Borsalino and Co.

In Marseille, after the funeral of his best friend and partner François Capella, Roch Siffredi (Alain Delon) and his gangsters capture an Italian gangster that tells that the hit was ordered by the mobster Giovanni Volpone (Riccardo Cucciolla). They also learn that his brother is coming to Marseille by train. Siffredi and his men intercept the train and throw Volpone's brother on the rails. Soon Volpone kills Siffredi's men, destroys his businesses, throws his right-hand Fernand (Lionel Vitrant) with a big stone into the sea and captures Siffredi that goes missing. He also uses his influence to replace Inspector Fanti (Daniel Ivernel) by the corrupt Inspector Cazenave (André Falcon). Fernand survives and looks for Siffredi, who is interned in a hospice. Siffredi flees from the asylum with the support of Fernand and they escape to Italy by boat. Years go by until a truck of Borsalino and Co. Travels to Marseille with Siffredi, Fernand and their new gang. Retribution is coming.

"Borsalino and Co." is the sequel of the 1970 "Borsaline", also directed by Jacques Deray with a story full of action of war of gangsters. The revenges of Roch Siffredi and Giovanni Volpone are impressive, especially the one to force the enemy to drink bottles of booze. The conclusion promises a sequel that never happened. My vote is seven.

Title (Brazil): "Borsalino e Cia." ("Borsalino and Co.")

This is the follow-up to ¨Borsalino¨(1969) that's set during the 1930s, in Marseilles, France, two small time crooks work for local crime bosses until they decide to go into business for themselves. These two rough crooks join forces and when they decide to go into the business for themselves, their easy-going approach to crime starts to change. The continuation ¨Borsalino and Co¨(1974) of the successful ¨Borsalino¨ (1969), this time without Jean-Paul Belmondo as the protagonist, as Alain Delon begins right where the predecessor left off, with a more solemn and violent tone than the previous. Here Alain Delon repeats his role interpretating Roch Siffredi who on this occasion, swears to avenge the murder from his partner Francois Capella. ¨Marseille. Heaps of flowers and funeral wreaths... "A man who no longer defends his colors is no longer a man."

A nice thriller in French style , while the prior entry had a delicious serious-comic style , this sequel is more violent and strong than Borsalino (1969) . Borsalino was a slight film , a Buddy Movie , in which two likable hoods become gangland in Thirties . And this Borsalino and Co (1974) deals with a relentless revenge that will make Siffredi travel all over Marseille of the thirties in a place ruled by organized crime and the fight between gangs in order to achieve his purpose. This is a suspenseful and violent gangster movie in which action , intrigue , plot twists and thriller are continued . From the beginning to the end it turns out extremely intriguing and violent , including well developing of interesting characters , and that's why it is entertaining . The movie has lots of crossfire , dark-edged drama , thrills and moving events . Alain Delon gives a cold and fine acting in his usual style , being well accompanied by a good cast , such as : Riccardo Cucciolla, Reinhard Kolldehoff, Catherine Rouvel, Daniel Ivernel , Lionel Vitrant , Adolfo Lastretti , and brief appearances from Gunter Meisner and Anton Driffing that used to interpret Nazi roles and cameos from Claudine Auger as a cruise passenger and Mireille Dark -who was longtime girlfrend of Delon- playing a prostitute .

It contains a colorful and evocative cienematography Jean-Jacques Tarbé . Claude Bolling's infectious musical score helps very much as well .This entertaining and acceptable mobster movie was well directed by Jacques Deray , making a memorable work , though sometimes results to be slow-moving . He was a purveyor of a certain kind of noir movie , creating a tiny studio . Jacques began as an actor in his late teens and from 1952 worked as assistant to several noted directors , including Luis Bunuel and Jules Dassin . He was President of jury at the Cannes Film Festival in 1981 . One of his favourite actors was Alain Delon , whom Jacques directed many times . He made his first film in 1960 and Jacques directed some great French actors as Alain Delon , Jean-Louis Trintignant , Michael Serrault , Charlote Rampling and Jean-Paul Belmondo . Deray was a notorious director and writer , known for Borsalino (1970) , The Outside Man or A man is dead (1972) , Flic Story (75) , Le gang (77) , Three Men to Kill (80) , Le Marginal (1983) , He Died with His Eyes Open (85) and The Loner (87) . Being his greatest hit : La Piscine (1969). Rating : 6.5/10 . Decent sequel.

First of all, I admit that I will watch anything with Alain Delon in it. Even that insufferably pretentious 1960s snooze-fest, The Eclipse. That drop-dead gorgeous man will continue to accelerate my pulse until I'm 90 (if I get that far). Nature's most perfect production and never repeated.

Having made that clear, I'm surprised at the negative reviews. I find this second installment far superior to the first Borsalino. In the first place, it's daubed in English (American English) and that is a lot better than the first one, which was daubed by French people speaking English (and you can tell). In the second place, then fight scenes are much more realistic than in the first film, where you could see very clearly that the blows didn't even reach the recipient. IMO, the first Borsalino was more of a comedy caper, while B & Co. is more sober, more of a real gangster film. Perhaps a bit slow, but that's how they did things in those days. Personally, I prefer them to the crash, bang, thank you, ma'am 'action' films of today.

Maybe I'm biased because I grew up watching European films of that era and I still love most of the French flic and gangster films made in those days.

My advice to young people is if you cannot watch old films with an open mind (e.i. without automatically comparing them unfavorably to the new ones, or without making the necessary concessions) just pass them by. Stick to The Godfather and Good Fellas (the last one atrocious, in my opinion, but that's just me).

All in all, B & Co. is not a bad film. Give it a chance.

Alain Delon, already past his prime, returns to the tried-and-trusted formula of BORSALINO (1970), a fondly-remembered gangster pastiche (which I had watched some time ago, albeit dubbed, and been somewhat underwhelmed by) with a surprisingly mean-spirited but ultimately indifferent follow-up. The film is one of a staggering 9 Delon made with director Deray (the only other one I've seen is LA PISCINE [1969], which I remember liking). However, since I had purchased LE SAMOURAI (1967) while in Hollywood and recently ordered LE CERCLE ROUGE (1970), I thought I might as well give this one a try...

Though Delon served also as producer, he delivers a typically blank-faced performance and the film, with no new ideas in either script or direction, is tolerable mainly for its bouts of excessive, almost cartoonish violence. The international cast is reliable but their contribution is pretty ordinary on this occasion: Riccardo Cucciolla in a dual role (!) as Delon's gangleader rival and his twin; Rene' Koldehoff as Cucciolla's heavy-set chief thug; Catherine Rouvel (still looking gorgeous 15 years after swimming in the nude for Jean Renoir in LUNCH ON THE GRASS [1959]) also reprising her role from the original as a high-class prostitute and Delon's old flame, Daniel Ivernel (from Bunuel's DIARY OF A CHAMBERMAID [1964]) as the level-headed Police Commissioner, Alfredo Lastretti (from Jess Franco's VENUS IN FURS [1968]) as one of Delon's lieutenants...plus a blink-and-you'll-miss-it cameo from Anton Diffring (perhaps imposed on the film by its backers, BORSALINO AND CO. being a French/Italian/West German co-production).

I have been a fan of Alain Delon for many years, since first seeing his stunning performance as Tom Ripley in Rene Clement's superb Plein Soleil. He's one of the great icons of French cinema.

Borsalino was a film that I remembered very fondly; although I hadn't seen it since its first release it has always remained vividly in my memory, and when I saw that Kino had released it on disc I ordered it on line. What I received was this sequel, which I wasn't even aware had been made, however I watched it and was hugely disappointed. If like me you remember the original fondly, then avoid the sequel.

According to the distributors the original Borsalino is not available. Ever the optimist, I'll continue to try to track down a copy.