एक सेवानिवृत्त इंटेलिजेंस एजेंट निजी जासूस बन गया, जो विभिन्न धमकी वाले ग्राहकों को बाधाओं को बराबर करने में मदद करता है।एक सेवानिवृत्त इंटेलिजेंस एजेंट निजी जासूस बन गया, जो विभिन्न धमकी वाले ग्राहकों को बाधाओं को बराबर करने में मदद करता है।एक सेवानिवृत्त इंटेलिजेंस एजेंट निजी जासूस बन गया, जो विभिन्न धमकी वाले ग्राहकों को बाधाओं को बराबर करने में मदद करता है।
- 7 प्राइमटाइम एमी के लिए नामांकित
- 2 जीत और कुल 11 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
Discovered The Equalizer on A&E. It had heart and I thoroughly enjoyed the interplay of the characters. I especially enjoyed the character of Jimmy played by Mark Margolis. You got glimpses into his life and wanted to know more. I wish someone would pick up the series again now that A&E has dropped it.
I have seen all the episodes at least 3 times; first on CBS, then USA, and then on A&E. Now it is on Hallmark.
Like other reviewers, I found the show refreshing and unique. I thought the choice of Edward Woodward was curious (a Brit for a Yank?)But I was willing to let it slide through.
Robert Lansing's portrayal as a District or Station Chief was well cast. Like most American TV series, it takes a season or two to become really good. The show had good writing, good actors and actresses, and good cinematography. I think that it was one of the best series produced.
The Robert McCall character had the potential of becoming a cardboard character. Woodward's acting skills prevented that, thank God. I found the premise of a disillusioned CIA Case Officer to be believable. The look-and-feel of McCall reminded me of the legendary William King Harvey of Indianapolis. It is uncanny.
I found the story line of internal CIA `political' struggles to be realistic. Remember, this was just after the infamous Senator Frank Church Commission which effectively gutted the CIA. We built the CIA to prevent any more Pearl Harbors. Then through internal political dissention (and ideology sympathy) we made it a Hollow, blind Man. Many veteran Case Officers were `forced out' at that time.
In the Army I made the acquaintance of some Mickey Kostmayer types. I liked the acting of Keith Szarabajka. His naturalness made the character believable according to the real people that I met.
After Woodward's heart attack, I thought that the inclusion of Richard Jordan was well cast. I was sorry to see his character fade out. He was just starting to come into his own.
The technical aspects were, at the time, quite startling. The `Trade Craft' was superb. I never did learn if the writers had access to old Case Officers or not. There is one scene where McCall tracks down someone using recorded voices from the telephone system. The NSA must have had fits over that one.
I have several favorite episodes, but one of two that stands out in my mind is where McCall is trying to teach street punks about what death is all about. He takes them to a morgue to see a stiff. While there, he introduces them to an old colleague who tells them about Hell. It was quite chilling, but very accurate.
The other episode is where he is trapped in a wedding reception as a hostage. The techniques and tactics that McCall used were very real. It should be required viewing for future operatives. Like other reviewers, I was sorry to see it cancelled. I felt that it had a few more seasons left.
One of the other reviewers mentions that the Equalizer replacement was Wiseguy. Interesting that, like the Equalizer, Wiseguy was modeled after a real person (Donnie Brasko) and a real situation. Yes, very interesting.
Like other reviewers, I found the show refreshing and unique. I thought the choice of Edward Woodward was curious (a Brit for a Yank?)But I was willing to let it slide through.
Robert Lansing's portrayal as a District or Station Chief was well cast. Like most American TV series, it takes a season or two to become really good. The show had good writing, good actors and actresses, and good cinematography. I think that it was one of the best series produced.
The Robert McCall character had the potential of becoming a cardboard character. Woodward's acting skills prevented that, thank God. I found the premise of a disillusioned CIA Case Officer to be believable. The look-and-feel of McCall reminded me of the legendary William King Harvey of Indianapolis. It is uncanny.
I found the story line of internal CIA `political' struggles to be realistic. Remember, this was just after the infamous Senator Frank Church Commission which effectively gutted the CIA. We built the CIA to prevent any more Pearl Harbors. Then through internal political dissention (and ideology sympathy) we made it a Hollow, blind Man. Many veteran Case Officers were `forced out' at that time.
In the Army I made the acquaintance of some Mickey Kostmayer types. I liked the acting of Keith Szarabajka. His naturalness made the character believable according to the real people that I met.
After Woodward's heart attack, I thought that the inclusion of Richard Jordan was well cast. I was sorry to see his character fade out. He was just starting to come into his own.
The technical aspects were, at the time, quite startling. The `Trade Craft' was superb. I never did learn if the writers had access to old Case Officers or not. There is one scene where McCall tracks down someone using recorded voices from the telephone system. The NSA must have had fits over that one.
I have several favorite episodes, but one of two that stands out in my mind is where McCall is trying to teach street punks about what death is all about. He takes them to a morgue to see a stiff. While there, he introduces them to an old colleague who tells them about Hell. It was quite chilling, but very accurate.
The other episode is where he is trapped in a wedding reception as a hostage. The techniques and tactics that McCall used were very real. It should be required viewing for future operatives. Like other reviewers, I was sorry to see it cancelled. I felt that it had a few more seasons left.
One of the other reviewers mentions that the Equalizer replacement was Wiseguy. Interesting that, like the Equalizer, Wiseguy was modeled after a real person (Donnie Brasko) and a real situation. Yes, very interesting.
The Equalizer-like so many shows from the 80's-is pure class.
It had a very dark premise. Robert McCall was a guy who helped people whose lives were in danger and had no one to turn to. Woodward was very serious and menacing as Robert McCall. McCall may not have been a young man and may not have been capable of jumping onto the top of a van or chasing after the bad guys on foot but he was dangerous. His voice was menacing and he put the fear into every bad guy he ever met. Once he took on an assignment (sometimes for no pay)he would not stop until he finished the job. Many of the bad guys were killed by McCall.
The best thing about this show was the premise. In the 1980's we had a lot of altruistic heroes (such as The A-Team and Michael Knight)who always helped the needy and always put the bad guy away-no matter how much above the law the bad guys thought they were. McCall was always there for people who needed him. That was the great thing about this show. Nowadays on TV, characters are out for themselves and will betray people on a whim, even the good guys. The likes of McCall were not like that-they were caring. No-body could kill them, scare them off or pay them off. They were true heroes.
It had a very dark premise. Robert McCall was a guy who helped people whose lives were in danger and had no one to turn to. Woodward was very serious and menacing as Robert McCall. McCall may not have been a young man and may not have been capable of jumping onto the top of a van or chasing after the bad guys on foot but he was dangerous. His voice was menacing and he put the fear into every bad guy he ever met. Once he took on an assignment (sometimes for no pay)he would not stop until he finished the job. Many of the bad guys were killed by McCall.
The best thing about this show was the premise. In the 1980's we had a lot of altruistic heroes (such as The A-Team and Michael Knight)who always helped the needy and always put the bad guy away-no matter how much above the law the bad guys thought they were. McCall was always there for people who needed him. That was the great thing about this show. Nowadays on TV, characters are out for themselves and will betray people on a whim, even the good guys. The likes of McCall were not like that-they were caring. No-body could kill them, scare them off or pay them off. They were true heroes.
I doubt that I could call this an objectively excellent show, but I loved it. We all have worries and concerns in this world, and when The Equalizer would come on, it was as if someone showed up to take care of it all.
The violence was gratuitous, the hero flawed, the premises and execution over the top. Yet the team, headed by an effective if somewhat hammy Edward Woodward who is in turn flanked by Mickey Kostmayer, and Jimmy and Sterno, and the regulars - Control, Pete O'Phelan, Lt. Smalls, Scott, etc. - grew on us. So many budding actors, now famous, guested on this show.
In a key conversation, McCall tells Control how he wished the rain pouring outside could clear away all the human scum and filth that terrorizes society. McCall took it upon himself to do so.
I often wished that longer-term plot elements would take hold. At one point, McCall says to Saul Rubinek's character, "Jason, you set me up. I don't know why, but believe me, I will find out" - but nothing came of this. Some of today's shows, Alias for example, show the potential for twists and turns in long-term plot elements. So, while there were serial elements (ex. McCall's family tribulations), the episodes were largely stand-alone. The Equalizer had huge potential for groundbreaking storylines, but failed to realize it. Still, it provided me with my weekly dose of valued escapism.
The violence was gratuitous, the hero flawed, the premises and execution over the top. Yet the team, headed by an effective if somewhat hammy Edward Woodward who is in turn flanked by Mickey Kostmayer, and Jimmy and Sterno, and the regulars - Control, Pete O'Phelan, Lt. Smalls, Scott, etc. - grew on us. So many budding actors, now famous, guested on this show.
In a key conversation, McCall tells Control how he wished the rain pouring outside could clear away all the human scum and filth that terrorizes society. McCall took it upon himself to do so.
I often wished that longer-term plot elements would take hold. At one point, McCall says to Saul Rubinek's character, "Jason, you set me up. I don't know why, but believe me, I will find out" - but nothing came of this. Some of today's shows, Alias for example, show the potential for twists and turns in long-term plot elements. So, while there were serial elements (ex. McCall's family tribulations), the episodes were largely stand-alone. The Equalizer had huge potential for groundbreaking storylines, but failed to realize it. Still, it provided me with my weekly dose of valued escapism.
A former CIA spy (Edward Woodward) is now a private investigator that helps out clients with problems that are beyond the normal authorities in "The Equalizer", one of the better series of its type during the late-1980s. The show went on for five seasons on CBS and did fairly well in the ratings department. There is definitely a hard and dark edge to this series which has been somewhat forgotten over the years but still packs a punch with its adult themes and story lines. Woodward dominated here while others (son William Zabka in particular) came and went in a revolving door of regulars and guest stars. A heart attack suffered by Woodward in real life during the middle of the run looked like it might kill the concept for good, but "The Equalizer" quietly went on without a hitch until it was finally canceled by the network in 1989. 4 stars out of 5.
क्या आपको पता है
- ट्रिवियाDuring the height of the show's popularity, Edward Woodward was often approached on the street by people in need, with situations similar to those depicted in the show. He began carrying flyers with the phone numbers of social services organizations and legal clinics for them to contact.
- भाव
Mickey Kostmayer: What do we need a diversion for? Just kick in the door and hose the room.
Robert McCall: Mickey, there is a five year old boy in there.
Mickey Kostmayer: Oh yeah, we're gonna need a diversion.
- इसके अलावा अन्य वर्जनThe Region 1 DVD releases have fifty percent of the show's original music replaced for copyright reasons. However, international DVD releases retain the original music.
- कनेक्शनFeatured in The 38th Annual Primetime Emmy Awards (1986)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें