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Throughout the world, men with money and those without have created a game which for all practical purposes will never end. Those with wealth seek to design a box which will keep their valuables safe. Those without money then seek to break the box of riches even if it's against the law or if it's dangerous. Hopefully the 'box-makers' will eventually come up with a fool-proof design which will keep the thieves out. That is the premise of the film called " Grand Slam." Edward G. Robinson is Prof. James Anders a mild mannered school teacher who after years of research has discovered the 'perfect crime.' for stealing valuable diamonds worth millions. Secure that he has a fool proof scheme, he visits an old mafia friend, Adolfo Celi is Mark Milford and asks for a special team of professionals. The men chosen include Robert Hoffmann who plays Jean-Paul Audry a world re-known playboy and suave lady-killer who will meet his match in a cold, dispassionate secretary (Janet Leigh) with a secret. Klaus Kinski is Erich Weiss a military man who does not quit a job until it's conquered. Riccardo Cucciolla is Agostino Rossi and George Rigaud is Gregg, professionals in their own right. Together they accept the challenge of what is a deemed an unbreakable, thief proof safe. called the " Grand Slam 70 " series. A film which has become a favorite of many E.G. Robinson fans. ****

Released in the USA by Paramount as GRAND SLAM in the late sixties, this slickly-made heist film is a first-rate effort exploiting the Jules Dassin classic, RIFIFI. The all-star international cast is exceptional, with Klaus Kinski being the standout. One of the best of it's kind, and still enjoyable today. Ennio Morricone wrote the eclectic score, featuring some catchy bossa-nova tunes to complement the location. Thanks to Image Entertainment, the picture is now available on DVD in a widescreen version to capture all the excitement! Check it out.

Rififi is a great movie, and like most great movies; it's often imitated, although unlike films such as The Exorcist, Jaws and Alien; the Rififi imitations are usually quite good. The field is lead by Jean-Pierre Melville's masterpiece 'The Red Circle', but following hot on its heels is this excellent little Italian thriller. Grand Slam mixes an intricate plot, interesting characters and a bucket load of style and the result is a film that constantly thrills and entertains. The plot follows the fortunes of a varied group of criminals brought together to carry out a daring robbery. Schoolteacher James Anders notices a chance in Rio de Janeiro to steal ten million dollars in diamonds and contacts his friend who gets in touch with several specialists to carry out the job. Aside from the obvious safe crackers, they also recruit a tried and tested womaniser to steal a key from a secretary. Everything is put into place for the robbery to go to plan, but naturally there are more twists and turns in store for thieves to deal with.

Grand Slam is an Italian film but features a host of international talent, including Hollywood performers Edward G. Robinson and Janet Leigh acting alongside cult stars such as Klaus Kinski, Robert Hoffmann and Adolfo Celi. The cast comes together very well and it's thanks to the great performances that this film works so well. Director Giuliano Montaldo keeps things ticking over nicely and the build up to the heist is always interesting. Naturally given the film's influences; the heist itself is a timed and careful (also wordless of course) affair that keeps the audience on the edge of their seats. The Rio de Janeiro setting provides some lovely locations and the film does look very nice on the whole. With the focus being on the plot, you can expect some twists in the tale and Grand Slam certainly does no disappoint in that respect as the film features a great twisted ending that fits what went before it very well indeed. Overall, Grand Slam is an excellent heist flick that more than does the classic French film that influenced it justice. Recommended!

I think this is the best heist film ever made, surpassing its supposed inspiration, "Rififi". Fast pace, suspenseful and brilliantly photographed, it is a must see for all caper film buffs. The problem seems that no one seems to know WHO owns the rights to Telecast this film. It would be great on DVD too.

This is a truly great caper in the RIFIFI tradition, with plenty of twists and surprises, spectacularly high-tech (for its day) action set pieces and glamorous location work in Rio de Janeiro, Rome and around the world. Many other capers since THE GRAND SLAM have borrowed shamelessly from it -- ENTRAPMENT being the latest that springs to mind -- but, trust me, this one did it better than the rest all the way to its uncompromising, un-Hollywood ending. This is the one to catch if it's ever around again!