Full Circle

Julia Lofting (Mia Farrow) is struggling after a tragedy. Her daughter chocked to death. Her desperate intervention failed to save her. Her wealthy husband Magnus is unhelpful. She leaves him and buys her own posh London house. Mark Berkeley (Tom Conti) is her friend. She fears harassment from Magnus, but the house is actually haunted.

Mia Farrow is just spooky in her pixie cut. It's nine years after Rosemary. She has the same haunted frailty. I would like more ghost action and earlier. The girl doesn't appear until the end. As it stands, it's more a personal internal character study than a horror movie. It's atmospheric, but it's never scary. It is odd that the film didn't get its American release until years later. It's very 70's.

I tuned in a bit late, perhaps 15 minutes or so, but I could tell right off that I'd hit upon something worth watching. I highly reccomend this to fans of "Don't Look Now", one of the most frightening movies I've ever seen. "Full Circle" has much the same feel, and some of the same subject matter.

Others here have criticised the film's slow pace: I, for one, especially appreciate the Director's willingness to take time to build suspense and terror. I believe that silence is an important part of a horror movie (perhaps almost every kind of movie) and it's obvious that the Director shares my appreciation for what's NOT said.

I won't risk spoiling this movie in any way: I merely suggest that, should you get a chance to screen "Full Circel", you savor the opportunity.

Mia Farrow almost totally controls this movie as the mother whose daughter has just died. She's also estranged from her strange husband (Keir Dullea), but forming a friendship with the nice Mark (Tom Conti). She moves into a new house but after a seance with Mark things start to get strange. Also people start getting bumped off and a mysterious story about a young boy being murdered years earlier.

The cast are uniformaly good and some will be known by British TV viewers of the seventies and eighties. Farrow is very good as the lead but I feel that Tom Conti is very underused as Mark. In all an interesting I'd never heard of before.

I rated this film tonight, but its ranking is deceptive as far as age groups go. I first saw this film as "The Haunting of Julia" when I was a teen and we first got cable. It's stayed with me since, and a recent re-viewing only affirmed my memories. The storyline was adequate, and Farrow delivers a terrific performance, but what struck me most initially (and remains true after watching it again), is the film's atmosphere. Julia's unease seeps into every frame of the movie. "The Haunting of Julia" features that undercurrent of melancholy (or pessimism, depending on your point of view) that weaves itself into so many 1970s horror films, such as "Don't Look Now"). And, as others have pointed out, although the plot line may be confusing at points, the cumulative effect of the film results in a payoff. then ending, by the way, is amazing. It has a true lingering effect; after all, it remained with me for twenty years.

Excellent adaption of Peter Straub's haunting (in SO many ways!) and gothic novel.

Mia Farrow is well cast, and supported by tight direction and an intelligent script.

Read the book first, however... Straub is king! (And not Stephen!)