एक लड़की अपनी वेश्या दादी से संगीत सीखती है और 1930 के दशक के बॉम्बे के बढ़ते शो व्यवसाय उद्योग में प्रवेश करती है, जो अंततः दशकों के सुपरस्टारडम के साथ-साथ रोमांटिक उलझनों की ओर ले जाती है.एक लड़की अपनी वेश्या दादी से संगीत सीखती है और 1930 के दशक के बॉम्बे के बढ़ते शो व्यवसाय उद्योग में प्रवेश करती है, जो अंततः दशकों के सुपरस्टारडम के साथ-साथ रोमांटिक उलझनों की ओर ले जाती है.एक लड़की अपनी वेश्या दादी से संगीत सीखती है और 1930 के दशक के बॉम्बे के बढ़ते शो व्यवसाय उद्योग में प्रवेश करती है, जो अंततः दशकों के सुपरस्टारडम के साथ-साथ रोमांटिक उलझनों की ओर ले जाती है.
- पुरस्कार
- 3 जीत और कुल 2 नामांकन
Baby Rukshana
- Young Usha
- (as Baby Ruksana)
फ़ीचर्ड समीक्षाएं
This film has some iconic actors and they all deliver good performances, however, some things ended up putting a damper on my experience. I understand that this was based on a real person's life, but this seemed just a tad repetitive for me. It seemed like the main character was in an endless loop, and I didn't feel like the story progresses much. If I try to think about what the future holds for this particular character, it does not seem like there would be much of an improvement. It seemed like a very bleak ending, realistic in some aspects, but altogether, a little dark.
Artistically, Bhumika is Benegal's seminal work. Storytelling is convincing, locations play a part and chronology is color coded. It's hailed as a study of feminism and 'male gaze', it's rather a character study of our impulsive protagonist, done impressively by Patil, surrounded by a pool of stereotypical antagonists who, for the length of the film, could have been used a bit better than mere shallow devices. 7/10!
Excellent performance by the late Smita Patil energizes this story of a girl who is manipulated by almost every man she meets in the film industry. it may sound sordid, but credit goes to the director as well as the actors for handling the material with grace. that final scene where she talks to her daughter over the phone, is a classic example.
Well nothing much say except that the film really blew me away. What made this exceptionally brilliant is the amazing huge star cast but moreover their amazing appearance gradually.
Smitha Patil is breathtaking as the main protagonist, one of her ever best films on female centric characters. She will surely be remembered for this role. Supporting her is the amazing Amol Palekar who is brutal but human at the same time as Keshav.
Following them is a series of great performances from Anant, Naseer ,Agashe and Sulbha Deshpande. However the biggest surprise was Amrish Puri! Who was really really spellbinding as this calm gentle yet patriarchal man who is very much into his own principles.
Overall worth watching and a total 10 on 10 from my side.
Smitha Patil is breathtaking as the main protagonist, one of her ever best films on female centric characters. She will surely be remembered for this role. Supporting her is the amazing Amol Palekar who is brutal but human at the same time as Keshav.
Following them is a series of great performances from Anant, Naseer ,Agashe and Sulbha Deshpande. However the biggest surprise was Amrish Puri! Who was really really spellbinding as this calm gentle yet patriarchal man who is very much into his own principles.
Overall worth watching and a total 10 on 10 from my side.
With 'Bhumika: The Role', Shyam Benegal has created one of the finest character studies of Indian cinema. Based on the life of 40's Marathi actress Hansa Wadkar, is a biopic but very different from the conventional one. The film follows the life of a troubled actress who yearns to live a life of freedom where she can live the way she chooses. However, she only finds little satisfaction in her roles and while she has played a variety of characters in her films, she's stuck with the same role in life trapped in a man's world.
'Bhumika: The Role' is an exceptionally well-made film. Benegal is clearly influenced by Satyajit Ray. The black and white flashback sequences echo scenes from Ray's 'Nayak' and 'Patther Panchali'. His attention to detail is excellent as he adds subtle layers to the films (for example, notice how time is depicted through the news on the radio). The absence of a background score make the scenes raw and gritty. The remarkable cinematography deserves special mention and the lighting is superb.
But what would 'Bhumika: The Role' be without Smita Patil's tour-de-force performance? Patil was only in her very early 20s when she shot for the film and yet she's incredibly convincing as a bubbly teenager, a grown-up actress and a mother of a mother-to-be. Urvashi is a complex and demanding character with many shades and that cannot be easy for an ordinary actor to play but Patil does it with sheer ease and intensity. She dazzles the screen with a restrained and natural performance.
Patil is effectively supported by a strong cast that includes Sulabha Deshpande (notice the parallels between her role and Urvashi which hints that Usha's daughter may also repeat the sad cycle), Amol Palekar, Amrish Puri, Anant Nag, Naseeruddin Shah and Dina Pathak.
This is easily one of Benegal's best and it should serve as a prototype character study, biopic and even a textbook of acting (for upcoming actors). On different levels, it works as a social commentary, a historically accurate period piece, a study of relationships, provides an insight into the filmworld and a piece of thought-provoking cinema that makes one question the various roles humans have to play in life.
'Bhumika: The Role' is an exceptionally well-made film. Benegal is clearly influenced by Satyajit Ray. The black and white flashback sequences echo scenes from Ray's 'Nayak' and 'Patther Panchali'. His attention to detail is excellent as he adds subtle layers to the films (for example, notice how time is depicted through the news on the radio). The absence of a background score make the scenes raw and gritty. The remarkable cinematography deserves special mention and the lighting is superb.
But what would 'Bhumika: The Role' be without Smita Patil's tour-de-force performance? Patil was only in her very early 20s when she shot for the film and yet she's incredibly convincing as a bubbly teenager, a grown-up actress and a mother of a mother-to-be. Urvashi is a complex and demanding character with many shades and that cannot be easy for an ordinary actor to play but Patil does it with sheer ease and intensity. She dazzles the screen with a restrained and natural performance.
Patil is effectively supported by a strong cast that includes Sulabha Deshpande (notice the parallels between her role and Urvashi which hints that Usha's daughter may also repeat the sad cycle), Amol Palekar, Amrish Puri, Anant Nag, Naseeruddin Shah and Dina Pathak.
This is easily one of Benegal's best and it should serve as a prototype character study, biopic and even a textbook of acting (for upcoming actors). On different levels, it works as a social commentary, a historically accurate period piece, a study of relationships, provides an insight into the filmworld and a piece of thought-provoking cinema that makes one question the various roles humans have to play in life.
क्या आपको पता है
- ट्रिवियाBased on the life of well-known Marathi Stage and screen actress of the 1940s, 'Hansa Wadkar'.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Die Schauspielerin
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