The Call of the Wild

Call of the Wild, The (1972)

*** (out of 4)

A house dog is stolen from its owner and sold to a group of men who abuse him and eventually sell him as a sled dog. The sled owner (Charlton Heston) soon grows attached to the dog and we see their adventures in Alaska, which includes hunting for gold. This version of the famous story isn't as good as the 1935 version with Clark Gable and Loretta Young but this one does remain entertaining throughout. There are some major problems with the film that keeps it from being great but even through there are problems there's still a wonderfully touching movie here. What doesn't work is that the film really appears to have originally been three hours and then edited down to its 100-minute running time. I say this because there seems to be some rough editing and there are various parts of the film that seem rushed. This becomes rather annoying but the real star here is the dog. The dog used in the film does a remarkable job and really makes his role a real character and not just an animal doing tricks. Heston gives a pretty good performance and his actions with the dog are a lot of fun to watch but there are moments when the actor goes over the top and brings a few laughs, which certainly wasn't intended. Michele Mercier is good as Heston's lover and George Eastman makes for a great villain. The film was shot in Finland, which leads to some terrific visuals and the movie remains entertaining all the way through. The love story between Heston and his dog is beautifully captured but some should be warned that there are a lot of scenes of animal abuse, which will certainly bother some.

I saw this movie when I was about 11 years old. I didn't expect anything from it and was very happily surprised. Obviously low budget, this is offset by the authentic looking town, beautiful locations, Hestons great acting and Jack Londons timeless classic. It for me is one of my favorites, and I would recommend it to anyone. Even though the dialogue seems to be dubbed here and there I didn't have a problem with it. How Buck ends up in Alaska and is saved by Heston sets the tone for their unique friendship! Heston must decide which path to take, as Buck must decide as well! This is definitely a story of fate and of personal choices ending with a desperate and dramatic climax! I read some of the other reviews ans it seems most people don't like this film. I don't care, I was able to overlook the dubbing and the other flaws mentioned simply because this movie looks like the Yukon in the latter half of the 19th century. The story is touching and excuse me, but i like it. When you have Heston it makes up for a lot............

Charlton Heston as John plays a prospector along with Raimund Harmstorf . They are at the right time and in the right location to live numerous adventures . The picture chronicles the ¨Gold Rush¨ days of Alaska from Klondike territory and in the Dawson City center . Heston finds and befriends a German shepherd dog called ¨Buck¨ which saves and protects to John and his partner . The dog rescues them from dangers and leads throughout snowy landscapes . But Buck is robbed and is taken by various masters , being forced to pull a snow sled.

The movie is based on Jack London novel -in part autobiographic but in his real life was prospector- , narrating the story about the gold discovery , people came to find the precious mineral through the freeze ways and corruption , violence and ambition that came with them . Authentic stars film are the animals as there appear : Huskys , pack of wolves and of course the magnificent German shepherd named Buck . The best of the movie are the marvelous , spectacular snowy outdoors , being stunningly photographed by John Cabrera in places as Finland , Norway and Spain . Atmospheric , evocative score by the Italian composer Carlo Rustichelli . The picture is one of various renditions based on Jack London novels along with ¨ The White Fang ¨ , creating the sub-genre about the Alaska adventures . The film is a European co-production by Harry Alan Towers with actors of several nations ( German as Raimund Harmstorf ; French as Michele Mercier ; English as Maria Rohm ; Spanish as Juan Luis Galiardo , Sancho Gracia and Italian as George Eastman or Luigi Montefiori). Charlton Heston said about this one resulted to be his worst film but I think is entertaining and watchable although mediocre for its poor direction and weak plot which hamper this familiar story .

For a dog-lover, it is a moving and heart-touching story. For any other viewer, it is an old movie that features a bunch of sled dogs and Alaska. You really must read the book by Jack London before seeing the film. It follows the plot but it does confuse matters.

The dog stunts do look very real and do tend do worry you. Fortunatly, you are assured before the movie begins that no animals were harmed in the making of the film. It was good quality for the time period with well-trained animals and nice camera shots. The soundtrack could have been improved but works for the general atmosphere. I was also disappointed by Buck's appearance. He was a German Shepherd mix as described in the book but was presented as a Newfoundland in the film. Curly was also the wrong breed. None of this honestly mattered once the film got started.

It is no match for Disney's White Fang but Call of the Wild does come as its infamous partner.

I don't know about other people, although looking at the score this website has given this film I can only ponder, but when it comes to international team work in making a film, I often love the results. In fact, I loved this movie and thought it was extraordinary. Oh and the emotion, it blew me away. 'Call Of The Wild' is a very emotional story of a German Sheppard's forced journey from 19th Century California to the Goldrush of the Alaskan wilderness and the meeting with its new owner with which it becomes closer to than with anyone or anything else. A very simple story indeed, but the legendary Jack London knew how to tell a great high adventure tale on an epic scale and he obviously fancied dogs very much as is shown with his minute details about his subjects. I believe that Ken Annakin (the director of this film) realized London's vision to perfection and translated it brilliantly to the screen.

The sheer realism that Jack London told his stories with takes you to another world and it takes your breath away with their uplifting finales. Ken Annakin had done a wonderful job with directing "Call Of The Wild". The dog in the film is an actor itself as it plays such an integral part of the film. Not even half way into it, it is almost certain that you will fall in love with the dog. Its emotions and gestures are all natural, and it's easy to relate to the dog's journey. Five minutes into the film, I was hooked. The dog had such a commanding presence that not even Charlton Heston could get in its way. And then there is Charlton Heston, a man of such phenomenal, legendary influence on film history. Yet even with his power, fame and success he is one of the few actors in the world who's fame doesn't distract from the film. It's his strong presence and every-man, human and subtle performances that set him apart from many actors on the same level of fame. He is always the same 'Chuck', but he is more like we are and that's why we loved his films so much. So, when you see him inevitably getting closer and attached to the dog, it feels so convincing and real, it drains you of all emotions.

Call me crazy, but when the credits at the end were rolling I felt like crying. Here you are, in the middle of god's nowhere in the heart of the Alaskan wilderness; two mammals - a dog and a man - who have no families and nothing to come home to find one another and become the closest, most reliant friends as it is a key player in their survival of the unforgiving hardships of the Goldrush and the wilderness in between them and the Gold. The scenes where 'Chuck' finds the dog after not seeing him for a long time are so uplifting and you can see the happiness and joy in Heston's eyes. However, nothing beats the finale when the dog and the man are departed for the last time in tragedy. It's so sad and it makes you think about how big their journey together was and how close they were to one another. Yet, the film still finishes on a positive note with the dog and his offspring symbolizing "life goes on".

What really set the mood for the film more than the harsh wilderness and the hardships that the two faced throughout, was the unusual, alienating music written and composed by Carlo Rustichelli, which at first seems out of place and very weird, but soon becomes the film's underlying haunting atmosphere and power. In a way, the music paints a picture of struggle and isolation better than anything I've ever heard in my life. By the end of the film, I didn't want anything else, it was perfect. And of course, the music wouldn't have been any good without the wonderful cinematography that gave a clear realization of how vast the landscape is.

Ken Annakin's "Call Of The Wild" is easily a worthy addition to the adventure lover's film collection. You will feel like you have been on an epic journey. It captures the importance of dogs in those times - for dogs were at times worth more than Gold as they were the only things that could get you around the deep snows of Alaska. Rarely have I seen such a realistic and graphically harsh portrayal of the Goldrush years and the men with their dogs and sleds that fought, searched and died for the Gold. And in the fore-front there is a most captivating story about love and friendship between two different species.

Adventure fans, go no further than this great escapist master work. Yes, there is wooden acting in some parts, but the core of the film doesn't fail one bit. The film is a definite product of the 70s and adds a lot of nostalgia, only adding to the atmosphere. I absolutely surrendered to the film's beauty and power and I can confidently call it a classic. They don't make em' like this anymore!