IMDb रेटिंग
5.6/10
6.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA short continuously looping animation of six grotesque human figures vomiting.A short continuously looping animation of six grotesque human figures vomiting.A short continuously looping animation of six grotesque human figures vomiting.
- निर्देशक
फ़ीचर्ड समीक्षाएं
David Lynch has been one of my favourite filmmakers for most of my life now.
Having seen all of his feature-length films, I finally decided to watch some of the shorts, in chronological order.
"Six Men Getting Sick" had to come first, then, because it's the first movie Lynch made. He made it while in college, and when he intended to become a painter, not a filmmaker. In fact, the cost of making the movie caused Lynch to swear off filmmaking forever, but luckily for us he was tempted back to make another film.
There's not a whole lot to say about this movie. It reminded me less of a short film than a video installation, kind of like a (barely) animated painting. We see six abstracted figures in the background, unmoving, presumably from a painting of Lynch's. Overlaid is some basic animation, mostly showing bright fluid travelling up the figures' bodies and coming out their mouths.
A siren sound plays on a loop all the while.
What is it supposed to say, and what is it about? Who knows. Probably few people will be satisfied with it. I do find that it shares a common thread with much else of Lynch's filmography, though, and that is experimentation. Lynch's movies are always inches away from collapsing into an abyss that always feels like it's just barely being kept off-screen. But there's always light in his movies, too. And that light mostly comes from the joy he gets from experimentation, and invites us to share with him.
Having seen all of his feature-length films, I finally decided to watch some of the shorts, in chronological order.
"Six Men Getting Sick" had to come first, then, because it's the first movie Lynch made. He made it while in college, and when he intended to become a painter, not a filmmaker. In fact, the cost of making the movie caused Lynch to swear off filmmaking forever, but luckily for us he was tempted back to make another film.
There's not a whole lot to say about this movie. It reminded me less of a short film than a video installation, kind of like a (barely) animated painting. We see six abstracted figures in the background, unmoving, presumably from a painting of Lynch's. Overlaid is some basic animation, mostly showing bright fluid travelling up the figures' bodies and coming out their mouths.
A siren sound plays on a loop all the while.
What is it supposed to say, and what is it about? Who knows. Probably few people will be satisfied with it. I do find that it shares a common thread with much else of Lynch's filmography, though, and that is experimentation. Lynch's movies are always inches away from collapsing into an abyss that always feels like it's just barely being kept off-screen. But there's always light in his movies, too. And that light mostly comes from the joy he gets from experimentation, and invites us to share with him.
I remember Lynch was once quoted as saying that he was initially a painter, but he wanted the paintings to move, just a little bit, & that's what got him into animation.
This short is a good example of that - it portrays six figures on a wall vomiting, complete with visible internal organs, then catching on fire. The visuals are accompanied by a siren. Originally, the 40 second short was screened on a loop at an exhibition, which ran indefinitely. The DVD of Lynch's short films has it repeated 6 times.
No story, no characters - it really is more like a moving painting than a 'short film', more at home in a gallery as an installation than in a darkened cinema. The crude, but striking, animation style is similar to that which Lynch later used in 'The Alphabet' & 'The Grandmother', although they did include plotlines & characters, bizarre though they were.
Well worth a look, if only to see where this great director's career started.
This short is a good example of that - it portrays six figures on a wall vomiting, complete with visible internal organs, then catching on fire. The visuals are accompanied by a siren. Originally, the 40 second short was screened on a loop at an exhibition, which ran indefinitely. The DVD of Lynch's short films has it repeated 6 times.
No story, no characters - it really is more like a moving painting than a 'short film', more at home in a gallery as an installation than in a darkened cinema. The crude, but striking, animation style is similar to that which Lynch later used in 'The Alphabet' & 'The Grandmother', although they did include plotlines & characters, bizarre though they were.
Well worth a look, if only to see where this great director's career started.
This is the film portion of a sculpture that had images projected on it.
Its basically abstract people getting sick and throwing up.
Sort of.
As I said its all abstract so the figures are only reasonably human.
The image runs about a minute and then is repeated several times, which was then looped into endless illness.
How do you rate that?
I don't know. Its fine for what it is but as anything beyond that it isn't much.
Its basically abstract people getting sick and throwing up.
Sort of.
As I said its all abstract so the figures are only reasonably human.
The image runs about a minute and then is repeated several times, which was then looped into endless illness.
How do you rate that?
I don't know. Its fine for what it is but as anything beyond that it isn't much.
So nine people have seen this film?
Seeing as the film was essentially a temporary piece of installation art, a loop of film projected onto a sculpture as part of an exhibition back in 1966, I have a very genuine interest in talking to those people - they must have some interesting stories to tell.
Seeing as the film was essentially a temporary piece of installation art, a loop of film projected onto a sculpture as part of an exhibition back in 1966, I have a very genuine interest in talking to those people - they must have some interesting stories to tell.
Okay, the thing is, this isn't a movie you can really rate on a site like this because a few things need to be taken into account:
1) It was a statue. Some of this is meant to be seen in 3D. 2) It's non-narrative. Even for Lynch, there's no real way to approach it, only "experience it". Which in the case of seeing it in real life, would be vastly interesting, but through the medium of the television it's only slightly so. Think about it like seeing a screensaver picture of the Eiffel Tower instead of being there. You can still appreciate it's magnificence, but you still haven't seen it. 3) It was an experiment. An award winning experiment, but still an experiment.
So for that, it's at least interesting. It honestly makes me want to see the actual set up to get a better idea of what all the various forms helped do for each other (animation, projection, sculpture, painting, etc.). But as a filmed medium, it's just something to sit and watch a while, nod your head in acceptance, and move on.
Still, I'd check it out. The idea behind it is inventive enough that maybe it'll open up more ideas for like experiments or further experiments.
--PolarisDiB
1) It was a statue. Some of this is meant to be seen in 3D. 2) It's non-narrative. Even for Lynch, there's no real way to approach it, only "experience it". Which in the case of seeing it in real life, would be vastly interesting, but through the medium of the television it's only slightly so. Think about it like seeing a screensaver picture of the Eiffel Tower instead of being there. You can still appreciate it's magnificence, but you still haven't seen it. 3) It was an experiment. An award winning experiment, but still an experiment.
So for that, it's at least interesting. It honestly makes me want to see the actual set up to get a better idea of what all the various forms helped do for each other (animation, projection, sculpture, painting, etc.). But as a filmed medium, it's just something to sit and watch a while, nod your head in acceptance, and move on.
Still, I'd check it out. The idea behind it is inventive enough that maybe it'll open up more ideas for like experiments or further experiments.
--PolarisDiB
क्या आपको पता है
- कनेक्शनEdited into The Short Films of David Lynch (2002)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Six Men Getting Sick (Six Times)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $200(अनुमानित)
- चलने की अवधि4 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.33 : 1
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