John and Mary

and one night stands in NYC. Not the most original, or flattering, either. Which is perhaps where the film and theme deserves credit.

Farrow is understated, Dustin Hoffmman his usual self (think Kramer vs Kramer) However for the subject matter, the film does succeed on several levels.

Farrow remembers her pointless affair with a politician (Michael Tolan) who often played these roles. Hoffman was in a previous relationship with Sunny Griffin (a has-been model) who takes him for granted.

Overalll a time piece which shows some shallowness, awkwardness, and the hopes of those, still attempting relationships. The human factor is what redeems the story. 8/10.

I know, this is just a small movie, but one that I'm able to see again and again, mainly because of little things as the bright blue sky upon Mia Farrow eating an apple or the original egg-cups in Dustin Hoffman's kitchen. It's difficult to explain but I love every moment of this movie without a strong reason: this is to me as an old family photo, not perfect, but still so dear... Then: good actors, original script, with refreshing ironic touches, and really beautiful set.

Boy and girl meet. They go to his apartment, do the naughty and then play with each other's neurotic wits. Wonderfully underplayed by the cast. A cute simple story with interesting editing, photography, art direction, music and even directing.

This is a simple, charming movie about two people with "baggage" from past relationships who happen to find each other (and in the process, the possibility of true love and contentment) amid the insanity of NY and a frenetic existence. Both lead actors are charming - particularly Mia Farrow - who has a waifish, far-away look in her eyes. My favorite part of the movie was when "Mary" left "John's" apartment and he realized she didn't leave a number, so frantically searched the city for her.

"It's Not Your Mother's Love Story," the ads for "John and Mary" proclaimed, and I suppose that back in 1969, such indeed was the case. Telling the story of a one-night stand and the rainy day after, as the couple in question gets to know one another in the guy's spacious apartment at 52 Riverside Drive (in actuality, a 15-floor, redbrick building at 78th St. whose asking price today must be astronomical!), the film certainly must have engendered some controversy, back when. Fortunately, this sweet, realistic, adult slice of life, though certainly a product of its time, is not as dated as one might expect, and the tentative, uncertain steps that John and Mary (whose names we never know until the picture's final moments) take when learning about each other should seem familiar to even Gen Y'ers. This process of discovery is accomplished mainly through talk, but the viewer gets to know the two characters even better, via flashbacks, fantasy sequences and their voiced-over thoughts. In the leads, Dustin Hoffman and Mia Farrow are quite fine, and director Peter Yates brings his picture in with great sensitivity. The trio had recently participated in three enormously successful films--"The Graduate," "Rosemary's Baby" and "Bullitt," respectively--and while "John and Mary" is certainly a smaller film than those others, it is still of great interest. Hoffman and Farrow were immensely ingratiating screen presences at this early stage of their careers, and their unique pairing here makes this film something special. And speaking of early-career performances, "John and Mary" also features Tyne Daly, Cleavon Little and Olympia Dukakis, all in small but amusing parts. Anyway, it is my feeling that viewers of this film will gradually come to really like John and Mary, and root for them as a couple, and wish them many more nights together....