. I know that the ending sequence of "Help me! Help me!" was cheesy and over the top to some, but to me it was just plain creepy, it really scared me. The whole atmosphere of the film just felt uncomfortable and disturbing. Granted, I know these were not top of the line make up effects with the fly, I do have to laugh juts a little bit with seeing a fly in a trench coat. But still it was effective and made for a great sci-fi story. I love these old movies for a specific reason, this was the time when film meant something to the cast and crew making it and The Fly was made to give people the chills. It's just rare now-a-days, if this was made in today's world, it would be all gore and just stupid. So I do recommend that you see this film if you are looking for a good scare. Both this and the remake are terrific films and are a ton of fun to watch.

8/10

In a Montreal machine shop, scientist Andre Delambre (Al Hedison) is found crush to death with his wife Helene (Patricia Owens) at the controls. She calls to confess to his brother Francois (Vincent Price). With the head crushed, Francois identifies the body with a long scar on his leg. Helene's confession seems suspicious and Andre's basement lab is trashed. Helene seems obsessed with flies and Francois pretends to have captured a white-headed fly. Helene recounts the story to him and Inspector Charas. Andre had succeeded in making a teleportation device.

This is much better than a simple 50's B-movie. The story is actually quite compelling. The acting is relatively good. Vincent Price is playing it straight. The production looks good. The directions are a little stiff which is the style of the day. It is still the story that is so great and the reveal is absolutely iconic.

It's been said again and again that this is a good horror film. A Very Good film. But it is more than that.

I can still hear with my mind's ear (is that right?) the sound of the hydraulic press "WHUMP" and the echo. Then again that "WHUMP" ... is there another sound experience that reverberates through a movie like that?

Sure, surround sound, THX, all that tech stuff, but the sound as the manifestation of the crime that encircles this story, the horror as the mind tries to put together the images that (finally) is seen in a flashback as this scene bookends the start and "finish" of the plot.

The inner struggle of the scientist as he fights with his human hand to control the spasms of his "fly" arm is both horrible and heart-wrenching.

The shock as the cloth is torn away from the scientist's head... the fly's POV shot with facets and mirrors of the the screaming face of the scientist's poor wife! The scene at the spider's web as the shrill voice begs "help me... help me"

The horror of murder of a man/thing and a thing/man being shown and even compared in sharp (but obvious) dialogue.

You MUST see this and experience the earlier days of horror -when classics like this, like "The Thing From Another World," like "It, the Terror From Beyond Space" (the original model of Alien) exhibit a freshness and a palpable terror that remakes cannot capture, whatever wonderful special effects are thrown in to add to the creepiness. Sure these later gorefest horror films are good. I buy them all the time. But they are a different genre. The Fly with Vincent Price is NOT the same story as The Fly with Jeff Goldblum. It's not really a remake as a retelling.

See the original. It is rich with emotion and intelligence, not to mention some pretty fine acting for what was really a "B" movie.