The Big Bird Cage

In the 70s, a popular exploitation sub genre known as women in prison produced low budget schlock after low budget schlock. Somewhere in the shuffle, there were a few enjoyable gems. Pam Grier (The L Word, Jackie Brown) seems to have a lock on these, as her "Women in Cages," "The Big Doll House," "The Arena," and this one, "The Big Bird Cage" all seem to be the most fun. I'm sure Roger Corman is to thank for these hilarious movies as well.

There really isn't much to the plot. A bunch of broads are in a prison and used as slave labor. They are trying to get out. They have some in fighting and it usually involves mud. The guards are gay stereotypes. Pam Grier doesn't take any crap. Sound like your cup of tea?

If you go into this movie expecting "The Godfather," you may not enjoy it, but if you are looking for an enjoyable flick to catch, this is the one. Pam Grier and Sid Haig(The Devil's Rejects) steal the show here, as their over the top performances anchor the rest of the mostly there to exploit, but serviceable cast. If you like your women in prison exploitation films to be more bouncy fun and less disturbing torture, I highly recommend you start here. If only they still made flicks like this.

Jack Hill's follow-up (but not a sequel) to his earlier 'The Big Doll House' is a much more confident and enjoyable movie. Hill wrote as well as directed this one and I think that makes a world of difference. The basic model of the earlier film is followed but Hill shrewdly saw that the handful of scenes between Pam Grier and Sid Haig in that movie showed plenty of potential, so this time round he casts them as singing Revolutionary lovers (yeah baby!), an inspired move that really makes this one something special. The foxy Anitra Ford ('Invasion Of The Bee Girls') plays a sassy character who crosses their paths early in the film during a robbery. Super cool Django (Haig) takes a fancy to her but before he can do anything about it she is arrested and sent to a brutal prison. (I should point out that even though this movie, like the others in this short-lived 1970s cycle, was filmed in the Philippines, it is set in some nameless Banana Republic). Before too long Grier also finds herself in the same compound, which is dominated by "the bird cage", a strange contraption the women are forced to work on as punishment. Django cooks up a nutty plan to save her by pretending to be gay to ingratiate himself with one of the camps (very camp) guards Rocco, played by Vic Diaz, who later reunited with Haig and Grier in 'Black Mama White Mama'. This is a fantastic piece of entertainment overall and a guaranteed hoot! Personally I would say it is only rivalled by 'Caged Heat' and 'Chained Heat' as far as women in prison exploitation movies go. Highly recommended fun.

Jack Hill's "The Big Bird Cage" of 1972 is another highly entertaining Women's Prison Exploitation flick, starring the wonderful Pam Grier and exploitation badass Sid Haig. Director Hill, who has proved himself to be a master of exploitation cinema, as he directed blaxploitation cult flicks "Coffy" (1973) and Foxy Brown (1974), both starring Pam Grier as the sexy and vengeful heroine, is furthermore one of the pioneers of the WIP (Women In Prison) sub-genre, having directed "The Big Doll House" in 1971 and this "The Big Bird Cage" in 1972.

Somewhere on a dictatorially reigned tropical island, American actress Terry (Anita Ford) is taken hostage by revolutionary Django (Sid Haig), when he pulls of a heist on a bar with his girlfriend Blossom (Pam Grier) and other fellow revolutionaries. While on the run from the police, Django leaves Terry back, who is mistaken for his female accomplice and brought to a jungle prison camp for women...

Pam Grier, the sexiest, coolest and most charismatic heroine in Blaxploitation cinema, is great as always in her role of the badass female revolutionary and Sid Haig is the epitome of coolness as rebel leader boyfriend Django. Sexy Anita Ford also fits in her role very well. "The Big Bird Cage" has all the typical WIP flick elements, such as shower scenes, lesbianism, catfights and a fair amount of violence including cruel punishments, as well as some special curiosities, such as two fat and disgusting gay wardens (one of them Vic Diaz whom WIP/exploitation fans might recognize for his role as the sadistic drug-lord in "Black Mama, White Mama") and a huge lesbian inmate.

All things considered, "The Big Birdcage" may not be an exploitation highlight, and it is terribly cheesy in some occasions, but it is also a great fun flick that doesn't take it self seriously. Highly sarcastic more than once, this is not to be missed by fans of 70s exploitation cinema and Pam Grier.

First of all, I would like to say that I find Leonard Maltin's review of this film rather inaccurate. "Amusing SPOOF of prison films"? Calling "The Big Bird Cage" a spoof is like calling "Die Hard" a spoof of action films because it contains some wisecracks and comic-relief characters. That said, I found this film inferior to its predecessor in pretty much every aspect. It is more exploitative, the direction has no pace, the characters are not as strongly drawn and Roberta Collins is sorely missed (Candice Roman is a pretty blonde, but not as pretty as Roberta). Pam Grier's dominating presence (especially in the scene where she proclaims herself the leader of the prison camp) is not only the best, but one of the few things that this film has going for it. (**)

Jack Hill is back again (a year after 'The Big Doll House'), to write and direct another low-budgeted drive-in Roger Corman produced women-in-prison joint in the tropics of the banana republic. This second run-of-the-mill dig is meaner, snappier, sweatier and is a lot more accomplished technical production, but I really do have a soft spot for rough-around-the-edges, but enjoyable 'Big Doll House' that sees me actually favour it over this particular effort… plus it had the feisty blonde buxom Roberta Collins! Nonetheless Hill competently engraves the prominent staples (even adding few new novel ideas) and patterns one hope for from its exploitative subject matter, which is handled in a brightly lit manner than truly beating it down with despair. Sleaze, violence, profanity and a whole lot of socking personality all rolled in one. There's no better to deliver it… a lively Pam Grier and charming Sid Haig come to the show with such an electric chemistry. When they go missing-in-action, you simply crave for them to appear again. Vic Diaz is delightfully amusing as camp gay prison guard and Anitra Ford adds brazen class, but seems to be struggling to keep a straight face. Saying that it seemed more comically daffy, as the script holds a cheeky edge amongst it harden dialogues. In the latter half it became insanely humorous and hysterical. Hill confidently executes it with a little more briskness and latitude, concentrating not only on the posing drama at hand, but detailing the exotically open locations with crisp photography work despite the limitations. The story can open up a notable can of worms, but it's in-your-face and well-rounded flavor made it hard not to simply enjoy.