Rising Damp

Until I saw a documentary on Leonard Rossiter as a bonus on the video of The Fall and Rise of Reginald Perrin (one of my favorite British series), I knew nothing about Rising Damp. Based on the clips, I knew I had to see this series if it was available. Thankfully, all four series and the motion picture are on DVD. The writing is sensational and the cast is wonderful; the chemistry between them is as good as can be imagined. But as good as they all are (and it is particularly good to see some of the work of Richard Beckinsale), Rossiter is the star without question. He is brilliant; one cannot imagine anyone else playing this part. He took me totally by surprise. As good as he was in Perrin, his timing and delivery here are just amazing; he is clearly one of the great actors of his generation. These words are not written lightly.

While it is possible that this series is not seen on U.S. television because of Rigsby's racist statements, one has to look at this in the context of the seventies, when television was exposing many different realities to audiences, and they were loving it (remember the Jeffersons and Good Times?). If Archie Bunker is still to be found on television, there is no reason why Rigsby shouldn't be seen either. Another possible reason is that this is not a BBC or Granada series. At least it lives on DVD in the U.S., and if you are a British comedy fan, this is way up there.

Looking back now it is clear that most of the great comedies of the 1970s were made by the BBC. The commercial ITV network often had hit shows but few seem to have stood the test of time. In addition its nature as a patchwork of different companies perhaps made it difficult for comedies to grow and find an audience. Rising Damp is an exception to this; a comedy made by one of the ITV comedies that approached moments of pure genius and is just as funny now as when it was made.

A top rate cast worked well together to create characters that are funny and believable. In addition top quality scripts make every episode a gem.

A later film version simply did not work and should be avoided.

Despite the fact that many posters seem to think Rising Damp was guilty of racism, the reverse was actually true. Don Warrington's character Philip was often the target of boorish remarks by Leonard Rossiter's landlord Rigsby (not really malicious by the standards of 1970s England, just ignorant: a real 1970s racist wouldn't rent a room in his own house to a black man anyway), but it's Rigsby that we find ridiculous, not Philip. Throughout the series, Philip is consistently portrayed as the most intelligent, charming, attractive, sophisticated and grown-up of all the characters, and he's certainly no deferential Uncle Tom. ... that's not racism, is it?

The sitcom was indeed one of the best from Uk. A lot of people in Britain will be surprised to learn that the sitcom is often on TV in countries in Africa. I fell in love with it a long time ago when I first saw an episode in Africa. Just watched an episode on ITV today (2015) and could not stop laughing. Rigsby got into a boxing match with Philip. The plot was hilarious. I can understand why some people find the comedy racist in today's PC world.

In my view the writers were using the sitcom to educate people with views similar to those of Rigsby back then. If they succeeded in changing the thinking a few such people then they achieved a lot. That crusade is still relevant today.

I don't find it racist even after years in the Uk as a black man. Art is a great way to initiate change and in my view to seek to remove from TV anything that we perceive as controversial or uncomfortable is a wrong approach.

'Rising Damp' is shown pretty regularly on TV all these years after production ceased on the series, which must be a testament to its staying power.

Set in a grimy house where landlord Rigsby and his tenants (the refined Miss Jones, object of his affections; Alan, a long-haired student of medicine who never seemed to do anything useful; and Philip, a black man of tribal descent, possibly ...) rubbed along together week by week, with new lodgers coming and going, and Rigsby continuing his relentless pursuit of Miss Jones, 'Rising Damp' was pretty much perfect.

Not dated at all when viewed recently, these are genuinely comic characters (especially the excellent performance of the peerless Leonard Rossiter as Rigsby) in amusing situations. Rather like Rigsby's cat, Vienna, we sit back and watch with interest as events unfold and entertain us.

I loved it. Laurels all round (Frances de La Tour, who is an accomplished dramatic actress on stage aside from her comedy work here, as Miss Jones; Don Warrington, still around and not looking much older, as Philip; and lovely Richard Beckinsale, who sadly died in his early thirties at the end of the 1970s, as Alan) and long may the brown door and that tinkly pub piano theme grace our screens.