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'An Officer And A Gentleman' is a brilliant film with great performances from Richard Gere, Louis Gossett Jr. and Debra Winger. Richard Gere embodies the character of Zack Mayo, a troubled young man who, due to neglect and ill parenting by a military father, signs up with the Navy to get some direction in his misguided life.

Mayo's life is made even harder by the ball-busting Sergeant Foley (Louis Gossett Jr.) upon his arrival at the barracks, and he struggles to find his place. However, he does find it in himself to stand-up to the overbearing Foley and his own inner-demons and, during the course of the film, goes from being selfish, weak and undisciplined to considerate, strong and determined. His will, as well as the love of the beautiful Paula (Debra Winger) and the guidance of Foley, makes him stay the course and lifts him 'up where he belongs'.

Richard Gere is great in adding layers to what could have been a poorly drawn characterisation. Mayo is not always the 'good guy' and is more often than not a complete prick. Nevertheless, he undertakes a journey of self-discovery where he refuses to become a carbon copy of his father and takes hold of his own destiny, turning himself into the man he wants to be. Gere has never been better on film than when he screams, `I got nowhere else to go!' at Foley in such a heartbreaking howl that the audience can literally feel his pain.

Debra Winger is also good as Paula, a downtrodden factory girl trapped in a small-minded small town with a lack of opportunities for women. She not only finds a way out in her love for Mayo, but the hope of a better future somewhere else. Louis Gossett Jr. also stands out as the foul-mouthed, domineering Sergeant Foley who proves to be pivotal in Mayo's journey.

With a great soundtrack, strong performances and the most rousing and emotional final scene in a film since 'Rocky', 'An Officer And A Gentleman' deserves its place among the classics of film history.

Excellent love story about a young man (Gere, in an engaging performance) who dreams of being a Navy jet pilot and a girl (Winger) who wishes to escape the life in a paper mill. The film is strikingly rich, romantic and features stand out performance from Robert Loggia, David Keith and Oscar winner, Gossett, as a brass hearted drill instructor. Director Hackford shows us some old fashioned filmmaking here...and it's damn good.

Richard Gere plays Zack Mayo, a prospective Navy Officer training cadet who must decide to gain control over his direction-less life, helped by a no-nonsense Gunnery sergeant(superbly played by Louis Gossett Jr., who won an Academy Award) who berates Zack, but all in the effort of making him into a successful Naval officer. Debra Winger plays his girlfriend, who is also struggling with her own life. They both have friends(played by David Keith and Lisa Blount) whose relationship mirrors their own, only with far different results.

Entertaining and old-fashioned(in some ways!) film is well acted by its stars, and has stylish direction by Taylor Hackford. Story is surprisingly involving(if a bit predictable) and builds to a satisfying conclusion with the winning song "Up Where We Belong".

A big hit that made its leads stars.

First, there is not, and never was, an Aviation Officer Candidate School (AOCS) in Washington state. I would assume it was used because the true locale for AOCS, Pensacola, FL, wasn't suitable for some reason. Officer candidates going to AOCS already have their degrees and are undergoing training, physical and educational, to earn their commission. No, it's not four years like the Naval Academy, but then again, it's not four years of hell at the Academy, as another reviewer attempted to posit. Any officer commissioned through AOCS is an officer just like an academy grad and both, ultimately, can end up with regular commissions vice reserve commissions.

Next, the training at AOCS was fairly accurately portrayed in the movie. Lots of running, swimming, academics, inspections, etc. all intended to result in the individual becoming part of a team. Another reviewer, obviously not a Republican (LOL), detests this movie just because of his perception that it endorsed the philosophy of the Reagan years. Utter balderdash, of course. What this movie portrays, again fairly accurately, is the growth of a loner into someone who realizes, as Spock so eloquently stated in one of the Star Trek movies, "(t)he needs of the many outweigh the needs, or the wants, of the one or the few." Mayo learns to be part of a team; he learns to care for others and cease being a "user" of people in his life...an example he learned from his father.

The terminology, during the 80s when I went through AOCS, was still DOR..."Drop On Request." It was an "out" exercised by very few people, mostly because those of us in AOCS were already motivated to come into the Navy and specifically into Naval Aviation. The rigors, as stated previously, are presented fairly accurately although a little melodramatic in places, e.g., the altitude chamber. Never in all my years in the Navy did I see anyone "freak" out in the chamber, which is a required test, along with swim quals, every four years to remain qualified to fly.

The legend of the "Pensacola Debs" was presented to us early on in AOCS. Yes, there are stories, many of them true, of men meeting their wives while going through training in Penasacola, but I'd wager there's not a higher incidence in P'cola than there is at any military base or college town for that matter. Odd, but you put men and women in the same room and some will pair off, and some will marry and remain together forever. The bar in the film, TJ's, was based on a bar in Penascola named Trader Jon's. Trader had a running deal that if you caught him wearing matching socks, you'd get some prize...can't remember if it was money or drinks. Let's just say, he never paid off as far as I know. Trader died a few years back, but I'm pretty sure some of the stuff from his bar is probably at the Naval Aviation Museum at NAS Pensacola.

The Drill Instructor portrayal by Louis Gossett is VERY true to life! While they cussed us, screamed at us, pushed us physically and looked for what would "trip" us up, they also, in retrospect, wanted us to succeed. One thing they never did, and would have been severely disciplined for, was hit us, so the fight scene, while improbable, works in the movie. PTing us into the ground, though...you bet they did! This movie works for me because I lived the life both during the AOCS part and during a career in the Navy in aviation. The portrayals are pretty much spot-on and believable. Sure there's dramatic license, but there is in any movie! Anyone who believes Full Metal Jacket tells it "like it is" is delusional; there's plenty of dramatic license there, too. Relax, enjoy the movie. It's about personal growth, love, and sacrifice; all in all good things. Not the best movie ever made, but certainly not the worst!

Released in 1982, "An Officer and a Gentleman" was the obvious inspiration of films like Tom Cruise's "Top Gun" and "Days of Thunder." "An Officer and a Gentleman" was the first and best, by far.

The plot similarities are obvious: They all include the angry young man who needs to prove his gifting, the uncompromising mentor, the encouraging babe, the craft, the arena and the doomed buddy. In "An Officer" the angry young man is Richard Gere as Mayo, the mentor is Louis Gossett Jr. as Drill Instructor Folely, the babe is Paula (Debra Winger), the craft is aviation basic training, the arena is a Naval academy and the Puget Sound area of Washington (shot on location) and the buddy is Sid Worley (David Keith).

Thankfully, the film doesn't get bogged down telling the back-story of Mayo. Instead, it ingeniously shares his past in a matter of minutes at the very beginning. It's all we need to know to understand why Mayo is the way he is. And then we're off to basic training where he's tested. Does he have what it takes? Can someone as lowborn, aloof and un-trusting as Mayo make it as an officer?

Debra Winger and Lisa Blount shine here as Mayo and Worley's babes. Winger is alluring in a humble "girl next door" type of way (she out-shined Lynda Carter as Wonder Girl on "Wonder Woman," which is hard to believe), but Blount is even more alluring -- yes, despite the negative aspects of her character. I'll just put it this way, she really fills out a pair of jeans, lol.

Both couples get intimate way too quickly, but maybe this is one of the flaws of the "Puget Debs" and explains why they have a problems getting marriage material, if you know what I mean. Besides this, time has to be condensed in a two-hour film.

BOTTOM LINE: If you're in the mood for a film of this ilk "An Officer and a Gentleman" is the best of the lot.

GRADE: A

INSIGHTS ABOUT THE ENDING (***SPOILER ALERT*** Don't read further unless you've seen the film):

An officer is a military leader. Drill Instructor Foley's job is to weed out those who can't hack it as an officer. It's an important job because people's lives in combat are dependent on the quality of the leaders and Foley takes his job seriously.

Foley rightly pegs Mayo as a lowlife loner from the outset -- a wannabe officer -- and therefore puts on the pressure. This is especially so on the one weekend where he has Mayo to himself. Foley does everything he can to make Mayo break AND quit, but Mayo doesn't. He breaks, indeed, but he refuses to quit on the grounds that he has no where to go. At the end of this scene you can see that Foley develops respect for Mayo (which you get a glimpse of earlier when Mayo does extremely well on the obstacle course).

Later, Mayo disregards breaking the record on the obstacle course (which he was definitely able to do) in order to encourage Seegar (the female recruit) to finally make it over the wall. Foley sees that Mayo's no longer the aloof and selfish loner he was when he rode in on his motorcycle. He's matured; he's developed character. It was already there, of course, but the boot camp training has brought it to the fore, and Foley sees it.

After Worley's tragic death, Mayo confronts Foley while he's drilling the platoon. Foley informs Mayo that they all know what happened and even tells him they're sorry about Worley. He didn't have to do this and it shows that Foley isn't just an honorable man, but also that he cared about Worley. After all, Worley was only one week away from graduating! In a sense, he was one of Foley's kids. In other words, Foley and the platoon were grieving too. But Mayo was closest to Worley and he's crazy with shock & grief at this point. He insists that he's going to quit, to which Foley tells him to meet him for a fight. Sure, there's some testosterone in his words, but he actually does this out of respect for Mayo as a last ditch effort to keep him from dropping out.

And Foley doesn't "kick his axx", as some claim. It was essentially an even match and Foley barely walks off the mat, which is the only reason he technically wins. But that's inconsequential. The purpose of the fight was to run Mayo's steam out so he didn't make a rash decision in an obvious moment of grief & anger. Foley accomplished his purpose. Once Mayo was no longer blinded by rage he makes the right choice and graduates.

This is why he thanks Foley at the end.