Arnold

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by George Fenady; produced by Andrew J. Fenady for Cinerama Releasing. Screenplay by Jameson Brewer and John Fenton Murray; photography by William Jurgenson; edited by Melvin Shapiro; assistant director: Daniel McCauley. Starring Stella Stevens, Roddy McDowall, Elsa Lanchester, Shani Wallis, Farley Granger, Victor Buono, Bernard Fox, John McGiver, Patrick Knowles, Jamie Farr, Norman Stuart, Ben Wright and Wanda Bailey. Original title was: "Family Plot".

Ridiculously TV-oriented in its pablum script and direction with bland TV lighting to boot. This great step backward in ultra-phony, sloppy studio anti-realism takes off on horror/mysteries of "The Old Dark House" genre with insipid, tedious attempts at humor -for one of the most embarrassing of the modern horror films. Especially for its fine (on paper) walk-through cast.

The Abominable Dr Phibes was quite successful. One of the first films to feature "creative deaths", it was soon followed by a sequel and imitations (Theater of Blood, also with Vincent Price).

Arnold follows the pattern of someone who may or may not be dead getting revenge on those who have wronged him. Here we have a corpse (is it really millionaire Arnold Dewellyn?) who lays in his coffin for the entire movie while tapes of his voice are played at various intervals. Arnold knows his greedy relatives are after his money, but he has a surprise for each of them. Who will survive???

This movie is basically a comedy, with some semi-gruesome murders (tame by today's standards) thrown in. If you like black-comedies (Murder By Death for example) you should enjoy this PG rated Bing Crosby Production (BCP). The cast is great: Stella Stevens, Roddy McDowell, Elsa Lanchester, Victor Buono, Charles Fox.

The movie did hardly any business in 1973. BCP sold the movie to be tacked on to double bills. In 1976 it was paired with Grizzly! In the mid 80's it finally came to television on the Late Show, and then a year later to video.

It is out of print now, and very hard to see (cable TV has NOT embraced it). It is a cult movie waiting to be discovered. It is certainly weird enough!

This is a pretty black little film, and I actually really like it. It makes you wonder how they got the money to put it together and got all the celebrities to be in it. Roddy McDowell and Stella Stevens were fresh off of "Poseidon Adventure." Was this a good career move? Who cares? They were both actors who were willing to work, even if it meant doing dumb movies.

Stella Stevens plays a woman carrying out the wishes of her lover, that she marry him after he is dead. That's how the movie STARTS, and it keeps going from there! What follows is a combination of campy 70's sitcom humor, a "And Then There Were None"-style "whodunnit" mystery and some grisly, inventive death scenes.

The pace is brisk as it moves to a surprise ending that is both satisfying and pretty disturbing for a "comedy." I respect a film that is willing to pretend to be all light and funny, then end so hatefully! The theme of this film is that everyone is money-grubbing, selfish and weak. Nasty, black-hearted, TRULY WEIRD (the opening song just kills me) and I love it! And Stella Stevens is gorgeous and amazing, as always.

Arnold is everything a black comedy should be! It has the all the cynicism and wit of a Gogol novel. Another terrific performance by the incomparable Roddy McDowell...if only I could find out where to buy one of his "shrink wrap suits" to send to all of my "favourite" people.

Bing Crosby Productions (BCP for short) was kind of the Aaron Spelling studio of theatrical B-pics, (if that's not too redundant a comparison) when this was initially released. For an association with one of America's foremost crooners, the company turned out a pretty grisly roster of flicks, (apropos, I guess, in light of the Crosby family history that surfaced later.) Film buffs may recall WILLARD, its inescapable sequel BEN, TERROR IN THE WAX MUSEUM, "W," and of course ARNOLD, among BCP's more visible offerings.

Of the bunch, ARNOLD was definitely the most ghoulish fun. A who's who of well-preserved Hollyweird relics and die-hard character actors, it predated the slasher film onslaught that would overrun theaters later with its premise of not so much "whodunnit," but who would get it next and how.

Stella Stevens played a blushing, buxom bride about to make a most unusual deal with her much older hubby to be; an arrangement that is literally a lift from TALES OF THE CRYPT. The foxy former flight attendant has agreed to wed her betrothed...AFTER his death, in order to inherit his considerable millions. What's more, she's pledged to stay by his side and remain faithful only to him.

The combination funeral/wedding has got to be seen to be believed, complete with the weirdest serenade ever warbled by show tune chanteuse Shani Wallis. To complete the bizarro scene, Arnold even guides the proceedings through tape recordings, played in a machine installed in his coffin!

The whole thing takes on the air of a ninety minute game of "Clue" played in reverse, as greedy, grasping relatives and hangers-on are dispatched in the most gory and inventive ways possible for a dead guy to come up with. Amongst the suspects/victims are THE Elsa Lanchester, Roddy McDowall, Patric Knowles, Farley Granger, the witchy Ms. Wallis, who gets to sample some of the hottest "cold cream" on the market, Jamie Farr (yeah, Klinger from M*A*S*H himself,) and Victor Buono, in a hysterical cameo as the 'lucky' minister who gets to officiate at the nuptials.

Serving as the hysterically inept and definitely non-PC Greek chorus is Bernard Fox of HOGAN'S HEROES fame, (most recently seen in the Brendan Fraser MUMMY remake), as the bumbling inspector in charge of investigating the murders, while giving a running commentary on the action.

Most moviegoers found this a little too dark and gruesome to be a farcical romp, (little did they know that SCREAM was on the way about thirty years down the road), but it looks like a good time was had by all, and though it's somewhat dated, this '70's sendup is still worth a look, especially since all its stars are allowed to do what they did best. ARNOLD proves to be the liveliest dead guy who ever threw a family "bash," and one thing's for sure...you won't soon forget him!