अपनी भाषा में प्लॉट जोड़ेंIn order to collect inheritance money, a slacker tries to induce a heart attack in his invalid grandmother by convincing her that she's become the target of youth supremacists who want to en... सभी पढ़ेंIn order to collect inheritance money, a slacker tries to induce a heart attack in his invalid grandmother by convincing her that she's become the target of youth supremacists who want to enact a genocide on the elderly.In order to collect inheritance money, a slacker tries to induce a heart attack in his invalid grandmother by convincing her that she's become the target of youth supremacists who want to enact a genocide on the elderly.
फ़ीचर्ड समीक्षाएं
The film is actually quite slow and the plot very relaxed in terms of it's plotting; but while the film is not particularly exciting, the slow plot does benefit it in that we get time to know the characters and the situation to ensure that the film is always intriguing. The acting is fairly decent too with the three central performers doing well in their roles. Paul Nicholas ('Blind Terror') convinces in his role as the grandchild that wants his grandmother out of the way so he can enjoy life, while Vanessa Howard (the biggest standout in Mumsy, Nanny, Sonny and Girly) is ice cold as his scheming girlfriend. Mona Washbourne ('Fragment of Fear') rounds off the central cast and gives the only likable character of the whole piece. The film is much better while there are three leads in it; after the death of the grandmother, there's some amusement in the aftermath but the rest of the film doesn't live up to the promise of what went before it. Still, What Became of Jack and Jill, while not a classic, is certainly an interesting little film and it's worth a look if you can find a copy.
If the premise above reads as a bit too simplistic then you'd probably have a point . It's the old Shakespearian tragedy of a young weak greedy man listening too much to a slutty greedy woman and coming to regret it . However this isn't enough to to condemn the film as being bad in anyway and while it's not terribly good neither is it terribly bad , just a little bit predictable
The cast are somewhat one note with Paul Nicholas as a hip early 1970s young cat brooding that the best years of his life will revolve around looking after his elderly grandmother who he has murderous fantasies towards . Vanessa Howard plays Jill who is a bit too slutty to be entirely credible but if you're a hip young cat then the tail wags the dog if you know what I mean and Mona Washbourne plays Gran who despite being a coffin dodger isn't written or portrayed as being insufferably selfish , just old
The directing by Bill Bain is rather static and workman like which is not too surprising since most of his prior and subsequent work was in the field of television . One interesting aspect Bain does bring to the film is a cinematography featuring muted sepia tones which is the only real remarkable thing in an unremarkable film
A 20-something loser who lives with his grandmother schemes to get rid of her so he can inherit the house and the big pile of money she's sitting on. With the help of his cold-as-ice girlfriend, he convinces poor Granny that a rising group of British youth are violently getting rid of all old people, making her last days as torturous as possible. That is basically the plot. There is no supernatural twist as I was expecting from an Amicus production. While the film does manage to generate sympathy for Granny, it doesn't do much else.
We've all seen this type of story play out many, many times before - Amicus themselves did a much better version in one of the stories in "Tales From The Crypt" with Peter Cushing, but with the plot-enhancing supernatural twist. Don't go out of your way to find this one guys, there is a reason why this is one hasn't been re-released yet.
क्या आपको पता है
- ट्रिवियाFinanced by Amicus pictures in 1970 as "Romeo and Juliet '71" in an attempt to capture the ever-growing grindhouse/exploitation market. The experiment worked too well, as the final product proved to be too nihilistic for Amicus executives, who were still used to the more benign, supernatural films they had produced in the 1960s. Amicus shelved the film for two years until it was picked up for distribution by 20th Century Fox, who successfully marketed the film on the American grindhouse circuit.
- भाव
Johnnie Tallent: Well here's how they figure it, Gran. The Middle-aged are like customers in a swank restaurant sitting over a slap-up meal, see? Everything's rosy so why worry about tomorrow? But the young, well they're like hungry people standing in a queue outside, noses pressed up against the glass, waiting for a table.
Gran Alice Tallent: And the old? What do they say about the old?
Johnnie Tallent: Ah, the old. Well, they've finished their scoff, Gran. But they just sit on and on and on; just don't know when to get up and go.
- कनेक्शनReferenced in The Killing of America (1981)
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- En busca de la muerte
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