ज़ॉज़ 3

A pair of Great White sharks attack Sea World in Florida.

Jaws 3-D is a mostly weak film but has the redeeming quality of presenting such an outrageous concept you cannot help but watch it unfold. Additionally, it's artistic and technical merits are quite enjoyably flawed.

Jaws 2 was an unnecessary yet well made sequel, but having members of Brody family face yet another "murderer" shark is a laughably daft concept. Rather disturbingly it continued a trend of movies that demonise sharks. There are numerous other ideas involving the behaviour of sharks/dolphins and reactions of the main characters that are equally as bizarre, but if you can switch the brain off and appreciate their entertainment value you might find it a worthwhile investment of time. It also contains recycled character arcs from the original movie that feel like pale imitations.

Technically it has problems, particularly when most viewers will not get the chance to see the theatrical release. Most visuals designed for a 3-D experience stand out and do not have the same impact.

The shark horror sequences have little build up or tension and are quite unconvincing. I do admire the ambition of attempting to create a victim's perspective sequence from the inside of its mouth, but most of the final scenes of painfully slow moving underwater horror, (particularly the moment in the control room) are incredibly ropey.

That's not to say that the classic original did not (in principle) have the same problems. A mechanical shark looks like nothing else in every Jaws movie. However, Spielberg understood this and wisely kept the shark mostly hidden and focussed on developing great characters and tension.

I feel sorry for the editor of this sequel as it appears they had to cut together footage from both above and below the sea level that make the water's depth and lighting conditions look very inconsistent.

For some balance I am positive about the performances. Most actors do their best with dodgy material. Louis Gossett Jr, Bess Armstrong, and the coked up Dennis Quaid standout. Lea Thompson has some memorable moments as the "professional water skier". It feels the direction was more focussed on making the cast look good in shorts and swimsuits than character portrayals, but they manage to elevate some scenes. Armstrong convinces me as a whale/dolphin wrangler and I think she is the strongest performer.

As a young child of the 80s I quite enjoyed it on VHS. On a recent rewatch I placed it in the genre: so bad it's good, and sub-genre: never rewatch and spoil that of which you have fond childhood memories.

Mike Brody appears to be totally over the events that struck his family in his youth and now works in Florida's newest underwater attraction – Seaworld. His brother, Sean is less sure and never goes in the water – although a visit to see Mike and a new girlfriend help him confront his fear if not get over it. Meanwhile, something is picking off staff and swimmers getting Mike and the staff out on a shark hunt. They capture a small great white and take it into captivity, only for it to die when it is put in too small a tank. They think their problems are over until an examination of the bite marks on some bodies and they realize that the shark that did the killing is much, much bigger than the one they caught.

I saw this film as a child but couldn't remember if it was any good or not – my childish fears may have made it scary even if the film was poor, so I decided to give it a go again recently. The first thing that struck me was the sheer rubbishness of the effects. In the original Jaws, Spielberg had hidden the shark as much as he could because the effects didn't work (and also therefore upping the tension); however here the makers just decide to show anything – a poorly superimposed image, a rubber shark, fake severed arms and so on – none of them are concealed, they are all shown up in all their rubbish glory. I could forgive it this due to its age but two other films had already managed to handle this issue before this film so I don't see why they went this route when it so clearly didn't work. Some shots are so bad that they could have been mistaken for being a spoof (witness the shark swimming towards the control room).

Of course, after the poor effects the second thing that hits you is the laughable plot. True it is not as bad as part 4 in terms of plausibility but it is still pretty thin. No attempt is made to really give the characters any sort of, well, character and the very basic sea world plot just about manages to give the shark enough high profile feeding scenes to keep the film moving – just don't hold your breath for any logic or sense. In fact, the opposite is true and this film does deliver some moments that make you wonder what the writers were thinking when they conceived some of this stuff! The manner of Jaws' death here would be hilarious if it wasn't so darn pathetic. Even with the plot being poor the film should still have had at least a few moment of fear and tension – many of us fear being eaten alive so it isn't hard to draw on that, but this fails to have any tension or excitement to speak of. The effects suck a lot of this out – but a director who's name is listed in the dictionary alongside the work 'workmanlike' didn't do anything to stop the rot either.

Without characters the cast are set adrift with nothing to do – how Quaid must have envied Roy Schnieder in the first films, at least he was a good character. Quaid runs around the place, Armstrong screams, Putch broods, Thompson screams and Gossett tries to act tough in the middle of a script that gives him nothing to do. I don't blame the cast but I am disappointed that nobody mention how very bad taste it was to make a happy ending out of the dolphins surviving while so many other people had not!

Overall this is just a bad film. I'm not a big one for lists so I'll not play that game here but it is pretty much without any value at all. The plot is poor, the effects are rubbish, the direction is weak, the script just a load of nonsense and there is a total lack of tension, thrills or excitement. The original is a classic and this film is further proof that sometimes classics should be just left alone.

I had avoided seeing this film for fifteen years because of it's bad reputation and because I love the first Jaws as one of the greatest movies ever made. Having survived the horror of "Jaws: The Revenge" once, I decided to see if I could brave this one, though.

About the only thing that surprised me was that the premise wasn't quite as dumb as "Jaws: The Revenge" is. And while there is a reference to the events of "Jaws 2" at least they don't insult our intelligence with a shark pursuing one family etc. of any "Brody curse."

What sinks this film though is that it's dull in every sense. The FX are cheap and terrible and too often it's hard to figure out what's going on here. Scenes that could have been suspenseful with a competent director just plod along in a muddled fashion. In the end, Jaws 3 comes off more as a glorified made for TV type disaster movie with none of the high quality that elevates the original Jaws above such fare.

JAWS 3 is one of my favorite childhood movies, I was so glad they did not make JAWS 3 take place on Amity Island where it would be just another remake of the first JAWS like JAWS 2 was, they went in an interesting direction, took a gamble and to some it worked and to some it did not the same can be said for HALLOWEEN III which is also a good movie. Joe Alves is a great director and his vision for the film works for me. If I were to complain about anything it would be the lack of people being eaten by the Great white Shark, especially during the water skiing scene where no one die I think at least one person should have gotten the big bite. The underwater scenes were done very well and in 3-D looked fantastic, I think a lot of the bad rap JAWS 3 gets are from those who have only seen the 2-D version, it is a shame that theaters can't do 3-D anymore it would be fun to have these classic 3-D movies pop up at your local Multiplex from time to time. On a final note The soundtrack to JAWS 3 by Alan Parker is outstanding.

The Great White goes back into the cinema in this flawed sequel.This bone-chilling movie based on the Peter Benchley's novel and written by Richard Matheson and Carl Gottlieb (screenwriter of the trilogy) , it packs some exciting scenes, thrills, chills and lousy direction. The film is developed at Florida in a seaside park , while the previous entries are set at in New England in a shore community named Amity .There ,people is terrorized by a giant shark that attacks pacific tourists at the undersea kingdom during the preview week. An underwater world that contains restaurant, cafeteria, aquarium and several other things.The sons ( Dennis Quaid and John Putch) of Police chief Brody ( Roy Scheider, Lorraine Gary Jaws I,II) attempt to convince the park owner (Louis Gossett Jr) who reluctantly listen them to close the attraction . Meanwhile the giant shark attacks and the victims run afoul and making a real carnage and those serving for lunch. Then, an adventurer named Phillip(Simon MacCorkindale) and his helper determine to track down and kill it. The protagonists are forced to fight for their lives in a mortal confrontation.

It's an inferior following with average creation of tension,thrills,terror, emotions and brief gore. The story gets little relation to first two Jaws, except by father Sheriff Brody and sons relationship. The argument of this gratuitous following is partially similar to ¨Revenge of the creature¨(Jack Arnold) in which also a monster terrorizes a sea park. The shark attack images deliver the exciting united to creepy score composed and conducted by Alan Parker inspired on the classic soundtrack by the master John Williams (prized with an Oscar) who heightens the suspense. This below average movie features lousy interpretations of the quintet main star, Dennis Quaid, Bess Armstrong, Louis Gossett Jr, John Putch and Lea Thompson (formerly to ¨Back to the future¨) . Regular cinematography by James A Contner (subsequently filmmaker) and is badly directed by Joe Alves, producer designer of the original film. While the classic picture by Spielberg obtained three Oscars well deserved and today considered an authentic classic, its tree sequels are much worst, and were respectively directed by Jeannot Swarc,Joe Alves and Joseph Sargent in annoying direction. Rating: Bottom of barrel, a real turkey. Only for theaters, its real asset are the 3D digital effects, for that reason in television lost their spectacular Tri-dimensional qualities.