Les possédées du diable

A very young Lina Romay stars in this Jess Franco classic about a wealthy business man who makes a deal with a female demon; in exchange for wealth and prosperity, daddy promises his first born daughter to the sexy, mysterious Lorna. He doesn't take any of it seriously, until 18 years later, when Lorna returns to claim his nubile 18 year old daughter (Lina Romay in an early role) for her own. "Lorna the Exorcist" features wall-to-wall style, typical of director Jess Franco. Swanky casinos, nightclubs and beautiful homes and fashions, combined with a sultry and bizarre jazz score. And bizarre this film is; weird, even by Franco standards. It is never really explained why Lorna wears the crazy green eyeshadow halfway up her forehead; but the story is good, and there are some nice twists and surprises. The sex is extremely graphic here, bordering on hardcore. if you want to see ALL of Lina Romay, this is the one to seek out. I think the film would have been a bit better without the open clitoris scenes, as those elements take the viewer a bit out of the story, as things are put on hold for close-up vaginal shots. They are sexy, but unnecessary in a film that is good enough to maintain interest without them. The original language seems to be French, and the version I have seen is the longer 97 minute cut. For Jess Franco fans, "Lorna the Exorcist" is one to track down. And for fans of Lina Romay, this film is mandatory viewing! Romay, barely 19 years old here, has long hair, instead of the short cut that she sported later on. And Lorna must have kept her promise, because the home they live in is an absolute palace. The scene where Lorna "takes" Lina's soul is shocking and unforgettable!

An affluent businessman Patrick Mariel must protect his wife Marianne and nineteen year old daughter Linda against Lorna,a predatory witch who once helped the family attain wealth and status and now demands Lorna's soul as her payment."Lorna the Exorcist" is a pretty unnerving and extremely sleazy horror movie made by Jesus Franco.There is plenty of sex(both lesbian and heterosexual) and lots of full-frontal nudity provided by Lina Romay,Jacqueline Laurent and Pamela Stanford.The action mostly takes place in modernist hotels and casinos.There is a strong fairly tale ambiance and plenty of perversity.The scene in which Lorna deflowers Linda by first having teenage girl suck from her breast and then by shattering her virginity with a dildo is truly unsettling as is the final descent of Linda into madness.8 exorcisms out of 10.

This is Franco so u know your In for something powerful, different, Memorizing, and Sexy! This has beautiful Cinematography I love what Franco did with this take on a Exercise type film not what you Expect very original I highly recommend it to Franco fans or to the ones that love different. 10/10.

I imagine that Lorna the Exorcist was given its title to try and cash in on the success of The Exorcist (1973), but the film is actually a Faustian tale with very little in common with William Friedkin's movie.

Guy Delorme plays successful businessman Patrick Mariel, who suddenly changes a family vacation from St. Tropez to Camargue, much to the disappointment of his soon-to-be-18-year-old daughter Linda (Lina Romay). Once in Camargue, Patrick meets with a mysterious woman named Lorna (Pamela Stanford), who sports hideous eye make-up that resembles a cross between Captain Spaulding, a drag queen and Peter Criss from KISS. It turns out that Lorna is an emissary of Satan who, eighteen years earlier, promised Patrick wealth and success if he promised to hand over his then unborn daughter to Lorna once she reached her 18th birthday. Now the time has come for him to keep his end of the bargain but he is reluctant to do so.

Being a Franco film from the '70s, Lorna the Exorcist is chock full of the director's trademark tedious sex scenes (mostly lesbian), with even more of his in-your-face crotch shots than usual (I must have seen every inch of Romay's body in close-up by now). The frequent frottering and bumping and grinding is dull and repetitive and seriously hinders the storytelling. That said, there are two things about the film that are guaranteed to stick in the mind: the worst case of crabs imaginable, and the deflowering of Linda with a big stone dildo (possibly the most shocking scene I have witnessed in a Franco movie so far).

5/10 - At roughly 100 minutes, the uncut version of the film feels unnecessarily padded out with sex scenes and shots of '70s architecture.

No, this is not another European cash-in on "The Exorcist", unlike what it's title may suggest. It is, however, the most disturbing and shocking Jess Franco film I've seen. Hell, it is one of the most disturbing horrors I've seen, which is surprising considering this is a virtually bloodless film. It's horror relies, instead, in it's totally demented instances of psychosexual hysteria that can also be found in works such as "Possession" or "Dr. Jekyll and his Women". Franco haters tend to dismiss his work as amateurish and crude, and this criticism can be applied, in a way, to this film in particular. However, in this case, it works in favor of the film, coming across as making it's raw, gritty atmosphere all the more authentic. André Bénichou's haunting, experimental score also adds a lot to it. And for those who think Lina Romay has little to do in the director's works other than having to masturbate in close-ups, her performance here is a truly stunning tour-de-force that has to be seen to be believed, up there with other portrayals of sexually frustrated women in horror films, such as Catherine Denueve in "Repulsion" or Mimsy Farmer in "The Perfume of the Lady in Black". Her sex scenes with the equally bewildering Pamela Stanford (the titular villain), though graphic, are anything but sexy, and her final, extended "intimate" sequence is bound to make your jaw drop to the floor, not only because of what is shown, but also because of it's context. And that's not even the film's most shocking bit to begin with (anyone who's seen the film know about THE particular scene I'm referring to, and I dare not spoil it for those who haven't seen it). "Lorna the Exorcist" seems to have some kind of popularity with Franco haters, so I beg you to give it a shot. Even if you don't like it at all, one can't deny it will haunt you for days to follow.