Gott mit uns (Dio è con noi)

Not a true story. Just because the producers place a comment in a sequence doesn't make it so. There is however a "shaving" of truth. There were instances where POW's took action against a fellow prisoner but not as portrayed in this production nor for the reason's played out.

The actor portrayals were poor as was the cinematography, musical score, direction and the script. I happen to enjoy bad movies that don't generally portray themselves as anything more than what they are, made on a razor thin budget based on a bad or a rehashed idea. Rather, a poor movie that runs nearly two hours that has good actors in poor portrayals, with little to no inspiration with a twist in the ending that didn't really happen isn't worth sitting through.

Save your time, watch something from Ed Wood, Roger Corman, MST3000 where you have a good idea what you're in for and might get a couple chuckles along the way. I enjoy Richard Johnson's work, this was not enjoyable.

Nice piece of mellow lefty Italo-Yugoslavian agit-prop from the late 1960s. Victorious Allied troops face the daunting task of dealing with the aftermath of WWII. Canadian soldiers, led by a career-minded captain, are put in charge of an internment camp for captured Nazi soldiers. When the Nazis organize their little hovel in traditional teutonic fashion, their keepers are impressed. Things get weird quickly, however, when the Nazis desire to execute two soldiers for desertion.

One nice surprise: soundtrack courtesy of Ennio Morricone.

The DVD appears to be little more than a sloppy transfer from a bad videotape.

It's Victory in Europe for the Allies, particularly Canadian captain Richard Johnson. He's in charge of the POW camp where Colonel Helmut Schneider is the ranking German prisoner. Given Schenider's insistence on discipline among his troops and his always wanting to discuss things with Johnson, at times it's hard to tell who's actually in command. Especially when two men show up who deserted from the Wehrmacht.

Giuliano Montaldo's movie can be viewed as a gloss on THE BRIDGE ON THE RIVER KWAI, but shocking to my eyes to see the tables turned. Schneider gives none of the crazy energy that Alex Guinness offered in his equivalent role Instead, we get a general view of the military officer's mind, in which they are all about their world. Indeed, Michael Goodliffe, as Johnson's superior, has a monologue about how the war belongs to the army.... and the peace too. With Franco Nero, T. P. McKenna, and Bud Spencer.

At the end of WWII in Holland, Bruno Grauber (Franco Nero) and Reiner Schultz (Larry Aubrey) have dumped their uniforms. They are caught and placed in a POW camp run by Canadian soldiers. Captain Miller (Richard Johnson) is the Canadian in charge. Colonel Von Bleicher (Helmuth Schneider) is the senior German officer. The strict German career soldier insists on brutal disipline to maintain order. When the deserters are discovered, the Germans put them on trial.

This is the non-sense of war. Unbelievably, it's based on a true story. It is sad in its idiocy. It is really a mental battle between the two senior commanders and only one side wants to win. Both actors are doing great work. Franco Nero is also a standout.

This is the French title and it's really a well-chosen one;it's on the fifth day of PEACE (WW2,13th May 1945) that the two unfortunate deserters were executed ;it is based on a true story and it's a brilliant Reductio Ad Absurdum of the absurdity of war and its rules.

Absurd is the keynote:although the Nazis are now prisoners of the allies in a former concentration camp ("Arbeit Macht Frei" on the gate),the German Officers ,still faithful to their Führer's Third Reich (which was to last a thousand years),still believing in their rites,want their men to be obedient ,disciplined ;their brainwashing is so convincing that the privates themselves ,although the war is over,do not ask themselves any questions (scenes of the noise they make): the military hierarchy knows that they despise deserters ,draft dodgers and they take advantage of it. Two deserters prisoners are court-martialled and the judges are themselves prisoners !

The (British) officer is taken over by events :what's the point of shooting two men when the war is over?but his general is a clairvoyant man :he knows that desertion is not a German problem ,it is something that jeopardizes their army ,and that two poor privates can set an example ;there are no more nations ,but one sacred institution ,the Army ,the duty,the military service :one should remember that when the movie was made in 1970,the draft was existing almost everywhere in Europa (except in the UK)and conscientious objection was still a taboo . Vietnam war had become very unpopular in America.

This shows how very topical Montaldo's movie was !And like Losey's "For king and country" ,Kubrik's "paths of glory" or Trumbo's " Johnny got his gun" ,it is still relevant today.

Too bad that this movie should be forgotten today !Only Morricone 's haunting wistful melody is known around the world and is included in almost all his compilations .It is not used very often though,the director preferring the musician's martial compositions .

NB:Montaldo's follow-up to " Gott Mit Uns" was also a mockery of a trial :the Sacco and Vanzetti affair (we are sure today that at least one of them was totally innocent);in this 1971 work, Morricone asked singer activist Joan Baez to write words to the songs from the movie and she used words taken from the letters of Vanzetti.