Next Stop, Greenwich Village

When I think of this film, I think of my older brother's generation, graduating from high school about 1956, and from college about 1960. Mazursky catches the look of a certain kind of young people of that era, their fashions, their expressions, their masks and identities. There's a sense of confusion and discovery, or rejection of the restrictions of middle class culture and their embracing of a murkily-defined bohemian alternative, and the disruption that brings to their lives, culturally, socially, sexually.

The film also reminds me of my years spent living near and wandering around Greenwich Village, 1966-70. Some of the kinds of people Mazursky shows were still there, ten years older, either mystified or amused or annoyed by the hippie hoards invading them. Honky-tonk, high rents, and mass culture bohemianism had arrived.

Mazursky gets this right. I don't know how this picture would play to those not interested or affected by the sociology time capsule, but I think it still would play.

And hats off to Shelly Winters, once again playing an impossible mother.

During June of 1954 in New York City, I graduated junior high school and, to celebrate the event, joined three of my classmates on a forbidden sojourn to the city's famous Greenwich Village. Exiting the subway station at Christopher street, we were amazed at the apparent ordinariness of this place we'd heard so much about from older adolescents and adults.

In fact, at first glance, nothing extraordinary seemed to be happening there, with the sole exception of more White people being present than four Black teenagers from Harlem were were accustomed to seeing.

For you see, this was the mid 1950's, Dr. Martin Luthor King Jr. had as yet to lead any freedom marches, Southern schools were as yet to be integrated, and in many Southern states Black people were lynched on Saturday nights as town entertainment. But three hours later, we knew that everything we'd heard about Greenwich Village was true and more. For this was a place far ahead of it's time.

In the Greenwich Village of the 1950's, racial integration had been in place for well over two decades. But far more important, forbidden talk of sexual liberation, interracial sex, homosexuality, along with political, artistic and literary freedom at all levels were openly discussed, flouted and displayed for all to see; performed to a background mixture of new age Jazz, early Rock and Roll and Folk Music. Virtually nothing was excluded from the social or musical menu this incredible place had to offer.

I can't speak for the rest of my friends on that day, but I immediately fell in love with the place and remained so, until it's untimely demise at the hands of the high rise-high priced real estate industry toward the mid 1970's. By then, the people who had made the place justifiably famous and notorious for what it was, could no longer afford to live there. So the Village remained,in name only, as it is today: a mere shadow of what it used to be.

Joyfully, director Paul Mazursky has managed to capture on film, a moving snapshot of the social life and time of a remarkable neighborhood, in what was probably the last fifteen to twenty years of it's legitimate life. And I do remember it so well. The rent parties for starving (sometimes talented) artists, the ubiquitous book shops, the coffee houses featuring impromptu poetry readings, the fashion statements (or blatant lack thereof), the mixing and making of all sorts of colorful characters who, even in their farcical attempts to parody themselves, were more alive and real then those who would put them down. This was the Greenwich Village of the 1950's and of legend.

This magical place was for me and many others (as was for the director who produced this film as an ode to his time there), our first real awakening and taste of adult life. And far more important, a fortuitous preparation for the new social order that was, in time, to come.

The place, as it was, is truly deserving of this wonderful little gem of a film.

This is not a great film but it is sweet and has it's moments. It also has a cast of soon to be stars. While it was interesting to see Shelley Winters when she could still pull off dark hair, it was even more interesting to see a young Christopher Walken and a young Jeff Goldblum. Also seen are Vincent Schiavelli of character actor fame and an almost microsecond uncredited cameo by Bill Murray.

The movie isn't great but for a movie fan its worth the time if for no other reason to see if you can spot all of the soon to be's.

This is a bittersweet film about family, leaving "the nest", friendships, dreams, hope, & finding yourself. A young man from Brooklyn leaves home to become an actor in 1950's Greenwich Village. Lenny Baker is very good as Larry Lapinsky & Ellen Green is wonderful as his girlfriend. The quirky characters & situations around them add an ambiance to this movie that makes you believe it was filmed in the 1950's, & not the 70's, when it was actually made. A lot of attention was paid to detail & it shows. Shelly Winters is loud, obnoxious, funny & convincing as the typical Jewish mother (I love the scene when she shows up at his apartment with a chicken). This movie makes you wish you could jump into the film & sit with these characters, have coffee with them, ride the subway, go to one of Larry's rent parties & experience the progressive, offbeat world of New York's Greenwich Village in the 1950's.

The endearing qualities of the characters seem very true to the time to me. I grew up in the 50's, and the scenes of his neighborhood were a wonderful backdrop for the times. The family, the friends, and the events that happen are believable and at times most amusing. Shelly Winters is always outstanding and she delivers in her role as the lead character's Mother. The character of Sarah is very beautiful, although by today's standards both of the young characters would not be cast. Not because they lack character, but because they seem like real people, not Hollywood clones.It was a different world as far as social mores and this glimpse into the heart of a young actor dealing with life through humor and love was most enjoyable.