Bedazzled

Not even going to discuss the movie at length - it's brilliantly funny; see it. I'll admit I DID have an additional comment or two to make, but then I read these IMDb reviews and sank into depression.

Do the people who "critique" 30, 40, 50-year-old movies by pointing out that "duhh, it's DATED!" imagine they're applying some kind of rigorous critical standard? Why not simply save valuable time, and pixels, by submitting a "review" stating, "This film cannot overcome the handicap of not taking place in 2003. Where are the SUVs? Where are the cell phones? And why wasn't it shot on the street where I live?"

And I'm fairly sure the guy who complained of the "snotty English accents" that ruined his BEDAZZLED viewing experience is the same fellow who lives in the White House and coined "strategery".

A hapless loser (Dudley Moore) sells his soul to the Devil (Peter Cook) in exchange for seven wishes, but has trouble winning over the girl of his dreams (Eleanor Bron).

An extremely influential figure in modern British comedy, Cook is regarded as the leading light of the British satire boom of the 1960s. He was closely associated with the anti-establishment comedy that emerged in Britain and the United States in the late 1950s.

Others have said Cook (and this film) are sort of a precursor to Monty Python, and I can see that. The mocking of religion is there, especially with the nuns on trampolines. The film does seem to run a bit long and get stale in places, but as a whole it is a breath of fresh air, a piece of film history ushering in a new era of comedy.

Cooke and Moore were possibly the finest comedians the UK has ever produced before Python and others followed Pete and Dud were the undisputed kings of the new cutting edge of comedy/satire in the UK.

But always just under the surface (and later out in the open) there was a sadness and dis-satisfaction to both Peter Cooke and Dudley Moore and I think some of that shows up in this film. Think of the old lady taken for all her money by the Devil and the cheery goodbye she still manages. Also part of the film seems to be dealing with the moral flexibility of people given their circumstance.

Stanley Moon (Moore) has limited opportunities as a short order cook all he desires is the love of Margaret one of the waitresses at the Wimpy he works in. But he is a good person, when after a botched suicide attempt he sells his soul to the devil (Cooke) he has all the opportunities in the world but it is easier for the devil to corrupt him.

Throughout the seven wishes (in accordance with 7 the mystic number, 7 days of the week, 7 deadly sins, 7 brides for 7 brothers..)Stanley can only think of his own needs and perhaps this is why they fail to make him happy. On his one opportunity to give a wish away to stop one of the devils petty tricks (sending a swarm of bee's to harass some flower children) he refuses saying 'Their mine and iv'e only got four left!' The other main theme of this film is more to the forefront dealing with Cooke and Moores attitudes towards religion and it's place in what at the time was the modern world. People were beginning to come away from the church and for the first time non-believers were becoming the majority. Part of the film lampoons religion particularly the bouncing nuns, but at the end it's god who wins out over the devil all be it by a technicality. In a way they showed the obvious contradictions and flaws in the Christian faith - religion nice idea but surely it cant be that way? If all of the above makes this film sound heavy going be assured it's not, and where as in others hands it may have become a pretentious mess it becomes a light hearted very funny comedy romp. If you just want a laugh on a Saturday night this will provide it, if you want to look deeper in and start divining meaning from every little aspect you can it's that sort of film.

Highly recommended 9/10 NOTE - AVOID THE REMAKE LIKE THE PLAGUE IT'S Awful

"Bedazzled", mainly because it's not available on DVD (and even VHS in the UK), has become something of a cult in recent years. This is also due to the simple fact that its a very good film, a very mannered and well-crafted high concept flick.

Dudley Moore and Peter Cook were still friends in 1967. They were two of British TV's most feted stars, and had also enthusiastically appeared together in a few ensemble comedy films. They were no slouches when it came to their first feature either. Stanley Donen was brought in a director, Cook toiled over the witty script, Moore did the perky score.

"Bedazzled" is slightly dated and is quite an uncommercial product overall, but its still a clever and interesting film. It doesnt deliver bellylaughs, but it is pretty thought-provoking and intelligent. There's funny one-liners ("Yes, Irving Moses-the fruitier etc), totally original ideas (the animated fly sequence, Raquel Welsh as Lust), slapstick stuff and a top pop parody with Cook as the indifferent "Drimble Wedge".

The pathos and sadness underpinning the movie is perhaps best summed up with the conned old lady's "Goodbye" as the Eyewash men leave. "Bedazzled" is very British and very 60s, but it still a well-made and well-acted fantasy, much better than the silly 2000 remake.

If you have seen the Brendon Frazer / Liz Hurley version of "Bedazzled" I beg of you to check out the original version. Peter Cook and Dudley Moore, an already famous comedy team brought their expertise to this film, a reworking of the Faust legend.

Moore plays Stanley Moon, a grill cook at the Whimpy Burger, who is in love with Margaret Spencer (Eleanor Bron), a waitress there. When his attempt to go and ask for a date is thrarted by his own hesitation, he decides to end it all.

Enter George Spiggot a.k.a. The Devil (Peter Cook) who tells Stanley that he can be with Margaret, in exchange for his soul. Stanley agrees, and the rest of the film showcases Stanley's wishes and that there is no such thing as a sure thing.

The chemistry between Cook and Moore shows through as their script demonstrates. Bron is wonderful as Margaret, and Stanley Donen's direction only accents the well written script.

The only other big name in the supporting cast, Raquel Welch, projects sheer sexuality as Lilian Lust, the sexpot of the Seven Deadly Sins.

Concerning the remake, I wish it were more like the plotline of the original, because I think that Liz Hurley would have made a terrific Lilian Lust. Watch the two versions and you'll see.

All in all, you can't go wrong with the original. Check it out and enjoy.

P.S. Julie Andrews!!!!!!!!!!!!