The Mack

In this, one of the most popular of blaxploitation films, the charismatic Max Julien shines as Goldie, a man fresh from a stretch in prison who quickly rises to the role of top pimp in the city of Oakland. Adding complication to his life are the activities of a pair of crooked racist white detectives (Don Gordon, William Watson) and the requests of top mobster The Fatman (George Murdock) for Goldie to return to the small time. What the film truly benefits from is a sterling group of actors. Julien is engaging as the cool, calm & collected super pimp. The under-rated Gordon scores as a very bad bad guy, Roger E. Mosley is effectively intense as Goldie's activist brother, lovely Carol Speed is endearing as Lulu the prostitute, as is Juanita Moore as Goldie's loving mother, and Dick Anthony Williams has a field day as flamboyant Pretty Tony. Richard Pryor's performance, decidedly more dramatic than comedic, is solid, and he proves to be a good sidekick. The film itself is fairly overlong, but as scripted by Robert J. Poole and directed by Michael Campus, it tells a decent story in an interesting enough way, and it doesn't shy away from brutality. It gives laymen an insider's perspective by consulting with a number of real-life pimps, and shows how their lifestyle affects everything that they do. They even have barbecues, softball games, and an annual Pimp of the Year contest. By the end it's managed to portray Goldie in a complex fashion, showing that he hasn't acted THAT differently from the ruthless Hank (Gordon). Yet, of course, we can't help but side with Goldie during the finale as his nemesis has clearly gone too far. It's here that Goldie has to make an important decision. An indelible influence on pop culture, particularly Quentin Tarantino, "The Mack" immerses us in this appropriately seedy world. It's good fun, with a very hip score by Willie Hutch, and captures its time and place extremely well & remains convincing throughout. It doesn't waste time getting to the action, and features some memorable lines and exchanges. It may not be for everybody - some people may indeed feel that it's glorifying those in the prostitution business too much - but it does a compelling job at portraying a very real and very old profession, and very real part of life. Seven out of 10.

'The Mack' is one of the very best blaxploitation movies of the 1970s, and one that has had an enormous influence on both hip hop culture and Quentin Tarantino. Max Julien gives a brilliant performance as Goldie an ex-con who decides that pimping is his best hope for survival and success. Julien had played one of the members of Jack Nicholson's psychedelic combo Mumblin' Jim in Richard Rush's 60s classic 'Psych-Out'. 'The Mack' should have put him up with Fred Williamson and Richard Roundtree as a major black star, but for some reason his career never took off, despite his obvious charisma and co-writing and co-producing the hugely successful 'Cleopatra Jones'. So much so that when Tarantino wanted him to audition for the part of Marcellus Wallace in 'Pulp Fiction' he was unable to even track him down. Too bad as Julien would have been a terrific Wallace and it might have kick started his career. Apart from Julien the movie features Richard Pryor as his crazed best friend Slim, Roger Mosley (who played Leadbelly in Gordon "Shaft" Parks little seen biopic) is Goldie's politically active younger brother Olinga, and Carol Speed ('Abby') plays Lulu, the prostitute who gets him started in the game. But my favourite supporting role is the one by Don Gordon who plays Hank, an evil corrupt cop. Gordon later went on to play another nasty piece of work in Dennis Hopper's 'Out Of The Blue'. He's just terrific in both movies and rarely gets the attention he deserves. 'The Mack' definitely makes my blaxploitation Top Five, along with (no order) 'Superfly', 'Shaft', 'Black Caesar' and 'Coffy'. (Sorry I don't count 'Across 110th Street' as blaxploitation, otherwise I'd list it).

This movie begins with a shootout in Oakland between the police and a group of black men. One of the black men named "Goldie" (Max Julien) is caught and sentenced to 5 years in a penitentiary. When he finally gets released he meets up with a childhood friend name "Lulu" (Carol Speed) who has since become a prostitute and laments to him how difficult her profession is without a pimp. He then makes the decision to accept the challenge and begins to actively recruit attractive women to oversee. One thing leads to another and soon he becomes the top "mack" in all of Oakland. Yet while this obviously translates into increased revenues for him it also attracts other undesirable elements who want a cut as well. So now he has to contend with crooked cops and an organized crime boss in addition to his rivals. Now, rather than reveal any more of the story and risk ruining the movie for those who haven't seen it I will just say that this was a fairly good "blaxploitation" film which seemed to get better as the movie progressed. Personally, I didn't think Max Julien fit the role that well because of his quiet demeanor but he still put in a decent performance all the same. Certainly worth a watch for those who enjoy films in this genre.

Blaxploitation has never had a good working relationship inside mainstream cinema because it sometimes required the audience to relate with people who were pimps, pushers, hookers, and any other rabble of common street criminals. But people loved movies like "Reservoir Dogs" and "Trainspotting"; yet "Dogs" had murderous jewel thieves in the leads and "Trainspotting" was about heroin addicts in Edinburgh. So then, "The Mack" can't be any different from those two, can it?

I missed Blaxploitation when it arose during the 60s and 70s because I wasn't alive; I was born in 1985. I stumbled across "The Mack" at a local used book store that also sold videos. Sitting on a rack, was "The Mack."

After doing five rough years in prison, Goldie (Max Julien) decides to become a pimp in order to make a living, much to the dismay of his younger brother Olinga (Roger E. Mosley), who has become radicalized within the pro-Black civil rights movement during the time that Goldie has spent behind bars. Goldie then has to contend with a pair of racist, corrupt cops who hound him constantly and rival pimps.

"The Mack" is a movie that has become an enormous influence on modern hip-hop culture and is frequently referenced to in the films of Quentin Tarantino. Max Julien makes for a truly convincing "Mack" and there's even a rather subdued, yet incredibly funny supporting performance from Richard Pryor.

This movie really does capture the essence of a chaotic time period perfectly. Vietnam was going on in 1973 and some people felt that life in America was in shambles, with drugs and crime running rampant in this country. So I guess that's why people praised movies like "Death Wish," "Dirty Harry," "A Clockwork Orange," and basically any Sam Peckinpah movie that came out during the 70s.

Along with maybe "Shaft" and "Foxy Brown," "The Mack" could probably be one of the better known Blaxploitation flicks released during the 70s. I loved this movie from beginning to end. But it's a shame that "The Mack" is not more well-known in the movie-going community.

10/10

The Mack is not simply a 'blaxploitation' movie. You can take it seriously as a drama and it works very well. It depicts a time and place honestly, even as it is still making drama out of this world of pimps and hookers and cops and violence and money. It's crude, but it has a kind of inherent integrity that's hard to explain.

Max Julien may break out into a grin or smile once too much, but he can, and does, carry this movie really well. He makes this entire thing become alive in a way that he is likable and charismatic, and yet carries a level of authority. You don't doubt for a second that he can become this Mega-Pimp.

The scummy police men are played so slimy they transcend typical trash and become epically trash-tastic (the worst white cops maybe in any 70's movie?), and Richard Pryor as the not-really-comic sidekick helps a good deal too.

Great music, real dramatic conflict, and DAMN do some people get f****d up here! Most weird but enjoyable scene for me (and maybe the closest it gets to being so OUT-there exploitation-y) is when Goldie is giving his "orientation" bit to the hookers in the planetarium. I want to watch that on a loop.