Deadly Hero

Or TERMINATOR, or ONE FOOT IN HELL, remember, starring Alan Ladd as an evil sheriff seeking revenge among the town people whom he said they were responsible of the death of his wife? ONE FOOT IN HELL, where Don Murray was the real good guy, even as a simple supporting character. All those movies include evil lead characters, heroes who are the bad ones, maybe not from the very beginning, but evil, heavies in the end. That's precisely what i love, what I crave for, because that's so unusual. The list of those topics is not so long but it exists. And what the f...the directing, only the scheme is important for me. Yes, I saw this film when I was a teen and still love it each time I watch it. One of best Murray's performances.

'Deadly Hero' is another hidden gem from the 70s that did not receive the buzz it deserved, and instead hides within the bowels of so-called rare video stores or 2nd-rate rental places. That is truly sad, as this movie has the following in its favor: it is extremely well-done, it showcases some awesome acting ability, it is mastered very well (doesn't even look 70s), it features James Earl Jones in a strange but almost brilliant performance, it proves that Don Murray deserved the Academy Award after all, it has a most interesting soundtrack, and is well-written by anyone's standards.

The movie is about a well-liked man's fall from grace after an unfortunate incident. It requires the viewer to either side with the hero or with the hero's critics. It is a very interesting character study that will leave the viewer quite satisfied. This is why I give it 10/10.

This is a visualy exciting, if somewhat sleazy thriller. After saving a woman from a would-be kidnapper/extortionist, NYC cop Don Murray breaks down and stalks the woman he saved after she goes to the D.A. to change her testimoney, charging him with the "unjustified murder" of the perp.

Though he becomes the "bad guy," the viewer can't help but feel sorry for Murray's character as his world falls apart all around him. All because of one error in judgement. This film is an effective - if unintentional - indictment on big-city policing. Not through the cops' position, but society's, as we demand so much from the police, yet become so righteous when they accomplish the job they are tasked with. One strike against the film is the oh-so-superior, smug stereotypes of the white working-class. A plus, James Earl Jones' funny performance as the suave, but sinister perp. Great NYC photography.

I've read the other reviews of Deadly Hero and I must confess I have little memory of this film. I saw it on HBO in the late 70's, when Horrible Body Odor showed all sorts of fun B movies that you never would see in your small town. The reviewers are of one mind, that the film was quite good and that it was similar to 1992's Unlawful Entry.

I do recollect that Don Murray's policeman is a sympathetic character and that there are several actors who went on to bigger and better things (which can be a joy by itself), but my overriding impression is that the film had some sort of ugly and/or weak ending. I'd like to see this movie again, but I live in a town so small the main drag is a transvestite (I've always wanted to say that in a movie review!) and there simply is no way the decently stocked video place twelve miles away is going to have this flick.

So, I'm left intrigued by the glowing reviews by my peers. It's either a mail order rental company (?!) or finding it on "ebay" (Amazon doesn't carry it).

Oh, well. Wish me luck and if the other reviewers are right, and you can find a copy, enjoy this almost unheard of movie for me!

I found this movie for 50p in a second-hand shop, and it's taken me a few months to get round and watch it, but i'm glad i did!

DON MURRAY is excellent in this movie, and i can feel for his character (untill maybe the final 10 minutes, or so) as a cop with 18 years clean service, a glittering side career ahead of him (championing a would-be mayor) and a loving wife and daughter. When this (seemingly, by-the-numbers) cop guns down an un-armed kidnapper (JAMES EARL JONES) during the act, the kidnapped lady (DIAHN WILLIAMS) feels a little uneasy about her saviors methods, and decides to change her statement to the D.A. The disgraced cop, finds his world crumbling around him (his mayor friend wants nothing to do with him, and his police precinct suspend him) so he decides to 'pursuade' the women, to re-think her statement. Unfortunately his methods border on psychotic.

To give away anything else, would be a crime (though i will say, it has a great ending!) as i watched the movie knowing nothing about it, whatsoever (the video i bought was such an old pre-certificate copy, it consisted of a front inlay card in a VHS cover. I'd say circa 1980, on the 'MAGNETIC' video label) and for a movie made in 1975, it is certainly gritty enough (the language and violence are quite coarse at times) but is a must for fans of 'bad-cop' cinema.

With not one bad performance throughout, this also marks TREAT WILLIAMS debut (plus a completely un-noticed one by a credited DANNY DE VITO) The movie can be seen as an early blueprint for 1992's UNLAWFUL ENTRY (with RAY LIOTTA, KURT RUSSEL) in that, we witness a gradual breakdown of a respected cop. But plot wise, this is a very daring movie for it's time (and would still be deemed too controversial today!) lacking the total sleaze and religious subtext as BAD LIEUTENANT, it is more of a rarely seen curio, on lines with ORDER OF DEATH (with HARVEY KIETEL and JOHN LYDON) But is also a stunning (yet little-seen) classic, which poses the question of police rights and police wrongs. A great movie, made all the more meaningful for it's apparent obscurity.

10 out of 10, seek it out now (a DVD release would also be welcomed!)