द विजार्ड ऑफ ओज़ का एक अनुकूलन जो अफ्रीकी-अमेरिकी अनुभव के सार को पकड़ने की कोशिश करता है.द विजार्ड ऑफ ओज़ का एक अनुकूलन जो अफ्रीकी-अमेरिकी अनुभव के सार को पकड़ने की कोशिश करता है.द विजार्ड ऑफ ओज़ का एक अनुकूलन जो अफ्रीकी-अमेरिकी अनुभव के सार को पकड़ने की कोशिश करता है.
- निर्देशक
- लेखक
- स्टार
- 4 ऑस्कर के लिए नामांकित
- 2 जीत और कुल 11 नामांकन
Toney Brealond
- Gold Footman
- (as Tony Brealond)
फ़ीचर्ड समीक्षाएं
This film bombed on its official release for one reason, and for one reason only--it was rated G. During the seventies, hardly anyone DARED to go see a G-rated film because it was considered the epitome of uncool. Fortunately, this film finally went on to gain an impressive audience later on when it was rediscovered in the wake of Jackson mania and has finally been selling its worth. Many these days go berserk trying to dissect it due to these modern "politically correct" times: is it meant to be a spoof, or maybe a "blaxploitation" film? Hey, forget all that nonsense! Gather your childen, kick back and enjoy THE WIZ for what it is--the most daringly imaginative adaptation of the classic children's story ever committed to film.
Roger Ebert, not one of my favorite film critics, surprised me by giving a wonderful (and dead-on accurate) positive review of the film. Some out there think of it as a dated 70s pop/disco/funk/soul feature, but these days that "retro" feel adds to its charm in my opinion--it reminds me of an innocent time from my youth.
I saw this in the theaters as it was first released when I was a child and I've loved it dearly ever since. It has Diana Ross playing Dorothy as a 24-year-old Kindergarten schoolteacher (which I always thought was a charming idea!) with a wide-eyed innocence that is truly touching. Michael Jackson gives a delightfully whimsical performance as the scarecrow, Quincy Jones uses his musical production genius to create a really fantastic and drop-dead gorgeous soundtrack... and in case you're still not convinced, this film is the most expensive movie musical ever made, and WOW, does it ever show! The visuals are imaginative and brilliant, and you'll never forget them.
And best of all, it's been re-released on DVD and the soundtrack on CD! Deservedly so! Now let's all get out there and whoop it up for THE WIZ!
Roger Ebert, not one of my favorite film critics, surprised me by giving a wonderful (and dead-on accurate) positive review of the film. Some out there think of it as a dated 70s pop/disco/funk/soul feature, but these days that "retro" feel adds to its charm in my opinion--it reminds me of an innocent time from my youth.
I saw this in the theaters as it was first released when I was a child and I've loved it dearly ever since. It has Diana Ross playing Dorothy as a 24-year-old Kindergarten schoolteacher (which I always thought was a charming idea!) with a wide-eyed innocence that is truly touching. Michael Jackson gives a delightfully whimsical performance as the scarecrow, Quincy Jones uses his musical production genius to create a really fantastic and drop-dead gorgeous soundtrack... and in case you're still not convinced, this film is the most expensive movie musical ever made, and WOW, does it ever show! The visuals are imaginative and brilliant, and you'll never forget them.
And best of all, it's been re-released on DVD and the soundtrack on CD! Deservedly so! Now let's all get out there and whoop it up for THE WIZ!
Let me establish a few things at the start: 1) I love disco, soul, and R&B, 2) I love the '70s, 3) I love bad movies, 4) I have a healthy admiration for Diana Ross and Michael Jackson, as well as many of the other luminaries in this film. All that said, this film is APPALLING IN EVERY RESPECT!
I knew this movie was poorly regarded, and I expected to like it anyway (I'm certainly not sorry I've seen it) but the ratio of potential to realization is like 100:1. I'm really surprised it has so many defenders on this site. Let's discuss:
Yes, many people have said that Diana Ross is too old. What's not mentioned is that she looks TERRIBLE! She looks like a refugee! Also, she just has the wrong voice for this part. Stephanie Mills had a strange, nasal voice, but she was a BELTER, and you need a belter for these songs. Poor Diana and her thin voice just couldn't cut it, and she had no physical charm to fall back on. Oh dear.
I was really surprised how lame the musical renditions and sound quality were. I have surround sound, and I just couldn't believe how muffled and distant the sound was. And, in my opinion, ALL of the musical performances were misfires. You could see how many of the songs could have been good in a good performance, but those just weren't to be found here.
Many people single out Lena Horne's performance as fantastic, but to me, like the rest of the movie, she was BADLY misused. Lena Horne is a nuanced jazz singer, so to hear her try to go all low-down gospel was rather painful, especially with her impeccably-enunciated "Woo! Yeah!"'s. She also looks utterly ridiculous.
I didn't get much of a sense of the old Michael Jackson we all used to love between the layers of makeup and the lack of focus of the movie and scenes.
I love how Dorothy alternates between being worried that Toto is out of her sight for even a moment because he is so precious to her, and completely forgetting about his existence for long periods of time.
Also, apparently the scarecrow's owner shredded the works of the great philosophers (or at least his copy of Bartlett's Famous Quotations) to stuff his scarecrow with?
And WHAT is happening in the sequence where the subway comes to life and attacks our heroes? WHAT is that? Also, the cowardly lion doesn't get much of a character arc, does he? One scene he's going on about how he doesn't have any courage, the next he's ferociously defending Michael against the saber-toothed garbage cans.
Now think about that: saber-toothed garbage cans. Hmmm.
I understand that during this movie our quartet go through tableaux of the issues affecting blacks in the 70's, fine... so then what's with the emerald city scene where the Wiz dictates fashion to the people below? Am I to understand that one of the major cultural issues African-Americans faced in the 70's was the tyranny of imperious fashion designers?
I was surprised that of all the things they kept from the original Wizard of Oz film, they jettisoned the device that Dorothy is just dreaming about all the people she knows, and at the end there's no "And you were there, and you were there, and you were there" scene.
I was kind of stupefied by how HUGE some of the sets were. Many looked like actual NYC locations that they has just laid a yellow-brick floor on. I would love to know if they actually did that, or just built these enormous sets.
Well, that's it! This film is not a total waste of 2 hours, but it is... quite an oddity.
--- Check out my website devoted to bad and cheesy movies at: www.cinemademerde.com
I knew this movie was poorly regarded, and I expected to like it anyway (I'm certainly not sorry I've seen it) but the ratio of potential to realization is like 100:1. I'm really surprised it has so many defenders on this site. Let's discuss:
Yes, many people have said that Diana Ross is too old. What's not mentioned is that she looks TERRIBLE! She looks like a refugee! Also, she just has the wrong voice for this part. Stephanie Mills had a strange, nasal voice, but she was a BELTER, and you need a belter for these songs. Poor Diana and her thin voice just couldn't cut it, and she had no physical charm to fall back on. Oh dear.
I was really surprised how lame the musical renditions and sound quality were. I have surround sound, and I just couldn't believe how muffled and distant the sound was. And, in my opinion, ALL of the musical performances were misfires. You could see how many of the songs could have been good in a good performance, but those just weren't to be found here.
Many people single out Lena Horne's performance as fantastic, but to me, like the rest of the movie, she was BADLY misused. Lena Horne is a nuanced jazz singer, so to hear her try to go all low-down gospel was rather painful, especially with her impeccably-enunciated "Woo! Yeah!"'s. She also looks utterly ridiculous.
I didn't get much of a sense of the old Michael Jackson we all used to love between the layers of makeup and the lack of focus of the movie and scenes.
I love how Dorothy alternates between being worried that Toto is out of her sight for even a moment because he is so precious to her, and completely forgetting about his existence for long periods of time.
Also, apparently the scarecrow's owner shredded the works of the great philosophers (or at least his copy of Bartlett's Famous Quotations) to stuff his scarecrow with?
And WHAT is happening in the sequence where the subway comes to life and attacks our heroes? WHAT is that? Also, the cowardly lion doesn't get much of a character arc, does he? One scene he's going on about how he doesn't have any courage, the next he's ferociously defending Michael against the saber-toothed garbage cans.
Now think about that: saber-toothed garbage cans. Hmmm.
I understand that during this movie our quartet go through tableaux of the issues affecting blacks in the 70's, fine... so then what's with the emerald city scene where the Wiz dictates fashion to the people below? Am I to understand that one of the major cultural issues African-Americans faced in the 70's was the tyranny of imperious fashion designers?
I was surprised that of all the things they kept from the original Wizard of Oz film, they jettisoned the device that Dorothy is just dreaming about all the people she knows, and at the end there's no "And you were there, and you were there, and you were there" scene.
I was kind of stupefied by how HUGE some of the sets were. Many looked like actual NYC locations that they has just laid a yellow-brick floor on. I would love to know if they actually did that, or just built these enormous sets.
Well, that's it! This film is not a total waste of 2 hours, but it is... quite an oddity.
--- Check out my website devoted to bad and cheesy movies at: www.cinemademerde.com
Really hard to understand the low rating. I really appreciated this take on a classic tale, and the clever adaptation from rural Kansas to urban NYC. Slow in some spots, but charming and almost haunting (the amusement park, the desolate streets, the street vendor with the scary puppets, etc) with some memorable songs.
look closely at the clever production values as well, especially the Scarecrow who is composed of very distinctly different pieces of garbage (peanut butter cup wrapper nose, mop hair, chicken bucket hat, garbage bag pants, etc.
I give it a 8/10.
look closely at the clever production values as well, especially the Scarecrow who is composed of very distinctly different pieces of garbage (peanut butter cup wrapper nose, mop hair, chicken bucket hat, garbage bag pants, etc.
I give it a 8/10.
Wow.. The reason why this movie is defended is because its overlooked for its value.
#1. It is not a remake of the Wizard Of Oz.The Wizard Of Oz's music is a Classic, so is the Wiz.
#2. The Wiz does try to teach values:
After seeing the movie on a basis i've noticed that it tries to teach:
-Family Togetherness(First Scene of the Movie) -People shouldn't put other people down, otherwise they'll never get __anywhere(When dorothy rescues the crow) -You can always have a heart(Tin Man) [the Wizard of Oz's tin man __relates to the Industry of the Great Depression that needs to grow a __heart] -There's no true courage unless you can stand up for yourself(Lion) -Anything related to Eviline is simple Opression.
There's other symbols as well: Silver slippers instead of ruby. (Silver is rare, very rare for Dorothy's family)
#3. The musician casting for this movie is all Top Notch Motown. Diana Ross, Michael Jackson... every actor was a singer/dancer. You can't beat that in a movie attempting a Broadway approach.
#4. If you just listen to the music instead of hearing it, you would notice the score isn't simple. I have the feeling Quincy Jones has his involvement in it. Also there are way more instruments, more of a get you off your feet feel. "He's the Wiz" from the smooth jazz feel with conflicting and resolving chorus and the switch to march theme. You cannot tell me that is not thoroughly composed! Then the Emerald City Scene, i would rewind that over and over again.
#5. Eviline IMO is a much better bad guy than the Wicked Witch of the West in Wizard Of Oz. She is ugly and mean: someone really hit her with an ugly stick.
#6. "Oh no, not the flying monkeys!"
#7. The crows are breakdancers(at least one of them) from another infamous movie.
-#1. I do know the plots are similar and the characters are similar. However, Motown has a big involvement: the 100% creativity comes from the music and choreography.
-#2. Some people miss the black family jokes. Example the Lion's full name being the name of an actual Mobile Home/Car house except Devile("FleetWood Coupe Devile, Mama had high ideas") she wished to live a luxurious life but can only do so by naming her children by what she desires. You see this in a few children's names. The good thing is there are very few jokes and they are not corny.
-#3. Yes the guy with the puppets did scare me, not to forget tin man being electrocuted and the chomping trashcans.
If you try to look as this movie as a parody(or remake) of the Wizard of Oz you have the wrong idea. When i first saw this movie I try not to think of the Classical Oz - its more of watching a live musical performance. It's michael jackson in his earlier days! His Prime! Not to forget he didn't do a bad job as being the crow! Why do everyone dispise this movie?
#1. It is not a remake of the Wizard Of Oz.The Wizard Of Oz's music is a Classic, so is the Wiz.
#2. The Wiz does try to teach values:
After seeing the movie on a basis i've noticed that it tries to teach:
-Family Togetherness(First Scene of the Movie) -People shouldn't put other people down, otherwise they'll never get __anywhere(When dorothy rescues the crow) -You can always have a heart(Tin Man) [the Wizard of Oz's tin man __relates to the Industry of the Great Depression that needs to grow a __heart] -There's no true courage unless you can stand up for yourself(Lion) -Anything related to Eviline is simple Opression.
There's other symbols as well: Silver slippers instead of ruby. (Silver is rare, very rare for Dorothy's family)
#3. The musician casting for this movie is all Top Notch Motown. Diana Ross, Michael Jackson... every actor was a singer/dancer. You can't beat that in a movie attempting a Broadway approach.
#4. If you just listen to the music instead of hearing it, you would notice the score isn't simple. I have the feeling Quincy Jones has his involvement in it. Also there are way more instruments, more of a get you off your feet feel. "He's the Wiz" from the smooth jazz feel with conflicting and resolving chorus and the switch to march theme. You cannot tell me that is not thoroughly composed! Then the Emerald City Scene, i would rewind that over and over again.
#5. Eviline IMO is a much better bad guy than the Wicked Witch of the West in Wizard Of Oz. She is ugly and mean: someone really hit her with an ugly stick.
#6. "Oh no, not the flying monkeys!"
#7. The crows are breakdancers(at least one of them) from another infamous movie.
-#1. I do know the plots are similar and the characters are similar. However, Motown has a big involvement: the 100% creativity comes from the music and choreography.
-#2. Some people miss the black family jokes. Example the Lion's full name being the name of an actual Mobile Home/Car house except Devile("FleetWood Coupe Devile, Mama had high ideas") she wished to live a luxurious life but can only do so by naming her children by what she desires. You see this in a few children's names. The good thing is there are very few jokes and they are not corny.
-#3. Yes the guy with the puppets did scare me, not to forget tin man being electrocuted and the chomping trashcans.
If you try to look as this movie as a parody(or remake) of the Wizard of Oz you have the wrong idea. When i first saw this movie I try not to think of the Classical Oz - its more of watching a live musical performance. It's michael jackson in his earlier days! His Prime! Not to forget he didn't do a bad job as being the crow! Why do everyone dispise this movie?
I thought that this movie was incredible when I first saw (about 8 years ago), and I still do! Even if it is almost nothing like the Broadway show, that doesn't matter. The film version of "The Sound of Music" wasn't like the play, either. Or what about "Mame"? See what I mean? Not one movie musical is ever like the live show. It shouldn't matter anyway. It's great for what it is, a fun, rock 'n' rollin' good time! Also, the songs in this musical (especially "No Bad News", "Everybody, Rejoice", and "Ease On Down The Road") have to be some of the best I've ever heard! SEE THIS MOVIE!!!!!
क्या आपको पता है
- ट्रिवियाOriginal director John Badham stepped down when he objected to 33-year-old Diana Ross being cast as a teenage Dorothy. The character was changed to a 24-year-old kindergarten teacher, but by then Sidney Lumet already had replaced Badham.
- गूफ़Aunt Em comments that Dorothy has never been south of 125th Street in the Manhattan neighborhood of Harlem. However, Dorothy later gives her address as being on Prospect Place, which is in Brooklyn, miles southeast of Harlem.
- क्रेज़ी क्रेडिटFitzstephens, Jack ... Music Editor & Guru
- इसके अलावा अन्य वर्जनWhen this movie debuted on CBS, the network trimmed several scenes to fit in a 3 hour block with commercials. Several omitted scenes includes:
- The arrival of the baby and its family at Aunt Emme's party.
- Some of the dancing and the Poms sequence with the Munchkins (it cut from them going down the stairs to some of them doing acrobatics).
- Portions of "Mean Ole Lion".
- The chase sequence in the subway platform omits how the Scarecrow and the Tin Man are rescued by the Lion.
- The Poppy Girls close-up shot.
- Dance portions in the Emerald City during the Green and Red clothing.
- The entire Emerald City Motel sequence
- Dorothy asking the guards of the gate how to get to Evilynn's. (It cut from RIchard Pryor peeking out to the time clock at the sweat shop).
- कनेक्शनEdited into The Arrivals (2008)
- साउंडट्रैकYou Can't Win, You Can't Break Even
Written by Charlie Smalls
Performed by Michael Jackson (uncredited) and The Four Crows (uncredited)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Wiz?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- El mago
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,40,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,10,49,053
- दुनिया भर में सकल
- $2,10,49,647
- चलने की अवधि2 घंटे 14 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1
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