Phenomena

Dario Argento is very good at lining up nice shots. If only he could hire someone to review the screenplays and point out all the errors. Any idiot of the street could do it for $10 an hour. Yes, yes, I know the whole "My movies are like a dream" crap, but it's hard to get absorbed in the dream when you keep being smacked over the head with plot inconsistencies and intensely moronic characters. Credit to Phenomena, Jennifer Connelly made one of the few appealing Argento protagonists, and generally didn't behave like a complete nitwit (with several exceptions). David Lynch's movies feel like dreams also, but don't pull you out of your suspension of disbelief with patent stupidity. If you don't know Argento, don't start here. If you've never liked Argento, this won't change your mind. There are some effective moments and nice shots that make the movie not a complete wash, but nothing to really justify it's existence.

Phenomena has long been one of my favourite Dario Argento films. It definitely seems to be a love-it-or-hate-it kind of film, even more so than most Argentos, and I think it's his most unjustly underrated piece of work to date.

A 14-year-old Jennifer Connelly shines in the lead role, playing a sleepwalker who has a bizarre telepathic bond with insects and uses them to help her solve a string of gory murders at a girls boarding school in the Swiss Alps. She is one of my favourite Argento heroines, a tough, brainy and eccentric little girl somewhere between Nancy Drew and Snow White. She deserves special credit for taking on some truly gruesome scenes, like when she falls into a pit of maggots, slime and rotting corpses. As for the rest of the cast, Donald Pleasance is good as the wheelchair-bound Scottish entomologist and Daria Nicolodi has fun with a small but juicy role.

Argento really let his imagination run wild making this one. Phenomena is a surreal, magical and surprisingly beautiful film, as much a dark fairytale fantasy as it is a horror film. It's visually stunning and I loved the incongruity of having all this gory mayhem happen against the picturesque backdrop of the Swiss Alps. Claudio Simonetti's electronic score is perfect, particularly the haunting main theme with its 80s synths and choral soprano vocals.

With its girls boarding school setting and unseen killer on the loose, Phenomena can be taken as a companion piece to Argento's earlier classic Suspiria (1977). But the introduction of slimy maggots, a razor-wielding pet chimp and six million buzzing insects set it apart. It all descends into glorious chaos for the Grand Guignol climax, which is perhaps the most thrilling house-of-horrors funhouse ride Argento has yet given us.

A remarkable film.

Memorable and different to modern horror An eerie film with a good cast, some fun practical effects and a nice premise. The soundtrack was also very memorable and different.

The film is basically an 80s slasher, however with teenagers who are actually played by actors the right age which makes a nice change.

Of course there's not much character development but the film does have some scary bits. There's some rather bad ADR and dubbing too.

Jennifer C is really good in this film I thought, there's one really memorable scene involving a lot of insects. Another scene too is utterly horrifying and gave me a terrible shock. I do recommend this film actually but you will need to bare with it a bit.

This Is A Review Of The Uncut Version.

Dario Argento has enriched the Horror/Giallo genre by quite a bunch of brilliant films, including such stunning pictures as "The Bird With The Crystal Plumage" (1970), "Profondo Rosso" of 1975, "Suspiria" of 1977 or "Tenebrae" of 1982. While the brilliant Giallo "Profondo Rosso" and the supernatural Horror masterpiece "Suspiria" are Argento's greatest achievements, "Phenomena" is a personal favorite. Accompanied by one of Goblin's most outstanding scores, "Phenomena" is a visually stunning and incredibly suspenseful blend of Giallo elements and supernatural Horror, and a must-see for every Horror-fan.

Jennifer Corvino (Jennifer Conelly), the daughter of an American movie star, is sent to an elite girl's boarding school in the Swiss mountains, more precisely in a part of Switzerland referred to by locals as 'The Swiss Transylvania'. The area is currently terrorized by a serial killer of girls, whose victims are always heinously dismembered. Although a friendly and lovable person, Jennifer does not make too many friends in the boarding school, and due to her sleepwalking most of the other girls think of her as weird. But sleepwalking is not her only unusual characteristic. Jennifer loves insects, and insects also seem to have a strong affection for her. While Inspector Geiger (Patrick Buchau) is investigating the brutal murders, Jennifer befriends wheelchair-bound entomologist Prof Mc Gregor (Donald Pleasence), who helps the police with their investigations...

Argento is a master of suspense and atmosphere more than he is a master of logic, but Phenomena is intense enought to forgive some logical flaws. While the plot may not be the most logical one ever written, it works perfectly. Then 15-year-old Jennifer Conelly is outstanding in this, a perfect performance from the beginning to the end. The supporting cast is also very good, the great Donald Pleasence's performance as Prof Mc Gregor is just one of many very memorable performances in "Phenomena". As usual for Argento, the movie is impressively photographed on great, scary locations. Dario Argento has always placed great emphasis on impressive colors (especially red, of course), and hardly ever have I seen a horror film as visually and acoustically stunning as Phenomena. The brilliant Progressive Rock Soundtrack by Goblin manages to even intensify the suspense, and is one of the best scores I have ever heard in a horror film.

Partially a Giallo, and partially a horror film with psychic and transcendental elements, "Phenomena" is creepy as hell from start to finish. It is also easily one of Argento's most brutal movies. Phenomena was also released under the title "Creepers" in the US, but that was a mutilated version cut by 29 minutes, so the 111 minute version is essential. Stunning and absulutely phenomanal!

Dario Argento is a genius... this is a fact. The film starts off with a beautifully gory scene, then somewhat mellows out for a while. Some great scenes of night walking/dreaming/etc stand out, but it's not until about 2/3 of the way through the movie that it becomes a classic.

Beheadings, stabbings, and a pool of body parts ensue. But by far the creepiest thing of the movie is when the son who is left alone "with his crazy thoughts" turns around from his corner, revealing his face. This is possibly the scariest thing I have EVER seen on film... even scarier than the robot-butler-doll from Deep Red. And that's saying something.

An amazingly spooky and incredibly gory battle follows, leading up to the gorgeous, bloody end.

Dario Argento can do no wrong.