चूज़ मी

With atmosphere to spare. If you've never wandered LA's back-streets at night, this movie will give you a taste.

The theme of this movie is a common one, the search for love.

Highly stylized. Overloaded with delicious details and clever ideas. Characters with quirky (and intriguing) personality traits. What male viewer wouldn't want to be like the main protagonist, Keith Carradine's character? Fighter pilot, spy, expert mechanic. What female viewer wouldn't identify with either of the two lead female roles? Tough yet vulnerable, sexy, desirable, but unable to play the mating game and win.

All the characters are interconnected, but they don't always know it. The writer/director gets full marks for interesting characters and a story that twists and turns in on itself, but now comes the challenge of making it cohesive and comprehensible. That's where the movie doesn't hold up as well.

There is not enough "glue" between scenes. There are too many places where the plot takes a leap and the viewer is expected to fill in the gap. I found myself asking, "where did that come from?". I kept wanting to replay the previous scene because I had missed the transition, but there wasn't one.

I wish Rudolph had a collaborator with the screenplay and the directing. I feel the casting was very good, but the performances are often stilted, like what you might find in a high school production. Awkward pauses and intonations in the dialog. This also makes the story hard to follow and hard to believe. I can't decide if this was intentional or not. Reminds me of Hal Hartley.

This movie is not for everyone. Personally, I love it, warts and all. I've seen it three times and own the DVD. The Teddy Pendergrass songs are wonderful and I would say under-used in the film. Very surprised to see Maltin give this 3.5 stars, even if it is "a critics movie". He must have been in a good mood that day.

I drove a long way to see this film, from Riverside to Santa Monica. Well, it was long way for me back then anyway. I loved it so much I sat through it twice that night, and came back a few nights later and sat through it twice again.

This film works for me on so many levels I can't fully describe it, but I definitely identified (and still do, to be honest) with Keith Carradine's Mickey. Chong and Bujold are appealing (especially the latter) and Leslie Ann Warren has never been better.

Rudolph and Carradine have at least one connection, by the by--the both worked on "Nashville".

I love stories with overlapping characters. This is one of them and I really enjoyed it. Interesting and somewhat mysterious characters, some seemingly separate but unknowingly linked together in an intricate pattern. I always liked Lesley Anne Warren who, along with Keith Carradine, Genevieve Bujold, Rae Dawn Chong and an early John Larrouquette provide some good performances. If you're into character driven movies I think you'll like this one.

This movie holds a special place for me because I consider it to be my first "adult" film. Meaning this is the first movie made for adults with adult themes that I really paid attention to and liked. This doesn't mean it contains a lot of nudity and profanity. Actually it doesn't have much of either and that's a relief.

Keith Carradine is great as Mickey, a man will marry any woman he kisses. A man suffering the trials and tribulations of someone who always tells the truth. Two of the women that come into his life are "Ann" (also Nancy Love) and "Eve" (also Eve). Genevieve Bujold and Lesley Ann Warren play them with style.

Pepper it with characters make this movie a light treat. Alas it has dated a bit from its '80's self. But the Freddy Pendergrass music is still marvelous and sets "Choose Me"'s mood right.

This film has always struck a special chord with me, although not all of the friends I've recommended it to over the years have liked it. I think you have to be a city person who's gone through some hard knocks in love to really embrace it. The scenes featuring Rae Dawn Chong aren't so special...(she's the weakest link)...but the scene where Bujold chats with Carradine after sex while getting dressed for work, the scenes with Dr. Love on the radio, the scene where Warren comes home from work to find that her roommate has stolen her boyfriend...these all have an immediate, bittersweet quality that's very haunting. Overall, the acting is flawless, and the whole film is an original. I only wish it were longer.