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Warnung vor einer heiligen Nutte

  • 1971
  • Not Rated
  • 1 घं 43 मि
IMDb रेटिंग
6.6/10
2.7 हज़ार
आपकी रेटिंग
Eddie Constantine and Hanna Schygulla in Warnung vor einer heiligen Nutte (1971)
SatireComedyDrama

अपनी भाषा में प्लॉट जोड़ेंOn a film set there are two things missing, the film material and the director. So the actors and actresses as well as the crew try to make the best out of the situation. When the director a... सभी पढ़ेंOn a film set there are two things missing, the film material and the director. So the actors and actresses as well as the crew try to make the best out of the situation. When the director arrives the material is still missing and so they still wait and try to make the best out o... सभी पढ़ेंOn a film set there are two things missing, the film material and the director. So the actors and actresses as well as the crew try to make the best out of the situation. When the director arrives the material is still missing and so they still wait and try to make the best out of the situation. When the material finally arrives all folks involved into the film find t... सभी पढ़ें

  • निर्देशक
    • Rainer Werner Fassbinder
  • लेखक
    • Rainer Werner Fassbinder
  • स्टार
    • Lou Castel
    • Eddie Constantine
    • Marquard Bohm
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.6/10
    2.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Rainer Werner Fassbinder
    • लेखक
      • Rainer Werner Fassbinder
    • स्टार
      • Lou Castel
      • Eddie Constantine
      • Marquard Bohm
    • 14यूज़र समीक्षाएं
    • 26आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो77

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    + 70
    पोस्टर देखें

    टॉप कलाकार35

    बदलाव करें
    Lou Castel
    Lou Castel
    • Jeff, Regisseur
    Eddie Constantine
    Eddie Constantine
    • Eddie
    • (as Eddi Constantine)
    Marquard Bohm
    Marquard Bohm
    • Ricky, Schauspieler
    Hanna Schygulla
    Hanna Schygulla
    • Hanna, Schauspielerin
    Rainer Werner Fassbinder
    Rainer Werner Fassbinder
    • Sascha, Herstellungsleiter
    Margarethe von Trotta
    Margarethe von Trotta
    • Babs, Produktionssekretärin
    • (as Margarete von Trotta)
    Hannes Fuchs
    • David, Regieassistent
    Marcella Michelangeli
    Marcella Michelangeli
    • Margret
    Karl Scheydt
    Karl Scheydt
    • Manfred, Produzent
    Ulli Lommel
    Ulli Lommel
    • Korbinian, Aufnahmeleiter
    Kurt Raab
    Kurt Raab
    • Fred, Ausstatter
    Herb Andress
    Herb Andress
    • Mark, Coach
    Monica Teuber
    • Billi, Maskenbildnerin
    • (as Monika Teuber)
    Benjamin Lev
    • Candy, spanischer Aufnahmeleiter
    Gianni Di Luigi
    • Mike, Kameramann
    • (as Gianni di Luigi)
    Werner Schroeter
    Werner Schroeter
    • Deiters, Fotograf
    • (as Werner Schröter)
    Magdalena Montezuma
    Magdalena Montezuma
    • Irm
    Rudolf Waldemar Brem
    Rudolf Waldemar Brem
    • Oberbeleuchter
    • (as Rudolf-Waldemar Brem)
    • निर्देशक
      • Rainer Werner Fassbinder
    • लेखक
      • Rainer Werner Fassbinder
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं14

    6.62.7K
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    फ़ीचर्ड समीक्षाएं

    6gavin6942

    Not My Favorite

    On a film set there are two things missing, the film material and the director. So the actors and actresses as well as the crew try to make the best out of the situation. When the director arrives the material is still missing and so they still wait and try to make the best out of the situation. When the material finally arrives all folks involved into the film find themselves in a weird situation.

    I love that Ulli Lommel appears as Korbinian, the manager. At this point, Lommel might have been a respected actor, but now (2016) he is better known for directing pure rubbish. He clearly did not pick up skills from Fassbinder.

    The idea of the "meta" film is always fun, and I like the idea that the film is or isn't working because of shortcomings. But this really isn't my favorite Fassbinder. I like when he goes for that "Sirk touch", and that is noticeably absent here.
    7ricardojorgeramalho

    Una Cuba Libre Por Favor

    Fassbinder ends this film with a quote from Thomas Mann that expresses his tiredness in representing the human species, without being part of it. This could well be the key to interpreting not only this film, but almost all of Fassbinder's work.

    In a world divided between capitalist tyranny and socialist hypocrisy, there is no real place for Fassbinder and his troupe, representative of a generation that wants to be above bourgeois values, but finds no alternatives, falling into nihilism and depression.

    In retrospect, we can believe that Fassbinder's discomfort stemmed, in large part, from the rejection of homosexuality, whether by fascist moralism or socialist progressivism. The sexual freedom of the sixties did not yet include homosexuality, and Fassbinder, using shock therapy in his films, was one of the staunchest critics of this hypocritical sexual revolution.

    The film tells the story of a film production, which takes place in a haphazard manner, in a Sorrento painted in Francoist Spain, as a metaphor for a society and a revolution of mentalities, which is also slow to happen.

    Meanwhile, Cuba Libres are drunk, in honor of the revolution.
    10semiotechlab-658-95444

    Auto-Psychogram of the Fassbinder family

    "Warnung Vor Einer Heiligen Nutte" (1971) is everything else than an obscure, hermetic and highly stylized movie. Before you watch this masterpiece of the middler Fassbinder, you should read the biography by Peter Berling, "Die 13 Jahres Des Rainer Werner Fassbinder" (1992). Peter Berling was also the producer of the "Holy Whore" and acted a part in it. It is a very precise description of practically all members of Fassbinder's troop since the time of the "antiteater". However, the persons have been exchanged. So, f.ex. Magdalena Montezuma plays "Irm", i.e. Irm Hermann, who also is the dubbing voice of Montezuma. She accuses "Jeff Kocsinsky", the director of the picture "Morte o Patria", of having stolen her years, promised to marry her and have children with her. Jeff is of course Fassbinder, while Fassbinder himself plays the role of "Sasha", probably an invented role. However, it is astonishing that Fassbinder's family agreed to unwrap their own and not only personal but highly private problems in front of the public. A highlight in this respect is "Fred" alias Kurt Raab. He is the artistic director of the movie - as he was in his real life, a weak and subordinate creature depending on love or hatred of his always changing lovers. It shows anew what a magnificent actor Raab was. Lou Castel as Fassbinder alias "Jeff" does a very great job. The same man who is determined to make a movie against brutal state force is using on the set all imaginable means of force up to terror against his actors and staff. Concluding, I would even say that "The Holy Whore" is a example of bravura of how one can make a movie with basically nothing, if there is a group who is determined to create something together.
    7Quinoa1984

    an unusual and perverse fascination abounds in this episodic 'making-but-not-making-of' movie

    It's amazing to see that Rainer Werner Fassbinder made this picture when he was just 26 (and, perhaps not too oddly enough due to his reputation, looks all of 41 as the producer Sascha) and it has the kind of sad insight that an older, more experienced director would have. But from everything I've read, he was already this experienced, for better or worse, as the director depicted in the film, Jeff (Lou Castel). Jeff is hot or cold, sometimes both, and can either be sullen or deep in thought or just going completely off on someone and throwing them off the set. In Beyond a Holy Whore he's shooting- or trying or not trying to shoot- some movie starring Eddie Constantine in a role that sickens the veteran French star, and most of the crew and women around him languish in a sea of distilled despair: will the movie actually get finished? Where's the money? Who's sleeping with who? What will be the consequences of this or that?

    In terms of the storytelling, I was thrown off at first by Beyond a Holy Whore. It's not really very uniformly put together, and makes 8 1/2 look about as lucid as a Hollywood Golden Age picture by comparison. It's not really dreamlike, but it's got a sad, perverse streak of rotten existentialism going on (or maybe what Fassbinder thinks it is). So, from time to time, it is a little choppy, as one scene goes into the next without much of a sense of where the story is. But after a while I got into the modus operandi; this is by design a story of this man, Jeff, and his producer, Sascha, along with various groupies, gay folk, disgruntled actors, going along with a flow that never seems to be taking any charge. What becomes clear, in segments that occasionally have comedy to them (I just started laughing at one bit where Jeff was losing it and crying hysterically while directing a scene) and sometimes have a lonesomeness as via the characters, is that film-making can be a rotten enterprise when the creative well runs dry.

    But it's not just about creativity or lack of inspiration for Fassbinder; it's also a kind of mood that he sets which is important, of going through a similar self-imposed brutality that the director wants depicted in the film within the film. As far as "director self-commentary" pictures go, it's not one of the best ever made. But it is an interesting picture all the same, one that grows on the viewer accepting of its loose form and sad notes - not to mention fine points of irony like the sweet Leonard Cohen songs playing over the decay at the bar.
    8meathookcinema

    The insanity of filmmaking

    Fassbinder's 1971 film about a German film crew waiting for a production to start whilst on set in a Spanish hotel lobby.

    The film starts with the verbal recanting of a Goofy cartoon. This is possibly the most linear part of the entire film's narrative but that's not an insult. The rest of the film shows fragments of how the characters interact on many different levels. The movie also shows the power relations and how these shift throughout the film's duration.

    The film crew resemble a Germanic version of the trope of superstars Warhol used to use. With waiting comes emotions ranging from an utter lack of enthusiasm through to explosive rage about proceedings not starting when they should or crew members not doing what they should when filming does actually begin.

    This film was based on Fassbinder's experiences of making the film Whity. It must have been hell for him judging by the events depicted here.

    If you're looking for a film with a linear narrative, a 'start, middle and end', if you will, this isn't for you. But if you're looking to be swept away by Fassbinder into a film that is more of an experience, then you'll love this.

    इस तरह के और

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    7.2
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    Liebe ist kälter als der Tod
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    Mutter Küsters' Fahrt zum Himmel
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    Die bitteren Tränen der Petra von Kant
    7.5
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    Satansbraten
    6.7
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    In einem Jahr mit 13 Monden
    7.3
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    Götter der Pest
    6.4
    Götter der Pest

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Among Bob Dylan's favorite films
    • भाव

      Journalist: What kind of movie is it?

      Jeff, Regisseur: It's a film about brutality. What else would one make a movie about?

    • क्रेज़ी क्रेडिट
      The film begins with the line: 'Hochmut kommt vor dem Fall.' ("Pride goeth before a Fall")
    • कनेक्शन
      Featured in Rainer Werner Fassbinder, 1977 (1977)
    • साउंडट्रैक
      Let's Go Get Stoned
      Written and Performed by Ray Charles

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Beware of a Holy Whore?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 15 जुलाई 1983 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • पश्चिम जर्मनी
      • इटली
    • भाषाएं
      • इतालवी
      • जर्मन
      • अंग्रेज़ी
      • फ्रेंच
      • स्पेनिश
    • इस रूप में भी जाना जाता है
      • Beware of a Holy Whore
    • फ़िल्माने की जगहें
      • Hotel Bellevue Syrene, Sorrento, नेपल्स, कैम्पानिया, इटली(Terraces, interiors)
    • उत्पादन कंपनियां
      • Antiteater-X-Film
      • Nova International Films
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • DEM 11,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $8,144
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $11,623
      • 16 फ़र॰ 2003
    • दुनिया भर में सकल
      • $9,115
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 43 मिनट
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Eddie Constantine and Hanna Schygulla in Warnung vor einer heiligen Nutte (1971)
    टॉप गैप
    What is the English language plot outline for Warnung vor einer heiligen Nutte (1971)?
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