The Last of the Cowboys

After being admitted to a hospital in California for a terminal illness, a truck driver named "Elegant John Howard" (Henry Fonda) has his big rig repossessed by the finance company. But rather than stay there and die he decides to retake his truck and drive it one last time on a trip across the country. On the way he picks up a hitchhiker near Cheyenne named "Beebo Crozier" (Robert Englund) who wants to go to Florida. Unfortunately, neither he nor Beebo have enough money to pay for the food and fuel necessary to get there. As luck would have it, however, while driving near Laramie, upon stopping to visit an old friend named "Penelope Pearson" (Eileen Brennan)-who happens to be the madam of a brothel--he discovers that she and six prostitutes desperately need to get to South Carolina. Needless to say, with their ability to make money, combined with his need to fund one last cross-country trek, both Elegant John and Penelope reach a business agreement of sorts to accomplish their respective goals. Now rather than reveal any more I will just say that this was an entertaining and light-hearted drama which kept me interested from start to finish. Admittedly, it is a bit dated but I thought it definitely managed to capture that particular period of time quite well. In any case, although this isn't the best "trucker film" ever made, I thought it was well worth the time spent and for that reason I have rated it accordingly. Slightly above average.

Henry Fonda plays Elegant John, an old trucker who steals back his prized rig in California and takes off with almost no money. His Kenworth tractor has the name Eleanor on it. Elegant John once met Eleanor Roosevelt. He pulls a Fruehauf van with a "sunroof". Why is he called Elegant John? Well, sonny, if you drive five million miles without being late or having a wreck, you deserve to be called Elegant. Elegant John picks up Bible-thumping hitchhiker Beebo Crozier, who is going to Florida to learn motel management. Elegant John stops and gets fuel. Beebo reluctantly pays for fuel. The two stop at a whorehouse for truckers at Cheyenne, Wyoming, a possible homage to Fonda's movie The Cheyenne Social Club. The prostitutes are about to be raided, and the madam hires Elegant John to take them to the coast of South Carolina to start another prostitution business. Thus Elegant John's trip will be coast to coast. They go through Kansas and have a commotion near Springfield, Missouri, with Dub Taylor's character Harley Davidson. After that, there's a truck stop dancing scene to the music of Orleans' "Still the One", which is pop rock in a country sort of way. The movie claims that it's a compliment for a truck driver to be called a cowboy, but I've seen where an out-of-place, amateur, careless truck driver is called a cowboy or a cotton picker. There's a great Smokey roadblock in Georgia to stop them. Will Elegant John's Kenworth plow through a bunch of old Mopars? Will Elegant John live to see the Atlantic Ocean? And what is Beebo going to do with his life, now that it has taken an unexpected turn? This movie is just a hodgepodge of elements thrown together for drive-in fare.

A dying trucker (Henry Fonda) throws caution to the wind by stealing back his repossessed semi and venturing his last haul across the country with a Bible-spouting sidekick (Robert Englund), a madam (Eileen Brennan) and her six girls.

"The Great Smokey Roadblock" (1977) was originally titled "The Last of the Cowboys" and was presumably changed to take advantage of the success of "Smokey and the Bandit." While this one focuses on a trucker and a band of prostitutes, it's just as entertaining as that more popular road farce and maybe a smidgen more.

The movie repeatedly points out that Fonda's character is 60 years old, but he was actually 71 during filming and looked it. Don't get me wrong, he looked good for his age and had his usual charisma, but he didn't look 60, unless he had lived a very hard life.

Curvy Daina House is the highlight on the feminine front, but I strangely found grumpy Alice (Mews Small) notable too. Susan Sarandon is also on hand before she made it big. Actually the entire female cast is entertaining because they're fleshed out as individuals.

The geography is disingenuous as Northern California is passed off for places like Missouri, the Smokey Mountains and the Carolina coast. Yet even big budget movies back then did this, let alone small flicks like this one.

The film runs 1 hour, 44 minutes, and was shot in Oroville, California.

GRADE: B-

It has to be said that this is a pretty terrible film. Nevertheless I watched it again recently and quite enjoyed it so I feel I ought to say something positive. First of all you would think that a film with a cast which includes Henry Fonda, Eileen Brennan, Dub Taylor and Susan Sarandon should have something going for it. The tone of the overall film is of a rather cartoonish comedy but the early scenes hint at something more substantial. Henry Fonda as Elegant John is ill and probably dying and the cross country drive he undertakes is his way of defying death. Yet this theme is never explored any further. Elegant John's reminiscences about meeting Eleanor Roosevelt in the Depression era clearly evoke Henry Fonda's role in John Ford's film "The Grapes of Wrath". Indeed when Elegant John picks up Beebo this exactly parallels the opening scene of "The Grapes of Wrath" when Tom Joad hitches a lift. None of this is played out in the rest of the film The women from the whorehouse are endearing and funny and if the film had stuck to playing out their adventures it might have been much more rewarding. But half way through the film something goes horribly wrong. Perhaps the filmmakers lost their nerve, ran short of funds or had the film cut to ribbons in editing but the latter part of the film bears no relation to what has gone before. The women virtually disappear without explanation. The irritating John Byner and Austin Pendleton characters appear and take over. This whole element of the film feels like a reshoot or reedit grafted on to the earlier picture. Pity. There is also, incidentally, a really excellent score by Craig Safan which deserved far better.

Elegant John (Henry Fonda) is a terminally ill truck driver who steals his old rig to make one last great cross country run, but this time has the law on his tail as who pursue his 18 wheeler across State lines. Along the way he picks up an odd assortment of hitch-hikers and passengers, including a band of evicted prostitutes, the madam (Eileen Brennan) being his old flame.

A rather odd film cheaply shot by a one time director John Leone that pre-figures the CB radio craze and such popular road movies as SMOKEY AND THE BANDIT (1977) and CONVOY (1978). This odd curio did become a cult favourite following the CB radio craze and with the emergence of the home video boom. A curious film for Fonda that one would suspect was not quite the film he thought it was going to be. Some of the band of followers, from the odd Robert Englund character to the band of prostitutes that includes Susan Sarandon; Sarandon was also a co-producer on the film.