Monster on the Campus

Jack Arnold's last sci-fi horror for Universal isn't as good or as much fun as most of his previous efforts (including the oft-overlooked "Tarantula") but it has its own virtues to recommend it. The story is a clone of "I Was a Teenage Werewolf" -- except that in this case, we have a college professor who keeps accidentally coming into contact with chemical agents which transform him into an aboriginal "throwback."

Not much killing, or action at all for that matter, and in retrospect the film's manner in general is too straight and serious for its flimsy materials. Not much sympathy or interest is generated before the film runs its course, but an audience may get a few laughs from some of the stilted dialogue and from the oversized "throwback" creatures that appear from time to time to terrorize unsuspecting coeds and jocks.

The female lead was written to have a very unappealing personality -- for one thing, when the scientist she supposedly loves is getting really interested in his work, she goes over his head to his boss (who "happens" to be her father) to have him investigated for insanity! Maybe he just wasn't paying enough attention to her.... anyway, I don't think many in the audience would have minded if she HAD gotten hers from the monster in the end....

Monster on the Campus (1958)

*** (out of 4)

Entertaining Universal Sci-Fi about a college scientist who turns into a monster after his blood is mixed with that of a prehistoric fish. I've been wanting to see this for quite some time but never got around to buying the VHS since it was released just as I was jumping on the DVD format. The wait was certainly worth it even though the film isn't really anything other than your typical Jekyll and Hyde story. The film goes by at a very quick pace and the monster looks great, although it's a shame we only get to see him twice. I was somewhat shocked at the rather violent third death scene. The film also contains one of the dumbest girlfriends in sci-fi history.

Blood of an ancient fish, treated with Gamma radiation to preserve it, transforms those infected with it into a vicious dog, giant dragonfly or monstrous Neanderthal entity. Arthur Franz is very convincing as an archaeological college professor, teaching Troy Donahue and Nancy Walters, while romancing Joanna Moore. Jack Arnold ably directed this somewhat maligned film; it's actually creepy and well-shot, succeeding in delivering the shocks, especially in the last act, where we finally see the title creation and it's a startling effect. Helen Westcott is memorable in two scenes, as the school nurse, conveying some romantic attraction to Franz, all with a dose of humor. It was recently released to DVD as part of the "Classic Sci-Fi Ultimate Collection", which includes "Tarantula" (1955), "The Mole People" (1956), "The Monolith Monsters" (1957), and "The Incredible Shrinking Man" (1957), all on par: great title sequence, fine musical score (some patchwork), beautiful monochrome photography, well-scripted, capably acted, always intriguing, with "Shrinking Man" the jewel of the crown.

Ah yes! The good old days when Sci-Fi was simple. All you needed was a little radiation and most anything was possible. This movie was one of the last 50's Sci-Fi movies from Universal coming out in 1959-same year I did. Audiences then were not as sophisticated as they are now and quicker to give a movie the benefit of the doubt. This was the day of the Drive-In movie. Anyone my age or older should enjoy the simplicity of this film and the nostalgic quality of it. Good solid performances by Arthur Franz and especially Joanna Moore (whom would later become notable as one of Andy Taylor's girlfriends on TV). Plenty of the good old character actors from Universal's other Sci-Fi films give it a familiar feel. This movie doesn't ask you to think too much; when I was a kid watching Shock Theatre on a Saturday afternoon I didn't want to. Sure, the make-up could have been much better but from a distance the monster is quite scary.You don't have to look close to find a few blunders: lace-up shoe or loafer? You'll hear music from practically all of Universal's Sci-Fi and horrors movies: Tarantula, Frankenstein, the Mummy movies.This movie is probably not very entertaining to the younger generations of viewers other than finding it quite campy. How far we've come as an audience. But this movie tries hard and with its budget I've got to give it credit. It holds a warm spot in my heart and a solid place in my video library.

Although this film reportedly wasn't one of director Jack Arnold's favorites, I personally have enjoyed it very much through many viewings. The story is a Jekyll-Hyde variation, but it offers real suspense and some genuine scares from a director that knows how. The only (minor) disappointment is the creature's makeup (not seen 'til near the end), which unfortunately is revealed to us in a brightly-lit room; makeups like this are more effective when glimpsed fleetingly in the dark. That small quibble aside, this film offers lots of scary fun for those in the mood. (The same can be said of Arnold's earlier films for the same studio, "It Came From Outer Space" (1953) and "Tarantula" (1955).