Phenomena

This Is A Review Of The Uncut Version.

Dario Argento has enriched the Horror/Giallo genre by quite a bunch of brilliant films, including such stunning pictures as "The Bird With The Crystal Plumage" (1970), "Profondo Rosso" of 1975, "Suspiria" of 1977 or "Tenebrae" of 1982. While the brilliant Giallo "Profondo Rosso" and the supernatural Horror masterpiece "Suspiria" are Argento's greatest achievements, "Phenomena" is a personal favorite. Accompanied by one of Goblin's most outstanding scores, "Phenomena" is a visually stunning and incredibly suspenseful blend of Giallo elements and supernatural Horror, and a must-see for every Horror-fan.

Jennifer Corvino (Jennifer Conelly), the daughter of an American movie star, is sent to an elite girl's boarding school in the Swiss mountains, more precisely in a part of Switzerland referred to by locals as 'The Swiss Transylvania'. The area is currently terrorized by a serial killer of girls, whose victims are always heinously dismembered. Although a friendly and lovable person, Jennifer does not make too many friends in the boarding school, and due to her sleepwalking most of the other girls think of her as weird. But sleepwalking is not her only unusual characteristic. Jennifer loves insects, and insects also seem to have a strong affection for her. While Inspector Geiger (Patrick Buchau) is investigating the brutal murders, Jennifer befriends wheelchair-bound entomologist Prof Mc Gregor (Donald Pleasence), who helps the police with their investigations...

Argento is a master of suspense and atmosphere more than he is a master of logic, but Phenomena is intense enought to forgive some logical flaws. While the plot may not be the most logical one ever written, it works perfectly. Then 15-year-old Jennifer Conelly is outstanding in this, a perfect performance from the beginning to the end. The supporting cast is also very good, the great Donald Pleasence's performance as Prof Mc Gregor is just one of many very memorable performances in "Phenomena". As usual for Argento, the movie is impressively photographed on great, scary locations. Dario Argento has always placed great emphasis on impressive colors (especially red, of course), and hardly ever have I seen a horror film as visually and acoustically stunning as Phenomena. The brilliant Progressive Rock Soundtrack by Goblin manages to even intensify the suspense, and is one of the best scores I have ever heard in a horror film.

Partially a Giallo, and partially a horror film with psychic and transcendental elements, "Phenomena" is creepy as hell from start to finish. It is also easily one of Argento's most brutal movies. Phenomena was also released under the title "Creepers" in the US, but that was a mutilated version cut by 29 minutes, so the 111 minute version is essential. Stunning and absulutely phenomanal!

(****1/2 out of *****) My personal favorite Argento picture, this stars a young Jennifer Connelly (who would later go on to win a best supporting actress oscar for "A Beautiful Mind") as an American student in a snobby Swiss boarding school that is being terrorized by a brutal serial killer. Helping Connelly find the murderer are crippled Donald Pleasance, his intelligent primate assistant, and the entire insect world, with which Connelly has an unexplainable psychic connection. This movie may be short on sense and logic, but it more than makes up for it with outrageous style and bizarre uniqueness. It's like a twisted fairy tale, with heroic flies, disfigured killer midgets, and vengeful chimpanzees with straight razors. As in Argento's "Opera," some of the use of annoying late ‘80s metal bands (like Iron Maiden and Motorhead) doesn't work half as well as the ominously beautiful score composed by Claudio Simonetti. Argento's never been a great writer of dialogue, so some of the lines seem pretty stilted, and you also have to put up with some so-so acting from a good majority of the cast (also, unfortunately, typical of a lot of Argento's movies), but these things are easy to overlook in the midst of the nightmarish beauty and creepy atmosphere on display here. Also stars Daria Nicolodi in a more wicked role than usual and Patrick Bauchau as a police detective.

HIGHLIGHT: The plot becomes more and more freakishly surreal until Connelly finds herself, first, in an underground tunnel, following the extension cord of a telephone (a scene reminiscent of Alice in a seriously frightening Wonderland), and, later, in a filthy pool full of human bones and maggots.

Phenomena has long been one of my favourite Dario Argento films. It definitely seems to be a love-it-or-hate-it kind of film, even more so than most Argentos, and I think it's his most unjustly underrated piece of work to date.

A 14-year-old Jennifer Connelly shines in the lead role, playing a sleepwalker who has a bizarre telepathic bond with insects and uses them to help her solve a string of gory murders at a girls boarding school in the Swiss Alps. She is one of my favourite Argento heroines, a tough, brainy and eccentric little girl somewhere between Nancy Drew and Snow White. She deserves special credit for taking on some truly gruesome scenes, like when she falls into a pit of maggots, slime and rotting corpses. As for the rest of the cast, Donald Pleasance is good as the wheelchair-bound Scottish entomologist and Daria Nicolodi has fun with a small but juicy role.

Argento really let his imagination run wild making this one. Phenomena is a surreal, magical and surprisingly beautiful film, as much a dark fairytale fantasy as it is a horror film. It's visually stunning and I loved the incongruity of having all this gory mayhem happen against the picturesque backdrop of the Swiss Alps. Claudio Simonetti's electronic score is perfect, particularly the haunting main theme with its 80s synths and choral soprano vocals.

With its girls boarding school setting and unseen killer on the loose, Phenomena can be taken as a companion piece to Argento's earlier classic Suspiria (1977). But the introduction of slimy maggots, a razor-wielding pet chimp and six million buzzing insects set it apart. It all descends into glorious chaos for the Grand Guignol climax, which is perhaps the most thrilling house-of-horrors funhouse ride Argento has yet given us.

A remarkable film.

No pun intended - also way too young to make any jokes about her. But maybe also the reason she was fearless in some aspects - especially considering the animals she had to deal with. Apparently she did have some issues with a scene or two (and her character motivation), but you can either say she was totally committed or way too young to understand certain things. I actually would go with the former - she is amazing in every respect.

All that being said, she is not alone in this movie. Though she is being left alone when it comes to story and logic points (like falling while sleepwalking and still going on - pretty strong sleepwalking power I assume). But you usually do not watch Argento movies for the logic ... and this is no different.

There are two versions of this, the longer italian cut and the shorter international cut (also released as "Creepers" in America apparently). While I understand that some might want a something shorter (no pun intended), it is better to go with the longer ... version. Even if it has a couple of fillers. It also has all the deaths in all their gruesome glory ... just saying.

Acting is quite decent - which also is not something that happens always in an Argento movie. Maybe it had to do with the fact that this had a mostly englsih speaking cast - so not much dubbing that had to be done - or speaking phonetically.

Watch this if you want to know why people think so highly of Argento - while you may have only seen his newer work and don't get it at all (not blaming or shaming you - those movies are horrible - but can be entertaining for all the wrong reasons)! Music and editing again is helping - though I wonder if anyone has called a psychiatrist - considering what Argento is doing to his own daughters ... well one of them here. But Asia will be getting a lot more "pain" and "suffering" later on too (later works/movies that is) ... but it is a movie and I am half kidding ... if you see a crime thriller in this or even a slight Hitchcock vibe (I don't see that particularly - but you may feel different)

Dario Argento is very good at lining up nice shots. If only he could hire someone to review the screenplays and point out all the errors. Any idiot of the street could do it for $10 an hour. Yes, yes, I know the whole "My movies are like a dream" crap, but it's hard to get absorbed in the dream when you keep being smacked over the head with plot inconsistencies and intensely moronic characters. Credit to Phenomena, Jennifer Connelly made one of the few appealing Argento protagonists, and generally didn't behave like a complete nitwit (with several exceptions). David Lynch's movies feel like dreams also, but don't pull you out of your suspension of disbelief with patent stupidity. If you don't know Argento, don't start here. If you've never liked Argento, this won't change your mind. There are some effective moments and nice shots that make the movie not a complete wash, but nothing to really justify it's existence.