The Remarkable Mr. Pennypacker

"The Remarkable Mr. Pennypacker" is one of the very strangest Hollywood films I have ever seen and I certainly understand why it's one of Clifton Webb's least famous films. This is because the film is intended to be a comedy AND an endorsement of polygamy! Seriously--the film is very much pro-polygamy!! It really makes you wonder what the writer and executives were thinking when they came up with this one!! Perhaps massive head injuries, alcohol or psychedelics might be at the root of this one!!! Even today, most folks would be surprised at such a film.

Clifton Webb plays the title character. He's a successful businessman and free thinker. And, when I say free thinker, this is an understatement! Not only is he pro-evolution in a time when this was NOT popular but it turns out he's a bigamist--something that is discovered during the course of the film. However, Webb is not the least bit apologetic and thinks he's justified to have multiple families since he takes care of their financial and emotional needs (a position that is quite acceptable with some religions). His views are not based on religion (he seems areligious) but due to his own unusual asocial views.

At first, his family in Harrisburg is shocked. The ones who take it worst are his father as well as a daughter who is just about to marry a minister! As for the Harrisburg wife, she is MUCH more understanding than you'd expect, though she is not happy. She's happier when she learns later that the mother in Philadelphia has since died (though they were BOTH married to the same man at the same time). However, all told, there are 17 kids from both marriages!! And, in the end, they decide to make a giant family--much like Webb had in "Cheaper By the Dozen"--just a bit more...um....bigamistic (is this a word? I think it should be if it isn't).

Overall, the plot is just insane and the film is STILL a bit offensive and very unfunny today--so it makes you wonder how this flew in 1959!! Audiences must have gone ape! And, I assume, the film must have lost a fortune. A major misfire that simply couldn't work as a comedy. Interestingly, Edmond O'Brien made a film about bigamy ("The Bigamist") and it worked exceptionally well...and was NOT done for laughs. Despite good acting and lush sets, "The Incredible Mr. Pennypacker" is annoying, unfunny and a waste of talent.

By the way, this is NOT meant as criticism at all, but I find it odd that Webb starred in this and "Cheaper By the Dozen". These two films were about men with apparently VERY strong heterosexual libidos, though Webb himself was gay and lived most of his life with his mother. You wonder how he might have been as a father--like the men in these films or perhaps like Mr. Belvedere? Who knows. All I know is that his adult life, outside of acting, sounded rather lonely.

Most of the reviewers seem to have taken the premise of this comedy much too seriously and allow themselves to be unnecessarily offended.

I was twelve when my family and I first enjoyed this charming confection in 1959 and I find myself still able to appreciate it for what it is.

To start with the production values are sumptuous and greatly enhanced by wide screen, lush colour and authentic sets and costumes.

The casting is first rate with the polished and ever reliable Clifton Webb firmly at the helm and Dorothy McGuire giving an attractive and intuitive performance that I feel ranks as one of her best. Charles Coburn provides some very funny moments and the fresh and lovely Jill St. John represents the younger generation along with David Nelson and others. I love this film and intend watching it again soon. Come on, give it a go.

CLIFTON WEBB, given the chance to "act" in LAURA, THE RAZOR'S EDGE and other fine films, is the Clifton Webb the public wanted to see. He made his mark as Mr. Belvedere in a number of Belvedere films and audiences loved him.

But Fox did him a disservice by forcing him to play the remarkable man in this film, an 1890s gentleman married to two wives who know nothing about the other's existence. The only remarkable thing is that this time it doesn't work at all, plodding along in an attempt to be fresh and funny while at the same time irritatingly forcing its premise on the viewer by making all the other protesting townspeople look like old fogies.

The only supporting role character worth mentioning is CHARLES COBURN, again adding his own special brand of ornery charm to a role that doesn't deserve his presence. DOROTHY McGUIRE gives another one of her understated performances as one of the wives. Unfortunately, an annoying performance by JILL ST. JOHN (with high-pitched voice playing "young") gets the film off to a bad start. RON ELY is much better as her sweetheart.

Henry Levin's direction is stilted and there's not enough comedy to really enjoy it as a Clifton Webb film. Saddling him with 17 children does not alter the fact that his prissy ways make the basic premise entirely unlikely. This sort of thing (without the bigamy) was done more effectively (and much more pleasantly) in CHEAPER BY THE DOZEN.

Technically, the film is fine. Sets and costumes look good in Technicolor and provide the charm missing in the script.

I am a PA Pennypacker on my grandmothers side. I sincerely thought the movie was insulting to the real Pennypackers. There is a coincidence though. Although it "may not" be true of the bigamy involving my great father Pennypacker. It is true of my grandfather, Thomas Hogan. He had two wives that did not know about each other and then there was my grandmother. After bearing 9 children for my grandfather, he married my grandmother and proceeded to have just one more. My father. My father was the only legitimate Hogan of that group of children. In all I am told there were 27 children. My fathers brothers and sisters took his first name Thomas as their last names. It's a shame. Because in this day and age, it wouldn't have mattered. I loved them all. Sincerely, Nancy Hogan Wilson

Clifton Webb was always a difficult person to cast - in the 1940s and 1950s they just did not make movies where he would have fit perfectly: films where his character was openly gay. There are elements in his films (especially in LAURA and THE DARK CORNER and THE RAZOR'S EDGE) that suggest a high strung, waspy, near - homosexual type. So does his Mr. Belvedere. But throughout the 1950s his films concentrated on him as a father (frequently with large families) and a husband - even (in DREAMBOAT) a sexy movie idol of the silent period! This film is of those "family oriented" comedies that Webb made in the 1950s. As pointed out, it was based on a Broadway comedy, and it probably was purchased with Webb in mind. With his ability to personify intellectual types, he fits the free-thinking Horace Pennypacker.

The Pennypacker family was actually quite distinguished in 19th Century Pennsylvania. One of them, General Galusha Pennypacker was a American Civil War hero, and Samuel Pennypacker was Governor of Pennsylvania from 1903 to 1907. As to an actual historical figure named Horace Pennypacker I cannot say (although one of the reviews on this thread suggest there may have been some reality about the situation regarding the bigamy.

However, the play turned film was dull. Webb tried to be funny (even skating at one point), but the dialog really was not very good. The best moment in the film is between Richard Deacon (a member of an organization like The Society to Suppress Vice or something like that) and Charles Coburn. Deacon has found that Pennypacker has been passing around (presumably freely) a booklet of a mildly risqué nature concerning biology. It has flip pictures (you flip the pictures and they look like they move). Unfortunately Deacon has never had Horace Pennypacker pointed out to him. So when he sees Charles Coburn leaving his grandson's (Webb's) home, he concludes that Coburn is Horace Pennypacker. He confronts Coburn, and asks, "Are you Mr. Pennypacker?" "Yes", says the mildly annoyed Coburn. "Of Pennypacker & Co.?", asks Deacon. "Yes, yes...what do you want with me?!", shouts Coburn. "THIS!", says a triumphant Deacon - he flips the pages of the book in front of Coburn's face. "BaH!!", shouts Coburn, who knocks the book out of Deacon's hands. "You assaulted me...yes you did!!", says Deacon and he signals a waiting policeman who drags a protesting Coburn away (he later apparently straightens out the mistake, for he shows up to confront Webb before the end of the film).

It was a mildly amusing moment in the film - and the best one, unfortunately. One has to admit that THE REMARKABLE MR. PENNYPACKER was one of the weaker features that Clifton Webb made in Hollywood.