I lunghi giorni dell'odio

I never thought I'd live to see the day when there was a good spaghetti Western. Most of the ones we have rammed down our throats are those goofy ones Eastwood was in, the ones where men are classified into gods who can't miss, demi gods who can only miss gods, and mortals who just fill graveyards. Yawn provoking one dimensional caricatures they think can pass off as caricatures because they don't shave.

But this one combines the elements of credible characters with entertainment and an actual story line.

It helps to have Guy Madison, too. No doubt he had a large say in keeping this one from being a cartoon cardboard cut out.

Not saying it is realistic. This is a shoot em up. But the circumstances are more thought provoking and believable, because the characters actually have motivation. In the spaghetti flops that clowns like Leone directed, he simply made everyone a certain degree of a sadist to explain their actions. In this film we are spared that cliché of the modern movie. The gun play is far more believable than anything Leone ever did. There are a few clownish fight scenes with people doing flips, but not many.

Like most good Westerns, the minor characters and their treatment with dignity make this stand above the lesser ones. Again, one sees this a lot with Guy Madison, so either he had a large hand in it, or he was careful in the selection of the role.

This is entertainment.

Very well made Eurowestern with Guy Madison (almost unrecognizable) as Martin Benson. The plot may be a familiar one to Eurowest fans, but the director gives a standard plotline a fresh new look. No overacting in this film, which sometimes is the case, just straightforward acting from the entire cast. I would give the film at least five stars (maybe more)!

Things are getting complicated in the Benson family. Older brother Martin is out tracking down and destroying gun runners, while back at home a bunch of jerks have just turned up at the ranch, killed Ma and Pa, and raped sister Jenny! Revenge is on hand, but only the wounded guy the Benson family find on the ranch can tell them who set the attack up. That man can't die!

At first you've got a split film, as you have Guy Madison as the more violent Benson brother wasting his way through the bad guys before he even knows what has happened back home. In fact, his girl Rosalba Neri can't get a word in to tell him what's happening while he's all over her like a rash, Elsewhere, you have the rest of the Benson clan keeping it together and trying not to let the world know that one of the attackers is still alive. Plenty of twists happen and thankfully although the film drags here and there things pick up with the gunfights at the end.

There's a pretty good gunfight in a burning house and an even better one in a bar. For the most part this plays out like an average Western but has enough in there to stand out at least slightly from the pack. Rosalba Neri helps. Of Course.

In Gianfranco Baldanello's third (of 6) Italian Western...Guy Madison stars as a mercenary undercover agent for the military... in this minor..but on the whole pretty well done western.

Martin Benson hasn't quite made it home from the war..rather working undercover & gaining a reputation as an outlaw. As 3 bad guys he helped to capture are hanging in the wind..he's offered a substantial amount of gold to find the leader of the gun & liquor smuggling operation he's helped to take a bite out of..even as.....gang members are out to get him..& target his family as well. His parents are killed..younger sister raped..& he & his younger brother set out for revenge...also trying to stay alive..as the remaining family members (2 sisters..2 brothers) are still being stalked.

Madison, of course, knows his way around sixguns, fistfights & horses..& it shows. He's as comfortable to watch as wearing an old pair of worn in jeans. There are no 'corrida' type showdowns..but some medium to larger gunfights...& probably pretty much how gunfights really were...shooting people anywhere & anyhow you could..in the back..through windows...whatever works.

Amedeo Tommasi's (The House with Laughing Windows ) first & only Spaghetti Western score is imitation Morricone..but good imitation Morricone......strings & horns w/ the dominant electric guitar..& the title vocal tune is a typical catchy Spaghetti Western pop ballad. Overall , among the best Morricone rips I've ever heard.

So what we have here is kind of a mixture of the pre-Leone SW & some post Leone elements......brutality...rape..nudity...& the the usual bloody messes. I don't believe that a widescreen version of this movie still exists...it's showing up on a lot of those 5..20..50 cheapo Movie packs...the fullscreen is watchable...I do recommend zooming it down to 1/2 if you come across the DVD. It's worth a viewing.

"I lunghi giorni dell'odio" (litrall translation: "Long Days of Hate") AKA "This Man Can't Die" (1967), directed by the capable Gianfranco Baldanello, who would go on to make the infamous "Black Jack" (1968), is above average Spaghetti Western. While not on the same level as Leone, Corbucci or Castellari, this film still holds it's grip pretty well, with excellent action scenes, some well staged bar brawls, very well done shootouts and a neat, Leonesque showdown for the climax. The plot is the usual story: parents murdered and daughter raped by outlaws, the sons set out to avenge their deaths. But it's capably handled, even if the revealing of who the head of the outlaws is is no big surprise. Still, a must-see for fans of the Spaghetti Western genre.