D.C. Cab

D.C. Cab is one of those films that make you forget where you are, who you are and what's going on. It embodies everything you want in an early 80s picture, Filth, Humor, Upbeat Music, Attitude and Mr. T! Joel Schumacher and Topper Carew's script is very quick, brash and downright hilarious. Having seen Alex Cox' 'Repo-Man' I was accustomed to the raw gritty nature of those films that you saw in that era. The film never has a dull moment and it's full of energy(pay attention to the scene where they try to rescue Albert from the kidnappers) and when Adam Baldwin proves he's not chicken dung by refusing to surrend cab fare to a hood. Loud and Confusing the lack of rationality and reason pays off in D.C. Cab. A lot of noteworthy and in your face performances by The Barbarian Brothers, Charles Barnett, Max Gail and Marsha Warfield to name a few. Diversity works and this film proves it as we see so many walks of life and personality. There are a lot of good one-liners in this movie and they still stand the test of time...most are produced by the mouth of Gary Busey(He had to be on coke during this, he was off the wall bananas!)

D.C. Cab is a definite must-keep for the DVD-Aficionado and for those who want to laugh, feel nostalgic or just want to get lost check this out. In my opinion D.C. Cab is severely underrated and deserves plenty of accolades. I still chastise myself for not knowing it existed until I caught a preview on VH1's "I love the 80s 3-D". Oddly enough, I wasn't optimistic when I began watching it but afterward I was entertained beyond expectation and I watched it again! Joel Schumacher should be proud of this movie as for the last 10 years most of his films turned out forgettable. A must see!

8/10

An enjoyable film for 80s buffs and fans of the not-for-everybody 80s screwball comedy. Often juvenile, often exploitative, never meant to be taken seriously, an uneven performance from its lead (particularly an inconsistent accent) and occasional sloppy sentimentality drag the movie down. There are some great turns from bit players, including a young Charlie Barnett and an old Whitman Mayo. Max Gail is solid and Marsha Warfield is thin! The film features some classic lines in addition to allegedly funny lines that will make you cringe. Mostly, the movie is a harmless goof with a touch of idiotic 80s energy. 6.5 out of 10

For months I wanted to drive around in a ghetto-fab taxi with rollers in my hair, but ma' wouldn't let me.

No one should ever admit to enjoying this flick, as it is awash in stupidity and dripping in dumbness. It is painfully, dreadfully, wretchedly awful... and I've seen it about 47 times. In short: A tasty hunk of Velveeta, fun to semi-watch while you're vacuuming your carpets or waxing your legs, but tell no one you did.

How many passengers?:

I found Mr. T's character to be the kidney-stone I couldn't wait to pass. And Gary Busey is all kinds of Sam Kinison fun (hint: not fun at all). But everyone else on hand delivers one or two sure-p**ser lines...my personal faves being a fur-coat sporting Marsha Warfield, threatening to beat Denise Gordy's door down and "beat your ass to fried whale-sh*t!" Or the scene stealing Charlie Barnett as roller-headed "Tyrone", jumping up and down on a barn screaming "Bruce Lee! Bruce Lee! I found him! I found that karate muther-f*cker!"

And the always under-appreciated Adam Baldwin, aka 'the only Baldwin that matters' turns in yet another competent performance as Albert "Whitebread Chicken-sh*t" Hockenberry. Plus, I've been finding him kinda dreamy ever since he played the teenage ax-murderer 'Ricky Lindermann" in "My Bodyguard". Forgive me this transgression...

Where to?:

"D.C. Cab" can't make up it's mind whether or not it wants to be a family film or "Animal House" on wheels. But it's far more successful when it's being lewd, crass, and it allows it's precious child actors to spit lines like "you are, a pitiful bitch!"

What do I owe ya?:

This cab is more hoopty than Cadillac, but a fun ride despite all the potholes.

In the winter of 1983 I was 12 and saw this film with a childhood friend at a theater that carded no one. Ha! My parents would have killed me. Then him. The theater was a show in itself every time we went. Our town was full of meth cooking bikers and there was a rival biker fight (complete with broken whiskey bottles for weapons) while my aforementioned friend and I were trying to watch Time Bandits. We snuck up to the front row to continue watching the movie, and hoped no one pulled a gun in there. Memories. ;) I had seen the R-rated Blade Runner with my dad the year in earlier in 1982, and I felt like such a grown-up. I remember noticing Bill Maher's nose in D.C. Cab, but didn't remember doing that or him being in the film until I watched it again in 2011. It is also nice to watch a movie where black characters feel comfortable enough to call stupid white people crackers. Loud, brash, fun, wacky movie. Awesome.

They just don't make 'em like D.C. CAB anymore. Many filmgoers will see that as a good thing, but this blatantly '80s ensemble comedy is surprisingly entertaining. The lesser of the Baldwin brothers, Adam, stars as an ambitious young southerner who journeys to the Capital in hopes of breaking into the cab business. He's greeted by a memorable cast of zanies, including future notables such as Mr. T, Gary Busey and Bill Maher. It's not exactly Oscar calibre stuff, but the plot takes interesting twists and turns as the film plows along at a brisk pace. True, some of the humor is crude, yet the movie has an undeniable, cheesy charm. Directed by Joel Schumaker, D.C. CAB is lots of fun, but not necessarily lots of funny.