कटी पतंग

In some ways a typical formula bollywood movie. Good story line, nice songs and of course good acting.

Kati Patang is one of the best unconventional romantic films to come out of Indian Cinema. It is one of those films which showcases women's subjugation in society, societal expectations and deep meaning of love and social relationships. The story follows a young woman Madhavi (Asha Parekh) whose life takes a 360 degree turn when she gets rejected by her lover Kailash (Prem Chopra) on her wedding night. How this incident changes her life is what the story is about. It is wonderfully written by Gulshan Nanda, the direction (by Shakti Samanta) is upto the mark and the screenplay is tight, it never loses its pace (especially the first half is amazing). The climax and the ending is made, keeping in mind the expectations of the audiences of its time. Asha Parekh gives a memorable performance as Madhavi. Rajesh Khanna as Kamal is absolutely rave, I don't understand how Kakaji used outperform the heroines in a women-centric film and grab the limelight. He is truly amazing. Prem Chopra and Bindu as villians :- what can be more dangerous and interesting than that. They are perfect in their roles and do justice to their characters. Supporting cast does commendable job. Now let's talk about the main part :- MUSIC- THE HEART AND SOUL OF KATI PATANG. One of the finest and greatest Hindi film soundtracks you may have probably heard of. Excellent work by Pancham Da , great lyrics by Anand Bakshi sahab and voices of Kishore Da, Asha Bhosle, Lata Mangeshkar and Mukesh ji are the base of this high pitched melodrama which provide life and joy to the story.

Two plus points I would like to highlight are :- the wonderful locations of Manali being excellently shot and another one is the costumes worn by the actors. It truly created a fashion movement back in those days when the film was released.

In conclusion, it's a soothing film and if you are a fan of classic, melodrama love stories, this one is surely for you but with a twist.

Although the romantic, suave and serene Rajesh Khanna has other big hits to his credits like AMAR PREM, ANAND, SAFAR and ARADHANA but in KATI PATANG, his inherent and innate acting prowess shot to that vintage point from where, the exact reflection of his acting skills that were imbued in mystic, elegant and romantic gestures emerged supreme.

Coupled with great hit songs and excellent direction of Shakti Samantha, KATI PATANG is a memorable landmark in the filmography of Rajesh Khanna. Being her last lead acting performance on the silver screen, Asha Parekh has also consummately portrayed the pensive image of a forced widow lover.

The real to life turbulent story of an innocent girl who was betrayed by her clever boyfriend, had to bear the brunt of a lifetime stigma. Shakti Samantha's direction, R.D. Burman's choreography of songs and majestically soothing cinematography by Gopi Krishna made "Kati Patang" a toast for the eyes and a sublime stimulant for the spirit of audience. The songs and the wording transcends the true beauty of pure love along with the flow of tumultuous events, thereby captivating the audience to stick to their seats till the end.

Folks ! they don't make it like Kati Patang, any more ........

Kati Patang is a big hit from the 1970s and its success was purely on merit. Rajesh Khanna and Asha Parekh teamed for the first time in Kati Patang and the result was some powerful performances and great screen chemistry between the two. After, Aradhana, Shakti opted for Asha Parekh despite his regular Sharmila Tagore. Asha Parekh takes the place of her dead friend and starts living with her in laws -in her friend's identity. She is a widow. Rajesh Khanna falls in love with Asha Parekh and Asha hesitates to reciprocate his love thinking as to what the society will think and say. She is framed for murder by Prem Chopra and Bindu and how Asha with Rajesh Khanna's help comes out of the frame up forms the climax of the story. She eventually marries Rajesh Khanna. Its a lovely film and the film engrosses the viewers for its entire length. The music is superb with all the songs being hits. The highpoint of the film is the dialogs by Vrajendra Gaur. The dialogs are hard hitting, sensitive and heart warming. VRAJENDRA GAUR is no wonder one of the most gifted dialog writers of the Hindi film industry. His sensitivity came through in his dialogs and he penned dialogs for films like Sharmeelee, Lal Paththar, Anuraag, The Great Gambler, Dulhan Wohi Jo Piya Man Bhaye, Geet Gaata Chal, Teen Deviyaan, etc.etc. I became his greatest fan after watching Kati Patang. The contribution of the versatile Gaur is very big in making Kati Patang a classic hit. Very few know that Shakti Samanta was Vrajendra Gaur's assistant in the only film directed by Gaur called "Kasturi". Gaur passed on all the subsequent offers to Shakti and returned to his first love writing. He subsequently wrote most of the films made by Shakti. The dialog penned by Vrajendra Gaur in innumerable films will always be remembered as they make us value the true worth of great dialogs.

Kati Patang (1971) : Brief Review -

Shakti Samanta adopts Mitchell Leisen's influential Hollywood melodrama "No Man Of Her Own" (1950) and makes it even better at places. For the unversed, Mitchell Leisen is known for making many melodramas in Hollywood that became influential over the years, and No Man Of Her Own happens to be one of his popular works. The tragic story of a woman who is betrayed in love, and then when she finds a true and loyal love, the old love is back to spoil her life again. No Man Of Her Own is a very thrilling affair, whereas Samanta's adaptation is typical but much better at places. The first half an hour goes into setting the plot, including the introduction of the hero, with the super hit song "Yeh Jo Mohabbat Hai." The idea is to make it Indian, and Samanta has done a fantastic job here. In the original film, the villain is shot dead, while this one has the villain as a murderer. There are a few more changes in the screenplay that make it very colourful, especially all the songs and their situations. For instance, "Yeh Shaam Mastani" feels so romantic, and that Holi song, "Aaj Na Chodenge," is so apt for the situation and two different mindsets (the hero is happy, so the mukhada of the song is happy, and the heroine is sad, so the antara is filled with a sad tune). We don't make situational and meaningful songs like this anymore. "Na Koi Umang Hai" has become a "widow song" over the years, and "Pyaar Deewana Hota Hai" is forever melodious. With enough drama in his hands and such a great music album, Samanta easily manages to turn a woman-centric Hollywood melodrama into an audience-friendly Indian drama. Rajesh Khanna's charm hits well, and Asha Parekh proves why she was the best choice to replace someone like Barbara Stanwyck. In short, this is how you remake a Hollywood film with Indian flavour.

RATING - 7/10*

By - #samthebestest.