The Hideous Sun Demon

Memorable independently produced 50s monster fare has Clarke (who sci-fi fans will remember from the equally memorable "The Man From Planet X") as a scientist whose exposure to radioactive isotopes causes him to become a monster whenever exposed to the sun. The film is extraordinary in that its focus is on the effect the transformation has on Clarke's character, emotionally and morally; his excessive drinking and his search for nightlife exemplify this. Having been forced by his vampire-like condition to avoid the sun and the "good girl" he knows in town, he has no option but to live the other way. By taking a floozy out for a moonlit walk (she seems really surprised when he says he actually wants to take a walk, perhaps expecting a mere pickup) he shows how he wants to make his night world into a respectable one, but can't (the sun again turns him into the demon).

Good makeup, nice performances in the B-mode all around. If you're a fan of these kind of movies, this is the movie you're looking for -- one of the best of its kind.

1958's "The Hideous Sun Demon" marked the directorial debut of actor and star Robert Clarke, who was astonished that a small percentage on "The Astounding She-Monster" resulted in a tidy profit. Certain he could better than Ronnie Ashcroft on a larger budget (under $50,000) Clarke secured the services of student filmmakers at USC to shoot on weekends, the resulting film obviously lacking but nowhere near as bad as Ashcroft's opus. The impressive monster outfit featured fangs and good eye movement, built over a wet suit so the director would be drenched after each take. Dangerous radiation emanating from the sun, 'more deadly than cosmic rays,' are the result of earth satellite launchings, while the accidental exposure to a radioactive isotope sends Dr. Gilbert McKenna (Clarke) to the hospital for observation. Incredibly, they find no symptoms of danger present, yet during his convalescence McKenna transforms into a scaly reptilian beast when exposed to sunlight. Determining that an imbalance has occurred, a reversion before a fetus takes on the characteristics of a mammal, the afflicted scientist takes refuge in his mansion alone; unfortunately, the urge to go out for a drink only brings disaster, a pretty chanteuse (Nan Peterson) ensuring that her shady boyfriend become the first victim at the Sun Demon's hands. Dog fanciers won't appreciate the (unnecessary) killing of a German Shepherd (even a rat isn't safe between those claws), but various cops also bite the dust before the climax takes place atop a Long Beach oil well. Much of the film drags its feet as the would be lothario boozes his way into a girl's heart, though admittedly the well endowed Nan Peterson proves delicious eye candy. Most of the mayhem is saved for the final reels, perhaps not enough however to satisfy impatient viewers. Pacific International Pictures went belly up not long after its distribution, sinking any chance of Clarke turning a profit, thereafter remaining in front of the camera instead of taking a bath behind it (if some of the library music cues sound familiar it's because they were later put to good use by George Romero for his "Night of the Living Dead").

The Hideous Sun Demon (1958)

** (out of 4)

Dr. Gilbert McKenna (Robert Clarke) is working on an experiment when something goes wrong and he's exposed to radiation. At first it appears that he's going to make it through okay but once he's put into the sunlight he turns into the title creature, a hideously deformed creature (looking like a lizard) and soon she's out on a killing spree.

THE HIDEOUS SUN DEMON marked the only time character actor Clarke stepped into the director's chair. The film has the reputation of being one of the worst horror movies of the decade but I think those who say that are being way too tough on the film. Just looking at the picture you can tell that they were working on very little money. Yes, the story too isn't all that original or inspiring. There's also some questionable performances scattered throughout the picture. Even with the countless flaws here, I've always found the film at least watchable thanks in large part to the terrific looking monster.

I really thought the look of the monster was excellent and this alone kept the film from reaches the levels of the worst of the decade. I guess it's best to say the creature looks like some sort of lizard but I liked the design of the make-up (or mask) and I especially liked the way the mouth was designed. Towards the end of the film the character has its shirt ripped off, which gives us even more views of the work and to me it's quite impressive. Another good thing is the music score and the recycled music that would turn up in other films including the same year's PLAN 9 FROM OUTER SPACE.

The film really isn't all that original with the screenplay pretty much being a copy of Universal's THE WOLF MAN with the exception here being it's the sun instead of the moon that turns the lead character. For the most part Clarke remains watchable in the film and his direction isn't too bad either. Of all the supporting players it's probably Nan Peterson that gets the most attention but not for her performance. No, her rack is pretty much on full display throughout the picture so I'm sure teenage boys seeing this at the drive-in back in the day were very happy.

My score of 3 doesn't really mean that I hated this film. In fact, I enjoy watching cheesy 1950s and 60s horror films. However, no matter how much I enjoy them, I have to be realistic and admit that their technical merits are usually horrendous. With THE HIDEOUS SUN DEMON (a rather inappropriate title, by the way), the budget was next to nothing and it really shows. The script also is not particularly inspired or original, though the film is watchable.

Actor Robert Clarke stars in this film he also wrote and co-directed. While his name is probably not one you've heard of before, he did a ton of TV appearances over the years--particularly in the 1960s in such shows as "Dragnet". He's a competent actor though given the budget, you really can't blame him for coming up with a silly film.

This is another nuclear radiation film where a scientist is exposed to the stuff. But, instead of turning really big (THE AMAZING COLOSSAL MAN) or tiny (THE AMAZING SHRINKING MAN), here the guy cannot go into sunlight or he becomes a hideous looking monster--at least until he's left the sunlight and allows himself to become normal once again. To me I kept wondering why Clarke's character was so stupid that he'd "forget" and suddenly realize it's becoming daytime throughout the film. People with Porphyria learn to avoid sunlight, yet this dummy keeps making the mistake of being out too long. Unfortunately, when he is out in the sun, he seems to become a bit emotionally unstable, though he's nothing like a "sun demon". He's more like a guy who's a bit cranky and stupid, that's all! Overall, very watchable for fans of the genre but don't expect it to be among the best. Just a typical film you'd find on a typical exceptionally tiny budget.

By the way, look at the box art that is shown on IMDb. I think the yellow artwork might just rank as the ugliest in film history.

I bought the movie and watched it yesterday..I thought it was above average for a B-movie..I have seen recent movies a lot worse then this..a little slow in parts but I felt kind of saddened for the guy/monster in the end for him,since he didn't ask for this radiation accident..but all in all I felt it was worth the money and to have it as a collection,since I am a huge fan of 50's science fiction movies.Just remember,you have to realize this was made back in the 50's..so the special effects aren't like they are computerized or anything like now,but I thought they did a good job with the costume as a lizard man.Actually it was harder work for everyone then to make a monster then now.There certainly where some very exciting/creepy/scary moments throughout the movie and making it black and white really added to the horror of it all.