La horse

Weak direction, sloppy photography, a script with more holes than Swiss cheese, and some rampant animal cruelty all make LA HORSE a mediocre and immediately forgettable flick.

An aging Gabin - solid performance, full of menacing looks - runs his farm and family with a shotgun and he thinks nothing of blasting away the gang of drug runners, and he keeps mum to police, who - thankfully - are not very persistent in their investigation.

Happy ending after plenty of corpses. Buy it at your peril!

"La horse" is the kind of movie no one mentions but it is definitely one you must have seen as it's superb! We are put in some French village at where everybody knows everyone and at where we find a farmer's family that's been led by the dictatorial Jean Gabin who only believes in one word "work". The man's dream got totally splattered when one of his sons is involved in drug traffic and brings the white powder to the farm. Gabin thinks that throwing it away solves all problems but of course the mob wants their stuff back... What then follows is a superb exciting piece of a movie in where the contrasts between the old French and the new ones are explored in great 70's cinematographic arts. Superb movies that is over before you realize it. Also musical score by the godlike Serge Gainsbourg!

A movie about a very simple but strong-minded man. Gabin is excellent in the lead role, as your typical annoyed, but sort of solemn old man who only cares about his duty to protect his family. The movie really does a great job developing and visually presenting his relationship with his children and grandchildren, he's in charge, and whatever he says, goes.

I love when a character can rule and command people simply through his mannerisms and the way he presents himself. Despite having decades on most of his family, and even the drug smugglers he finds himself in battle with, he always manages to be intimidating to them through sheer resilience and presence.

The way the movie is structured is handled very well, we start out with a crime thriller-esque plot where he takes turns fighting this drug smuggling gang, and the movie switches gears and sort of becomes a legal or investigative movie where we see how his family has been instructed to act in the face of law enforcement (don't say anything). And despite having those elements, the movie still manages to have a wonderful sense of humor, sometimes very dark, but mostly just situational humor that's very well done. And while it manages to be tense throughout, the comedy is wonderfully woven in, where it never feels phony or stale.

In a lot of ways, this film feels almost like an old-timey Western, and John Wayne being in Jean Gabin's role wouldn't be that shocking, but what this movie does differently is that it takes the 70s era realism and adds it to a very Western-esque scenario and plot to create something that is incredibly engaging. And like many Westerns, I really loved how the movie was presented and framed in its cinematography, with lots of wide shots with beautiful blocking, through simplicity. There's a shot after the drug smugglers attack his cows with their truck, and at the end of that scene is a beautiful shot of a dead cow in the foreground and the truck leaving in the background, showing the damage they left behind.

After watching a lot of Hollywood or American movies recently, I've noticed that I've grown tired of the lack of genuine nature and artificiality in these movies. This is why watching this movie was so refreshing, every element of this movie feels real and genuine, and the disturbing stuff that happens is genuinely shocking because it looks and probably is, real.

When he discovers his grandson, Marx Porel, has two hundred milion francs worth of heroin, Jean Gabin destroys it. Then the criminal for whom Porel has been holding it comes and demands the drugs and the man, and threaten his family and farm. Gabin shoots him, hides the body, sinks the crook's car in the swamp and sticks his grandson in the potato cellar. His cattle are stampeded and killed, his barn is burnt. Gabin gives his orders but no explanation to his family and workers, despite the police taking an interest.

This being a Gabin film, I was never in any doubt as to how it would turn out. Indeed, the idea of a multi-billion dollar mob of criminals going against Gabin is soberly funny. Gabin is quite believable as the stiff-necked, autocratic proprietor of a family farm in Calvados, just as he is in everything.

Ever the tough guy, Jean Gabin plays a steely farm owner who runs a strict operation. When his grandson becomes involved with dangerous criminals, the family farm becomes a battleground. Gabin defends his home from the gangsters using equally brutal measures and traps. In addition to the criminals, the police begin to look in on the farm and the numerous deaths. Not Gabin's most complex performance, nor the most well constructed gangster flick, La Horse is still a satisfying, bloody thriller which is plenty fun worth looking for.