Captain Kronos: Vampire Hunter

This was one of the best vampire films I have ever seen. It's an interesting take in which a swash-buckling English swordsman and his hunchback companion hunt vampires in 19th century pastoral England. The action is intense, the damsels are beautiful, and the ending is satisfying. This movie is like The Searchers, the Lone Ranger, and Monty Python's the Holy Grail all in one. The scene where they try different methods to kill one of their friends who will soon turn into a vampire was (I think) unintentionally hilarious. They stake him, hang him, and burn him to no avail. You can feel the "aw, shucks" attitude of the scene, even from the guy who's trying to die! The emotional level never seems to get above this level. If you like the new Mummy movie, you'll like this, although the special effects in this one are kind of weak, but the spirit is there! Find this one, you won't be disappointed.

Among the least known of the Hammer Studios horror output, Captain Kronos: Vampire Hunter is also one of its most interesting and unusual productions. As opposed to the more in-your-face Dracula series that immortalized Christopher Lee, CK:VH knows that it is just a cinematic comic book and works with itself in a restrained, somewhat lighthearted way that is, off and on, quite effective. This film never really tries to outright scare you which, I think, is extremely cool. Instead, it sets an atmospheric table at which your imagination is invited to partake. This suave slant is the work of Director Brian Clemens who was largely responsible for the legendary '60's British TV series, The Avengers; the original, with Patrick Macnee and Diana Rigg. If you remember that series, you'll recognize some of its essential look and feel in this film. Viewed from one azimuth, CK:VH is nonsense but, if you lighten up a bit and just get into the story, the movie takes on a dreamy quality against which its more `horrific' elements play in a most interesting way.

The setting, never precisely defined, seems to be central Europe during or just after the Napoleonic Wars (from the clothes). Let's call it early 19th century. Captain Kronos himself appears to be a former officer of Dragoons, separated from service although still in uniform. The implication is that, while away in the wars, he lost his wife, and possibly his child, to vampires. Now, in the company of his good friend, a hunchbacked academic and authority on vampire lore who drives a wagon loaded with tools of the vampire-killing trade, the Captain roams the region hunting the undead.

Captain Kronos is played by the German actor Horst Janson who, with his grave, nearly too-nordic features, balanced by eyes that seem to constantly smile, brings a nice sense of mystery to the role. Kronos is aloof and taciturn, though never unpleasant. He smokes long cheroots and carries a Samurai sword that he, evidently, did not acquire at a flea market. We don't learn the history of the sword, but we see that he can definitely wield it, as does a trio of toughs fronted by the local alpha-blade (the late Ian Hendry, a prominent British character actor of the period who, interestingly, was a regular during the Avengers' first season.) Actually, they don't really see the sword. They just feel it, sort of, before collapsing in a heap. Janson plays the Captain with a certain Playboy Magazine, lady's man sense of cool, echoing a time when people were just finishing up talking about sex and beginning to actually do it. If you were around then, you'll recognize the spin. It's a nostalgia hit, for sure. You might even recognize Janson's face, which was seen in full page ads in American magazines during that period; men's apparel, liquor, etc.

The Captain and his trusty companion have arrived in the film's locale in response to rumors of bad happenings. Young women of the area are undergoing drastic reverse-makeovers, emerging from them as exsanguinated centenarians. The locals, rather superstitious rural types, are in a tizzy. Could the recently-deceased head of the local, reclusive aristocratic family, whom some suspect of not being completely dead, be involved? It's an angle definitely worth investigating. The Captain makes contact with the only person in the area still in possession of his wits - the local physician - and the hunt begins.

If most Hammer films tend to be hissing fastballs down the middle, CK:VH is an off-speed slider on the corner. There's nothing fancy here, no baroque sets or sophisticated effects. In fact, the film overall has a sparse look and feel that enhances its credibility. The hunt for the vampire proceeds as a believable combination of scientific method and lore. Much of what transpires does so in daylight which, to me, carries significant implications. Evil that does not fear sunlight carries a big stick. We, as its prey, have no real hiding place. The film balances its occasionally goofy moments by never sacrificing its dignity and, at times, is quite poignant. It also features one of the most brilliantly effective sequences ever seen in this genre, illustrating how much can be accomplished with the simplest of cinematic means. I think you'll know it when you see it. This film was produced as the first in what was hoped to be a series of Captain Kronos adventures but the concept failed to grab the required audience. Pity, but at least we have this one. It's fun, stylish, and a perfect rainy-day diversion.

Hammer was trying to change their failing and falling image in the 1970s and directed their cinematic resources towards other non-traditional horror themes. They came out with the Karnstein Trilogy of vampire films with lesbian overtones. They had Darcula meet kung fu in The Legend of the Seven Golden Vampires. Hammer showed more and more cleavage(and in many instances dispensed with the clothes altogether). They had Dr. Jekyll have a sister Hyde. And in 1973, Hammer tried to start a swashbuckling super hero vampire hunter with the film Captain Kronos, Vampire Hunter. The concept was that Kronos recently of fighting in the war, having lost his sister and mother to vampirism, set off into various European locales with his friend/hunchback/professor in search of evil to stamp out. The movie is at some points obvious parody and at others a homage of sorts to earlier Hammer pieces. The film is quite enjoyable for what it is. It does have many flaws, however, most dealing with a total lack of respect for traditional vampire lore. Day and night seem not to matter to the vampire, nor does the vampire drink for thirst but rather for eternal beauty. Okay. Credit certainly is due to the innovative and creative Brian Clemens who wrote and directed the film. The acting is acceptable. Horst Janson is okay as Kronos but really has little personal flair. Most of the film has him with his shirt off(pity more like this was not directed toward co-star Caroline Munro). Munro is okay in her role too. Really most of the acting is pretty bland with a couple good performances given by John Cater as the professor and John Carson as Dr. Marcus. The highlight of the film easily is the tavern scene when Kronos meets up with a trio of thugs led by Ian Hendry. Hendry has fun with his cameo. All in all Captain Kronos is an exciting and interesting picture to see. The sets and costumes are up to the usual high Hammer standards. The musical score is wonderful as well.

Wow, was Hammer Studios going in a different direction with this film! While it is once again a horror film (the bread & butter for this film company), it's so unlike all their other films! While it's a vampire film, you see no trace of Christopher Lee or even Peter Cushing--and the style is so totally unlike their films. Instead, the film stars a very hot guy (Captain Kronos) and he always seems to have a hot lady in tow. This vampire hunter, however, is NOT to be confused for Dr. Van Helsing. Not only does he look nothing like Cushing, but how he kills the vampires and the types of vampires are all-new! These vampires are not so much blood drinkers but creatures that suck the youth out of people--and you then see them age rapidly when they fall prey to these new vampires. And, since the vampires are different, so is killing them. Many different ways are used--some of which are wacky and new--such as impaling, hanging and burning one (wow--he was tough to kill!!). And, finally, the story is just so very different.

According to IMDb, Hammer was planning on a new series of Kronos films but canceled it due to the poor reception this film received. I can't really understand it, as the film was quite good and sexy--and an invigorating change--with a wild ending!

I'm a big Hammer fan and have been wanting to see 'Captain Kronos: Vampire Hunter' for a long, long time. Now finally I own it on DVD and after watching it four times I think it could very well be my favourite from the studio. It's definitely without a doubt THE most underrated Hammer movie. It did poorly at the box office but it now has one of the most enthusiastic cult followings of any Hammer film. Quentin Tarantino is reportedly a big fan of this movie and seeing how it inventively draws upon several genres (e.g. Westerns) it's really no surprise. Hammer's long running Dracula franchise was running out of steam by the early 70s, and they were looking for a new series. Enter Brian Clemens of 'The Avengers' fame, who had previously written 'Dr. Jekyll And Sister Hyde' for the studio. He came up with some innovative ideas and he thought that this would be the first of many movies to feature the Captain Kronos character. Sadly it wasn't to be, and attempts to spin off a TV series also fell through. Watching it thirty years later I just can't understand why! Anyway, German actor Horst Janson plays Captain Kronos, the enigmatic, sword wielding, dope smoking action hero, and John Cater ('The Abominable Dr. Phibes') is his hunchback assistant Professor Grost. These are two fantastic characters, and I would love to have seen further adventures by them! Horror buffs will also get a kick out of the rest of the cast. The gorgeous Caroline Munro ('Maniac') is a gypsy girl who falls for Kronos, John Carson ('The Plague Of The Zombies') is Kronos' old doctor buddy, Shane Briant ('Frankenstein And The Monster From Hell') is a local young gentleman, and Wanda Ventham (Colonel Virginia Lake in the cult series 'UFO') plays Briant's invalid mother Lady Durward. On top of that there's a fantastic cameo by Ian Hendry ('Repulsion', 'Theatre Of Blood'). Hendry had been one of the original stars of 'The Avengers' playing John Steed's first partner in the little seen early episodes. A hard drinker, his career eventually suffered because of his vices, but he is terrific confronting Kronos in one of the best scenes of the movie. I really find it hard to fault this film. I think it's a forgotten horror classic, and why anyone would even bother contemplating watching the likes of 'Blade' or 'Van Helsing' when 'Captain Kronos: Vampire Hunter' is sitting on the shelf waiting to be rediscovered is beyond me! I wholeheartedly recommend this movie to every horror fan. I can't see how any fan of the genre couldn't help but love this unfairly overlooked Hammer gem!