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Drum

  • 1976
  • R
  • 1 घं 50 मि
IMDb रेटिंग
5.5/10
1.2 हज़ार
आपकी रेटिंग
Pam Grier, Ken Norton, and Warren Oates in Drum (1976)
A mid-19th-century mulatto slave is torn between his success as a pit-fighter and the injustices of white society.
trailer प्ले करें1:42
1 वीडियो
71 फ़ोटो
एक्शनड्रामा

अपनी भाषा में प्लॉट जोड़ेंA mid-19th-century mulatto slave is torn between his success as a pit-fighter and the injustices of white society.A mid-19th-century mulatto slave is torn between his success as a pit-fighter and the injustices of white society.A mid-19th-century mulatto slave is torn between his success as a pit-fighter and the injustices of white society.

  • निर्देशक
    • Steve Carver
    • Burt Kennedy
  • लेखक
    • Kyle Onstott
    • Norman Wexler
  • स्टार
    • Warren Oates
    • Isela Vega
    • Ken Norton
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.5/10
    1.2 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Steve Carver
      • Burt Kennedy
    • लेखक
      • Kyle Onstott
      • Norman Wexler
    • स्टार
      • Warren Oates
      • Isela Vega
      • Ken Norton
    • 40यूज़र समीक्षाएं
    • 22आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो1

    Trailer
    Trailer 1:42
    Trailer

    फ़ोटो71

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    टॉप कलाकार34

    बदलाव करें
    Warren Oates
    Warren Oates
    • Hammond Maxwell
    Isela Vega
    Isela Vega
    • Marianna
    Ken Norton
    Ken Norton
    • Drum
    Pam Grier
    Pam Grier
    • Regine
    • (as Pamela Grier)
    Yaphet Kotto
    Yaphet Kotto
    • Blaise
    John Colicos
    John Colicos
    • Bernard DeMarigny
    Fiona Lewis
    Fiona Lewis
    • Augusta Chauvet
    Paula Kelly
    Paula Kelly
    • Rachel
    Royal Dano
    Royal Dano
    • Zeke Montgomery
    Lillian Hayman
    • Lucretia Borgia
    Cheryl Smith
    Cheryl Smith
    • Sophie Maxwell
    • (as Rainbeaux Smith)
    Alain Patrick
    • Lazare
    Brenda Sykes
    Brenda Sykes
    • Calinda
    Clay Tanner
    • Mr. Holcomb
    Lila Finn
    • Mrs. Holcomb
    Henry Wills
    Henry Wills
    • Mr. Gassaway
    Donna Garrett
    Donna Garrett
    • Mrs. Gassaway
    Harvey Parry
    Harvey Parry
    • Dr. Redfield
    • निर्देशक
      • Steve Carver
      • Burt Kennedy
    • लेखक
      • Kyle Onstott
      • Norman Wexler
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं40

    5.51.1K
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    फ़ीचर्ड समीक्षाएं

    drkdrkniht

    See it for the funny Dialogue

    I actually really enjoyed watching this film. Reading Maltin's review of this movie I came in with low expectations and the only reason I rented it was to see some nice T shots of Pam Grier. However I actualy found myself enjoying this film, it not Roots or anything but it's actually decent flick. The highlight of the movie is the dialogue of that Ignorant Country Hick Plantation Owner. I mean this guy is freak'n hilarious he would say stuff like "Yah know I likes big Titties" and "I found you in a Ho house and You Aint even a Hoe". I was laughing my ass off. Ken Norton's character Drum is pretty motionless but hell, he's plays slave who I must add were all brain washed to be seen and not heard. Plenty of T &A in this movie, Three types of crowds will like this film:

    CROWD 1. If your sypathetic towards Blacks some scenes will piss you off but for the most part you'll be laughing like I was at those racist Southerners Ignorance.

    CROWD 2. If your a T & A guy who doesn't care about Blacks plight but thinks behind closed doors thinks Black women are sexy as hell especially Pam Grier.

    Crowd 3. Students of Film that are fans of slightly campy movies that have funny dialogue yet try to take themselves seriously.
    Infofreak

    Entertaining exploitation trash almost single handedly redeemed by a terrific Warren Oates performance.

    'Drum' is the kinda sorta sequel to 'Mandingo', a movie that tried to walk a fine line between being a "serious" drama and a silly but fun exploitation movie. The director this time around is Steve Carver who made the trash classics 'Big Bad Mama' and 'The Arena', and he doesn't even attempt to disguise the Drive-In feel of this one. Ken Norton once again stars but plays a different character than in 'Mandingo'. Warren Oates plays Hammond Maxwell who Perry King played in the first movie. The idea that they are the same man is totally ridiculous and unbelievable, but once you can get over that hurdle you are in for a good time. Oates is outrageously amusing but without resorting to the hamminess that James Mason brought to 'Mandingo'. He is simply a joy to watch, as an uncouth but charming slave owner, and is the number one reason to hunt down this movie. Oates terrific performance more than makes up for Norton's dull turn. Also very good is Yaphet Kotto ('Blue Collar') as Drum's friend turned enemy Blaise, also one of Oates' slaves. Kotto is excellent (as usual) and it's a pity he wasn't the star instead of Norton. Fiona King ('The Fury') plays Oates' wife to be and is entertaining, as is Rainbeaux Smith ('Caged Heat') as Oates slutty daughter (a similar role to Susan George's in 'Mandingo' but much more enjoyable). Also noteworthy is John Colicos ('The Postman Always Rings Twice') as a very evil and camp slave owner who vows to kill Drum who spurns his salacious advances. The impressive cast also includes blaxploitation legend Pam Grier ('Black Mama, White Mama') who sadly doesn't have all that much screen time, and Oates 'Bring Me The Head Of Alfredo Garcia' co-star Isela Vega, who doesn't have much more. 'Drum' is pure exploitative trash and proud of it. If you take it in that spirit and not as a serious study of racism in 19th century America you'll enjoy it immensely. Especially when watching Warren Oates in one of his most enjoyable and underrated performances. This movie is essential viewing for all Oates fans.
    skyhowl

    wild,wild,wild

    Ha ha ha ha .....this movie was out there. Okay i'm a 31 year black male and a movie buff.I like movies good and bad, but a really love campy movies. Drum is now my favorite movie on all time!!!! The acting was terrible, the direction was worst,but i loved it!!! The plantation owner and his slutty daughter were the most outrageous characters in the entire movie...i love slavery movies or any movie set in the antibellum south..i saw mandingo and loved it!!!...i didn't even know drum existed until i saw it on late night cable tv. It was explicit,funny and probaly insulted half the viewing population! It was WILD and most of all POLITICALLY INCORRECT..WHICH IS WHAT FILMMAKING SHOULD BE!!!!!Most black people who watch this movie will probally laugh there ass off, I did! Those people who were offended, cool out. Its just really a fun movie.
    EL BUNCHO

    A RETURN TRIP TO FALCONHURST

    For those who don't know: MANDINGO and DRUM are both adaptations of books from the Falconhurst plantation series of novels by Kyle Onstott and, later, Lance Horner. There were several books in the series; thus far I've run across about five or six of them!

    DISCLAIMER: let me state right now that I am black and can totally understand how people are easily offended by these films. The thing is these films feature such sheer, unadulterated exploitation and overripe acting/dialogue that hardcore bad movie addicts will have a hard time NOT finding these films majorly entertaining! I flat-out admit that both MANDINGO and DRUM are among my favorite guilty pleasures, and I view them both as what would happen if John Waters could have gotten away with making a really sleazy soap opera set on a plantation. Some of the dialogue is so ridiculous that it's nearly impossible for me to take these films seriously at all, although the rape and torture does bring one back to the wretchedness of the situation.

    Anyway, I don't know where those of you who claim that DRUM is not a sequel to MANDINGO got that idea. Warren Oates is playing the same character that Perry King did in the first film, only this story takes place about fifteen years later. He even makes veilled references to what happened at the end of MANDINGO, specifically the fates of Ken Norton and Susan George. In other words, PAY ATTENTION! And if you think this is exploitativve, go back and watch the uncut version of ROOTS again. Sure it's more "legit" than MANDINGO and DRUM, but it is every bit the exploitative soap opera that they are. For the real flavor and excellence of ROOTS, read the book.
    stephaniet33

    There IS a certain audience they were after for this movie!

    I managed to run across DRUM'S prequel MANDINGO at a popular video store. It was in the ROMANCE category if you can believe that. It looked to be interesting so I rented it. I was surprised that it wasn't a romance movie. Rather, it was a slave drama, a rauchy but entertaining one. I went to IMBd to see reviews of what other people thought and they pretty much matched mine. I then saw references to DRUM. I actually found a copy online!! I have it and I have watched almost 10 times. Someone wondered the audience they were after for DRUM. It was 1976, the era of new permissiveness (so I have studied...I'm a 33 year-old white female). I always heard about the Blaxploitation films and have seen them (Shaft, the Pam Grier movies, Superfly, etc.). My older sister's black friends flocked to them when I was a kid and sometimes she went along. I remember her coming home and only talking about the naked scenes and tortures, but never the plot. In fact, when I used to hear them all talk about the movie together, that's ALL they talked about. The movie was showing for a long time at the DOLLAR cinemas in the 80s. She and her friends went again and talked about it the same way. So the audience the filmmakers were after the audience (black AND white)that secretly desires to see naked torture and bondage in movies, under the pretense of seeing "what slavery was really like." Maybe some of it was that way, but they CLEARLY won over blacks who seemed to mostly already know what slavery really was like, but just wanted to see their favorite black stars naked. They got away with naked bondage in DRUM and MANDINGO because slavery is a "historical" fact. As for white females like me, sure, I wanted to see the scenes of the naked black male slaves and fantasize being the character of the white daughter. That's what the filmmakers wanted. NO black person in the bunch of my sister's friends seemed to be offended. They LAUGHED about the dialogue and the situations, taking the film as more of a satire. So don't look for ANY deep meaning or take it seriously. It's just raunchy, campy fun and the only way the producers could get away with getting this on the screen...using a real situation and putting their twist on it. Certainly not a film for history majors!

    इस तरह के और

    Mandingo
    6.5
    Mandingo
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    6.0
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    Bucktown
    6.2
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    Mandinga
    3.5
    Mandinga
    Cool Breeze
    5.4
    Cool Breeze
    Black Mama White Mama
    5.6
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    Walk the Proud Land
    6.6
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    6.9
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    The March
    6.2
    The March
    Addio zio Tom
    6.5
    Addio zio Tom
    Mackenna's Gold
    6.7
    Mackenna's Gold

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The "Falconhurst" novel series of books are (in order of publication): Mandingo (1957), Drum (1962), Master of Falconhurst (1964), Falconhurst Fancy (1966), The Mustee (1967), Heir to Falconhurst (1968), Flight to Falconhurst (1971), Mistress of Falconhurst (1973), Six-Fingered Stud (1975), Taproots of Falconhurst (1978), Scandal of Falconhurst (1980), Rogue of Falconhurst (1983), Miz Lucretia of Falconhurst (1985), Mandingo Master (1986), and Falconhurst Fugitive (1988).
    • भाव

      Regine: And titties! You likes big titties, don't ya?

      Hammond Maxwell: Oh, you know I loves big titties.

    • कनेक्शन
      Featured in Warren Oates: Across the Border (1993)

    टॉप पसंद

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    साइन इन करें

    अक्सर पूछे जाने वाला सवाल14

    • How long is Drum?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 27 अगस्त 1976 (पश्चिम जर्मनी)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Violencia negra
    • फ़िल्माने की जगहें
      • लुइसियाना, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Dino De Laurentiis Company
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 50 मि(110 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Mono
    • पक्ष अनुपात
      • 1.85 : 1

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