Bodyline

It's been twenty years since I last saw this tour de force of war movies, and, having watched it again just last night, it hasn't aged one day. Sadly, I have. And when I was fourteen, in 1985, (when England had just regained the Ashes from the nice version of Allan Border and his chubby Australians) my love of the sport was far more pure and non-partisan. So it's through those youthful eyes, unsullied by nationalistic distortions, that I will rate this production as 'simply terrific', and for so many reasons: production standards, performances, faith to the sport, and editing are all of the highest calibre, all designed to grip and to entertain and never slipping into the badlands of the docu-drama. This is just great drama, dramatically portrayed, and edge-of-the-seat exciting in its frequent recreational sequences, and in its portrayal of the political and international tensions those sequences allegedly caused.

But what about now, twenty years on? Well, we've just won again, so I really don't care about the 'bias' or the occasional inaccuracies. In fact, upon watching it once more, I realised that perceptions are vital when it comes to representing your country in any sport, indeed in any situation: and the Australian perception of the ruthless Jardine and his foot soldiers at the time is, in fact, faithfully reflected. Of course, that gives the film a wonderfully juicy, ironic dimension in 2006: the all-conquering Australian superstars clearly learnt a lot from Jardine (took them long enough) about ruthlessness, while all we learnt from the Aussies of the same era was how to whinge. Although the worm seems to be turning - yet again...

To all cricket fanatics from opposite sides of the world, this is an absolute must-see, or 'must-see again' if you saw it when it first appeared all those years ago, as I did.

Bodyline was a good TV film. It gave the Australian Film Industry the chance to celebrate an Aussie "legend" and paint the poms as mean , vindictive and unsporting in a story centred around the events of 1932-33 Ashes series. Ian Holts, Harold Larwood was great and the actor who played Eddie Painter was a stunning portrayal of an often forgotten English cricket hero.Capt Douglas Jardine was portrayed as a racist and a man who would bend the rules to win at any cost.Whilst Capt Bill Woodfield was the great noble battler trying in vain to play the game against unscrupulous opponents. Bradman (played by Gary Sweet) is the hero , as he is bowled out 1st ball and then proceeds to try and get into journalism so he can get a career.Bradman is swiftly brought back into line and then proceeds to score the centuries he was famous for. Though the producer or director didn't delve into Bradmans popularity with his fellow players...An Aussie will know what I mean.

Tempers fly and International recriminations dog the tour , also the Australian attempt at fairness was the portrayal of Guppy Allen who wouldnt bowl Bodyline , so that the viewer was assured that not all poms are bad.. The sick in the bucket moment was when one of the Aussie cricketers was comparing there experience to there fathers experience in Gallipoli and then urged his players "to kop it sweet". After all the justifiable criticisms , this Made for TV Film should be welcome to any English home , because we just love sentimental Australians.

This mini-series depicts the most scandalous portion of Australian sporting history; when the touring English cricket team employed controversial tactics in order to try and win back "the ashes"; the symbolic cricketing trophy between England and Australia. Australians play all the major roles, including those of Englishmen, showing that for 1984, Australian acting and cinema had come of age and Australians could portray other nationalities in their own films.

Of special note in "Bodyline" is the early appearance of veteran Australian actor, Hugo Weaving ("Priscilla; Queen of the Desert", "Russian Doll", "The Matrix" etc)as the fussy and feisty England captain, Douglas Jardine. Look also for pretty-boy Gary Sweet as the evergreen Australian cricketing hero, Don Bradman and the venerable Frank Thring as Lord Jackson, the English cricketing president.

A must-see for cricket fans. Characters are very well cast. They even give a very convincing batting, bowling and fielding performance. This movie really caught the spirit of cricket, it shows very convincingly how players are in a way obsessed and don't stop talking and thinking about the game.

The directors really knew what they were doing, have been observing and studying the matter thoroughly. Apart from the actors, scenery and original story the movie gives a chilling view on the English determination to beat the Aussies/Bradman. Even if it meant they had to abandon the gentleman-rules of the play. I wish I could get it on video or dvd, but they never released it to the public. May be a good idea to do it after all, I'd certainly buy a copy!

Immediately after this movie there was an episode of "Dallas". Five minutes into that episode I realized how badly made that show was. Then it occurred to me that it was because the previous show (ie, "Bodyline", this show) was so good!

If you're not interested in cricket, or don't understand it, then this movie has nothing for you. You won't learn about the game from this movie; and it won't motivate you about it.

But if you <are> a cricket fan, then this is an excellent movie. It's all about those things that Sydney Morning Herald cricket writers talk about in reviewing a Test Match after the match has finished. The movie is about personal heroism, committment, team spirit, vision, strategy, creativity, sportsmanship. The captain of the England team, the fast bowlers, the Australian team: they have it. They have it in abundance.

Who are the bad guys here? Well, popularly perceived, it is Jardine, the England captain. But this movie shows a new villain: the Australian Cricket Control Board. Gary Sweet's comment sums it up perfectly: "I didn't really think that the Board couldn't grow a spine overnight".

How would this movie compare against the various Babe Ruth movies? Not at all. All the BR movies I've seen portray him as a redneck, a yobbo, although of course a very talented one (but only in one particular way). In "Bodyline", the atmosphere, the focus, the story of the movie is not about the batsman alone.

Finally, there was also a very good one-hour special about the making of this movie. Remember that this movie was made before the ubiquitous computerised special effects, so the bruising, the battering by the cricket ball - in short, everything - is done via a more "traditional" way. Also worth seeing.