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Tonite Let's All Make Love in London

  • 1967
  • 1 घं 10 मि
IMDb रेटिंग
6.9/10
391
आपकी रेटिंग
Tonite Let's All Make Love in London (1967)
डॉक्यूमेंट्रीम्यूज़िक

अपनी भाषा में प्लॉट जोड़ेंPeter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music.Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music.Peter Whitehead's disjointed Swinging London documentary, subtitled "A Pop Concerto," comprises a number of different "movements," each depicting a different theme underscored by music.

  • निर्देशक
    • Peter Whitehead
  • स्टार
    • Alan Aldridge
    • Julie Christie
    • David Hockney
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.9/10
    391
    आपकी रेटिंग
    • निर्देशक
      • Peter Whitehead
    • स्टार
      • Alan Aldridge
      • Julie Christie
      • David Hockney
    • 11यूज़र समीक्षाएं
    • 6आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो2

    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार25

    बदलाव करें
    Alan Aldridge
    • Self (segment "Painting Pop")
    Julie Christie
    Julie Christie
    • Self (segment "Movie Stars")
    David Hockney
    David Hockney
    • Self (segment "Painting Pop")
    Andrew Loog Oldham
    Andrew Loog Oldham
    • Self (segment "It's All Pop Music")
    Edna O'Brien
    Edna O'Brien
    • Self (segment "Dollygirls")
    Pink Floyd
    Pink Floyd
    • Themselves
    • (as The Pink Floyd)
    Vanessa Redgrave
    Vanessa Redgrave
    • Self (segment "Protest")
    Robert Wace
    • Self
    Syd Barrett
    Syd Barrett
    • Self
    • (बिना क्रेडिट के)
    Jim Brown
    Jim Brown
    • Self
    • (बिना क्रेडिट के)
    Vashti Bunyan
    • Self (segment "It's All Pop Music")
    • (बिना क्रेडिट के)
    Eric Burdon
    Eric Burdon
    • Self
    • (बिना क्रेडिट के)
    Michael Caine
    Michael Caine
    • Self (segment "Movie Stars")
    • (बिना क्रेडिट के)
    Allen Ginsberg
    Allen Ginsberg
    • Self
    • (वॉइस)
    • (बिना क्रेडिट के)
    Mick Jagger
    Mick Jagger
    • Self (segment "It's All Pop Music")
    • (बिना क्रेडिट के)
    Ace Kefford
    • Self
    • (बिना क्रेडिट के)
    Donyale Luna
    Donyale Luna
    • Self
    • (बिना क्रेडिट के)
    Lee Marvin
    Lee Marvin
    • Self (segment "As Scene from U.S.A.")
    • (बिना क्रेडिट के)
    • निर्देशक
      • Peter Whitehead
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं11

    6.9391
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    फ़ीचर्ड समीक्षाएं

    Muswellmedia

    less than the sum of its parts

    Director Peter Whitehead was something of a one man band as a film maker making news items and what we now call pop promos. So what we get here is a number of the kind of films he was producing at the time joined together, collage like, rather than a rounded supposedly complete vision. But hey thats what it was like, there was no simple straight line narrative knitting it all together. Personally I think this makes it more honest and valuable as a document of the time and the reason why TV programmes are still using this material to illustrate programmes about the period.

    My favourite moment features the Stones playing the Royal Albert Hall and whipping the audience up into a rioting mob that flood the stage with Brian Jones laughing his head off at the chaos. Also Lee Marvin and Michael Caine define cool while Vanessa Redgrave sings out of tune.
    Phantom Moonhead

    Pure Enjoyment For Syd Barrett Fans

    This is basically a short film focusing on Pink Floyd. It was shot at the UFO club in London if I am not mistaken. There is some footage of John Lennon being introduced to Yoko Ono so this is very important to Beatle fans as well. The rest is Pink Floyd in the studio recording the films soundtrack, "Interstellar Overdrive". This is a 16 minute version of the song and a wonderful little look in to the early career of Pink Floyd and their brilliant founder,Syd Barrett. This is the most common footage of Syd because it has been released to the public,a great place to start for anyone interested in "The Madcap".
    10wwe3

    A good find for Pink Floyd fans

    If you in no way enjoy Pink Floyd music, then do not buy/rent/steal this video. You will not like it.

    However, if you really like Pink Floyd and really get into their early stuff, this video is a real find. Peter Whithead directed this as a dedication to Syd Barrett and to capture the mood of swinging London. It includes the greatest version of 'Interstellar Overdrive' ever recorded. And a song called 'Nick's Boggie' which is a very hard to find Pink Floyd track. See this film for no other reason than to hear the music and enjoy the scenery.

    If you like the film, another good video to get is the Pink Floyd London '66-'67 video. It is 30 minutes long and was used as a Promotional trailer for 'Tonite, Let's all Make Love in London'. The film 'More' is also an interesting film with a soundtrack by Pink Floyd, that features their earlier work.
    5matlock-6

    Of some historical note

    Tonight Lets All... is not a flashy hollywood movie, designed for today's Attention Deficit Disorder type of filmgoers. What it is is a unique and well crafted look at London in the swinging 60's. Peter Whitehead made this film inspired by the London underground scene of 1966-67, which included such bands as Pink Floyd (who perform the great bulk of the films music), The Soft Machine, The Crazy World of Arthur Brown, and others. This is probably not the kind of thing that would be well recieved in theatres. There aren't any computer generated insects flaying people alive and being shot to bits in return, nor is there any gratuitous sexuality or repeated foul language use. As a documentary of the underground scene in 1967 London, Whitehead's film is a testament to vision, creativity, and the spirit of the day. There are film clips of Pink Floyd in the recording studio and performing at the 14 hour Technicolor Dream (a huge music and art festival) along with original guitarist, singer, songwriter Syd Barrett. If you like historical documentaries, give this one a try.
    10slabihoud

    Swinging London in a nutshell

    Encapsulated in 67 minutes of blown-up 16mm color film is Swinging London at its best! Everything is there: the music, the protests, the stars, the fashion, the artists. Presented in the style of the sixties, odd camera movements, psychedelic color effects and complicated montages of stock footage combined with new material. Organised in chapters, we see some interviews of then and sometimes still famous people talking about what is going on in their lives and in London particularly.

    Sadly the color of the film faded into brownish red mostly, every trace of blue completely gone. It is obviously the work of someone new to the medium, because he does not hesitate to try out various effects, using the music to its best advantage.

    I just saw the film yesterday at Vienna"s International Film Festival and Peter Whitehead was there and talked about it. Great guy!

    P.S. I don't understand why so many reviewers write about Pink Floyd in this film. They are there but don't play an important role. Some reviewers definitely refer to a different film.

    इस तरह के और

    Duelle (une quarantaine)
    6.9
    Duelle (une quarantaine)
    ईज़ी राइडर
    7.2
    ईज़ी राइडर
    Petulia
    6.8
    Petulia

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film is divided into 7 "Movements" followed by a "Happy End". The segments are called (1) Loss of Empire (2) Dolly Girls (3) Protest (4) It's All Pop Music (5) Movie Stars (6) Painting Pop; and (7) As Scene From the U.S.A.
    • भाव

      Herself (segment "Dollygirls"): [Edna O'Brien] You meet a boy now, or a man, and you don't really have to protest about your virginity. In fact, it will be a great disappointment to him if you say, you know, it's the first time, I mean he'll leave the room.

      Herself (segment "Dollygirls"): The other thing that makes a woman free now is, I suppose, money. They have money and they can work so the dependence on a man isn't as great. But the thing that makes her very un-free and always will, I imagine, is although she has a sort of vagrant heart, a woman does tend to like being with one man even if it's only for three months. She's not as content, I think, going from bed to bed.

      Herself (segment "Dollygirls"): You've always got decadent people but what is so strange now is that the most gifted, the most articulate and the most thinking, conscious people are decadent because of the time in history that they're alive in. And there's nothing else you can say to that unless you're God and if you're God you can say, "it's alright, I won't drop the bomb".

      Herself (segment "Dollygirls"): I do. I believe in female promiscuity except that it happens a different way that a woman probably likes to shack up with a man for three months and then with another man whereas a man would like to shack up for an evening. And I think there's still this awful, and I wish we didn't have it, because it's such a handicap, this thing of, falling in love. You know, it's such a nuisance. And I think women, no man will agree to this but I'm sure it's true, women are more devoted and committed to the notion of falling in love and therefore they fall in love, than men are because it is the one territory of adventure that a woman has. She can't go across bloody Africa, or if she does she'll become pregnant or, or anyhow she can't. She just can't yet. And maybe never will.

    • कनेक्शन
      Edited from Pink Floyd London '66-'67 (1967)
    • साउंडट्रैक
      Interstellar Overdrive
      Written by: Pink Floyd, Syd Barrett, Nick Mason, Roger Waters & Richard Wright

      Performed by Pink Floyd, Syd Barrett, Nick Mason, Roger Waters & Richard Wright

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • दिसंबर 1967 (यूनाइटेड किंगडम)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • London, Frühjahr 67
    • फ़िल्माने की जगहें
      • Pall Mall, St James's, Westminster, Greater London, इंग्लैंड, यूनाइटेड किंगडम(guards marching)
    • उत्पादन कंपनी
      • Lorrimer Films
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 10 मि(70 min)
    • रंग
      • Black and White
      • Color
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.37 : 1

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