Checkmate

How funny - all of us baby boomers have memories of particular episodes.

"Checkmate" was a detective-type show starring Sebastian Cabot, Doug McClure, and Anthony George. Sadly, all these actors are gone now. The series was based in San Francisco. The firm was established to stop crime before it happened. Each episode would focus on a particular cast member, but the others would appear in the episode as well. The firm was owned by Don Corey (George) and he worked with an associate, Jed Sills (Doug McClure) and a university criminologist (Cabot). So you had a hunk for the teens in McClure, a familiar face in Cabot, who had been in movies from 1946 and later in television, and someone interesting to women over 18 (George). Cabot had not yet played Mr. French in "Family Affair." The creator of the series was the wonderful Eric Ambler.

This was a very classy show that had many guest stars from the world of film. I recently saw two episodes, one starring Claire Bloom and the other starring Jeffrey Hunter as a psycho. Episodes and DVDs of the whole series occasionally show up on ebay, so it's worth checking.

Personal memories - Tony George, during his years on "One Life to Live," used to live in my friend's building. He was a very slight man, though he doesn't look it on screen. When working on the Audrey Hepburn book, my research partner interviewed Doug McClure, and I actually transcribed the tape. He said that he had just been to the doctor and gotten a clean bill of health for his lung cancer. He died very shortly afterward, and I remember the man who interviewed him being very upset. When Jeremy Brett died shortly after I interviewed him, I received a card from my research partner that said, "Welcome to the black widow's club." Now, here's the episode I remember - it was with Anne Baxter and had something to do with a horse.

These really should be released on an official DVD.

I remember Checkmate from when I was four years old, oddly. I have a few other memories from that age but the swirling colors in the opening, even in black and white, stuck with me and somehow I enjoyed the show even at that age, though I'd have understood little behind the stories.

As an adult, I years ago bought the DVD set. I haven't watched it all by a long shot. To be truthful the episodes are a bit dated by now and not all of their plot points really hold together that well. A lot of things happened because it was 'convenient' for the writers, rather than a plot point making good sense.

Still, the episodes are enjoyable and a window into the world of the early 60s. If you have a hankering for this type of classic show, 77 Sunset Strip is head and shoulder better than Checkmate, but I've seen most of 77 Sunset Strip twice. LOL I'd say the story quality of Checkmate is more in line with Hawaiin Eye.

This show was made when networks bought almost twice as many episodes as they have for many years. You can still pick the DVD set up for just more than 50 cents an episode. That's a good value.

I loved this series, and I do not like television series in general. The cast was perfect: Corey as tough, worldly-wise chief of "Checkmate" and mentor to partner Doug McClure, who here was able to get away from the grinning, pretty-boy roles that would dog his career, playing the younger detective with (for him) a subdued grittiness. And then there was Sebastian Cabot--vested suits, walking stick, sparkling eyes, he stole every scene he was in. The writing was excellent, and yes, the opening was way ahead of its time. An all-around classy show with terrific guest stars...naturally it is not available on VHS or DVD. Another reason that even at that age I was in agreement with Newton Minnow's description of television programming as a "vast wasteland." And the waste is the stuff that makes it to TVland and DVD. Which would be fine if shows like "Checkmate" were not lost forever.

I remember Checkmate. It had great style, action, plots & characters. I never knew it was created by Eric Ambler, the author of A Coffin For Dimitrios.

I had just moved to San Francisco in 1960 & it was a very exciting place to be - the fog, the cable cars, the bridges, Alcatraz & Chinatown. They all appeared in episodes of Checkmate. I recall the series was saturated with a sense of the city.

It would be great to see some of those old episodes again. They might seem corny now, but I'd like to see that great gray city by the bay again the way it was way back then.

Checkmate Inc. was an elite San Francisco firm that would prevent (or checkmate) a crime before it occurred. Don Corey (Anthony George) was the owner of the firm and Jed Sills (Doug McClure) was his young associate. Dr. Carl Hyatt (Sebastian Cabot) was a criminologist at a local university who served as a consultant to Checkmate. All three actors worked as a team in each episode, rather than alternating as episode stars. Sebastian Cabot was the standout, but all three actors were very appealing, and their interactions made the show compelling.

Checkmate Inc. worked out of Don Corey's beautiful Nob Hill bachelor pad. The set for this apartment was sensational, and was almost a fourth character. I really loved that apartment. I waited for the scenes that took place in Corey's elegant home, hoping to get a different angle on it. (Checkmate's John J. Lloyd won the Emmy for Outstanding Art Direction and Scenic Design.)

The three leads probably weren't paid much money, but the producers splurged on guest stars. A cool group of actors: Lee Marvin, Inger Stevens, Peter Lorre, Claire Bloom, Dan Duryea, Cyd Charisse, Richard Conte, Terry Moore, David Janssen, Angie Dickinson, Jack Lord, Elizabeth Montgomery, Charles Laughton, Tina Louise, Robert Lansing, Susan Oliver and Ralph Bellamy were a few.

My favorite episode was "The Murder Game", an Agatha Christie type story by Douglas Heyes ("Kitten With a Whip") that had an undercurrent of dark humor. A famed criminal lawyer (John Williams), who never lost a capital case, is dying. He learns that one of the clients he got off on a murder charge was really guilty. The lawyer invites several of his former clients to his house for a party, including the guilty one. He plans to murder the murderer. The lawyer also invites his former colleagues Don Corey and Carl Hyatt, and challenges them to stop him. "Checkmate" was on Saturday nights its first season, right after "Perry Mason", who the lawyer might have resembled.

Thriller writer Eric Ambler created this show. Ambler was married to "Alfred Hitchcock Presents" producer Joan Harrison, who may have produced some of the early episodes.

John Williams received a Grammy nomination for the striking theme music. Saul Bass created the dazzling opening title credits.

Robert Lansing and Robert Sterling auditioned for the lead role of Don Corey along with Anthony George. Lansing was the choice of Universal executive Richard Lewis who developed the show, but CBS president Jim Aubrey didn't like Lansing's looks.

The Doug McClure character was originally going to be a woman, to be played by the lovely Joan O'Brien.

In the second episode of the second season, a new regular was mysteriously added. Jack Betts played investigator Chris Devlin. Betts had the tall, dark and handsome looks of Anthony George. Maybe George was having contract disputes with Universal, or maybe he had health issues. Or maybe Universal already had plans to move Doug McClure over to "The Virginian" the next season. Jack Betts had the lead in his first episode (with guest star Tony Randell) but after that he didn't get much screen time. I'm only sure of him being in one other episode (with guest star James Whitmore.) Jack Betts is still a very busy working actor ("Spiderman").

For me, this show jumped the shark the second season when "Checkmate" moved out of Don Corey's posh apartment into an expensive office suite. It just wasn't the same without that Nob Hill apartment. But for its first season, "Checkmate" was my favorite show, along with Rod Taylor's "Hong Kong".

Aaron Spelling tried to do a remake of "Checkmate" in 1970 called "The Most Deadly Game". George Maharis, Inger Stevens and Ralph Bellamy starred in the pilot. With that cast (two of whom were veterans of "Checkmate"), it should have worked. But even with Joan Harrison as one of the line producers, the execution was nowhere near as good as "Checkmate". Yvette Mimieux replaced Inger Stevens after her death.