Darby O'Gill and the Little People

Until "Mary Poppins" came along, I don't think Hollywood took Walt Disney seriously as a live-action movie producer. James Baskett received a special Oscar for "Song of the South", as did Hayley Mills in 1960 for "Pollyanna". However a great many performances in Walt's early output deserved a more substantial recognition, such as James Robertson Justice in "The Sword and the Rose" and Albert Sharpe in this film. Playing storytelling Irish codger Darby O'Gill, Sharpe is charming spinning tall tales in a quaint village, capturing himself a real live leprechaun and being rewarded with three wishes before the little King is freed. Colorful outing for older children and nostalgic adults, relying less on sugary sentiment and doting tots than on old-fashioned whimsy. Sean Connery has a nice romance with Janet Munro (who is always a pleasure) and the special effects, particularly near the end, are quite marvelous. **1/2 from ****

Like "The Wizard of Oz", this is one of those movies that transcends time itself. It is a true family movie that will never go out of style. One of my favorite scenes in this movie is the approach of the Death Coach, coming to claim his sick daughter. Having no where else to turn, the hysterically-frightened Darby calls for his old friendly nemesis, King Brian. See if you feel the same sense of relief at his appearance as I did!

This movie covers the entire spectrum of emotions. It's sad, funny, scary, happy, you name it. You might want to shield the arrival of the Banshee from the little ones, as I remember how it frightened me at that age, but don't let that sway you from watching this masterpiece.

In old Ireland, grandfatherly Albert Sharpe (as Darby O'Gill) is going to be replaced as castle caretaker, due to his advancing years. Instead of keeping the castle grounds tidy, Mr. Sharpe tells pub tales about his encounter with the "little people." Lord of the manor Walter Fitzgerald arrives from Dublin with young and sexy Sean Connery (as Michael McBride), to replace his retiring handyman. While Mr. Connery exchanges come-hither looks with Sharpe's pretty young daughter, Janet Munro (as Katie O'Gill), the old man plots to receive his "three wishes" from Leprechaun king Jimmy O'Dea (as Brian Connors).

While Walt Disney's animated films consistently looked state-of-the-art, some of his studio's 1950s "live action" features looked a bit cheap - not so with "Darby O'Gill and the Little People". The "Special Photographic Effects" by Peter Ellenshaw and Eustace Lycett and "Animation Effects" by Joshua Meador are excellent. Director Robert Stevenson and Technicolor photographer Winton C. Hoch compliment their efforts. Witchy Estelle Winwood (as Sheelah Sugrue) and no-good son Kieron Moore (as Pony) offer fine support. The story doesn't know whether to be glossy children's fare, or dark fantasy. With its emphasis on the latter, the last act is especially memorable. The "Banshee" and "death coach" aren't too original, but they are very nicely done.

******* Darby O'Gill and the Little People (6/24/59) Robert Stevenson ~ Albert Sharpe, Janet Munro, Sean Connery, Jimmy O'Dea

I saw this movie on TV as a child, and the scenes of the banshee and the death coach scared and impressed me so much, I carried the memory of them all my life. When I was an adult and saw it on video, I was astonished to find that the scenes are STILL impressive and creepy! Considering how sophisticated special effects have become since 'Darby O'Gill' was made in 1959, that's quite a tribute to the moviemaking skills of the day. The scenery is lovely, the actors skilful and wholeheartedly into their work, the music catchy and delightful, and really there's nothing not to like in this movie. The duels between Darby and his nemesis, King Brian, are wonderfully funny, as each tries to outsmart the other. The village characters are all well-drawn and likeable personalities. Pony Sugrue seems more 'American' than the others, but then, he's not supposed really to fit in in the village, and his punishment at the end is an enjoyable comeuppance. Favourite scenes - the banshee and death coach at the end, as mentioned, and all the leprechauns dancing under the fairy mountain then riding their little white horses out into the night as Darby plays them a wild tune on his fiddle. Don't be put off by the date on this movie; it's as good now as the day it was made.

I first saw this film when I was 6 years old (I'm 49 now) and it stayed with me since then. The special effects are so good that I REALLY believed that the "little people" existed.(I also love Walt Disneys acknowledgement in the credits, thanking the "wee folk" for their cooperation in making the film). I still watch the film (usually around St.Patricks day) and after 43 years it still delights me. The story is short sweet and to the point, the acting wonderful, especially Albert Sharpe, Janet Munro and a very young Sean Connery(who sings very nicely), and Robert Stevensons' direction is right on the money. The later scenes, with the death carriage and the banshees scared me silly as a child and are still quite creepy. This is a film that holds up extraordinarily well and is terrific for family viewing. I have a copy on laser disc but look foward to its eventual release on DVD.